Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Robias

Truncate

Thomas Schumacher was eleven years old when Depeche Mode released Construction Time Again. "I'll never forget sitting at home, listening to the album in my headphones, trying to figure out how they made those sounds."
Thirty-five years later, Thomas Schumacher still burns with curiosity. The Berlin-based DJ and producer makes light of his status as one of the most successful, versatile artists in electronic music. "What I love about Techno is that it demands that you constantly challenge and reinvent yourself."
Thomas Schumacher is always pushing his own boundaries. "The art of being relevant," he says, "is to repeatedly forget what you know.” In his early days producing music, he had to learn how to physically create the sounds he heard in his head. Now, as a virtuoso, the challenge is to use his breadth and depth of musical knowledge to convey profound emotion. "Techno is not just a tool to make people dance" he says, "it is a very personal, intimate way of connecting."
This intimacy fuels the unique vibe of a Thomas Schumacher DJ set. He likens what he does to being the captain of a ship. “I purposely steer my sets into rough waters. I want to help people get out of their heads and into their bodies. I create a safe space for people to lose their minds, in the best possible way. They know they don't need to worry or be afraid, because I’ve got them. I know what I'm doing. They can let go and just be."
When not guiding clubbers through seas of sound, Schumacher reaches them via his productions on labels like Drumcode; Arts, Noir Music and his own label Electric Ballroom. The more he creates, the more there is to explore, the more opportunities to invent, connect, and imagine. "I am always the one to change it up," says Thomas. "My ongoing ambition is to connect with the people, every single time. Thats why I do what I do and love it so much. I have never seen a reason to compartmentalise my music and my life. Everything is energy and everything is connected."
On Beatport Thomas’ remix of the classic “The House Of House” became his third number one hit within the past 24 months after “Stella”- a propulsive anthem dedicated to his daughter and “Wonder”, his collaboration with Victor Ruiz - once again reinforcing his place as one of the Techno greats.

Thomas Schumacher

As a DJ, producer and remixer, Michael Mayer remains one of Germany's core celebrities in dance music. Then, as a co-owner of Kompakt, he spends his weekdays deciding what will be released on the label and working with the label's artists and overseeing Kompakt's distribution wing - the home of over 50 record labels. Amazingly enough, he manages to sneak into the studio on occasion to produce his own music and remix the likes of Pet Shop Boys, Depeche Mode, Foals and Rufus Wainwright. And of course there is Supermayer but more on that later. It's safe to say he loves being challenged and regardless of the pressure is never putting less than 100% of his heart and soul into everything he does.

Born in 1971 in the Black Forest, he was exposed to DJing as a young teen when he befriended a neighborhood DJ and light designer who gave him mix tapes and snuck him into the local club. "The image of someone standing behind the turntables is carved into my memory. I knew at once that was what I wanted to do". Soon after, he was the star of the school dance and maestro for the local birthday parties. At the tender age of 18, Mayer graduated to the world of disco and became Saturday night resident of Achern's leading club at the time, Why Not. Sadly short-lived, Michael's musical tastes didn't match the crowd's bid for commercial cuts and so he was banished to peruse more "underground" projects.

By this time it's the early '90's and dance music couldn't be any bigger. Cologne wins and with Tobias Thomas he reinvents Friends Xperiment but commits to a straight 4/4 - house and techno mandate. It runs like wildfire, playing all over town which included a residency at the legendary IZ club - Cologne's community hub of that time. By 1993, Cologne had become Mayer's second home. A huge reason for this was the record store Delirium. His egg'ing on ended up earning him a job and a respect from his peers. Within that year he would become a co-owner and buyer for the shop. Over the next 5 years, Michael continued to thrive from his DJing, performing now in different cities - motivated by the birth of minimal techno and the tidal wave of innovative music that was coming out of Cologne at that time.

1998 would be a pivotal year for Mayer and his colleagues - most significantly the birth of Kompakt but many concepts and ideas are professionally realized. Mayer together with Reinhard Voigt and Tobias Thomas united in the studio to record the full length Geben und Nehmen (Ladomat) as Forever Sweet. By this time Friends Xperiment had evolved to a series of parties called Lichtblick. This would come to an end due to the inception of the now legendary weekly party Total Confusion at Studio 672. As a reaction to the state of the business and label politics the owners of Delirium felt the need to create their own arm of support for the music community. Kompakt was born - inspired by Andy Warhol's Factory, Kompakt was the realization of creating a complete outlet for creative freedom in the music business and today boasts a label, record store, distributor, recording studios and booking agency.

With Total Confusion, Michael Mayer and Tobias Thomas established arguably the longest running club night in Cologne. Bringing with it is a unique formula for club culture that remains unrivaled and remains uncompromised. From the warm-up to the ecstatic peak, Total Confusion's focus is on the dramaturgy, and not only includes techno, house and ambient music, but also aspects of pop and even R&B. Total Confusion was the stepping stone for Mayer's international DJ career. In 1998, Mayer becomes resident DJ at one of Barcelona's most beautiful clubs, Nitsa as well as at Geneva's Weetamix. From there more Mayer/Kompakt residencies shortly followed which he holds to this day amongst them Robert Johnson in Offenbach, Fabric in London and Berlin's Berghain/Panorama Bar.

Due to the numerous worldwide DJ gigs and responsibilities at Kompakt, Michael Mayer only finds time for his own productions at irregular intervals. Following a slew of 12'' releases, in 2005 he took the time off to produce his debut album Touch. In the dawning age of post minimal, Touch combined different aspects of house, techno, and even cosmic disco which Mayer relates to his ties with early italo- disco. Touch was an accomplishment of Mayer uniting a lifetime of influences. Regardless if you are influenced by other people's music when creating your own sound, Michael Mayer strongly feels that "DJ music in particular is all about updating tradition – to look ahead and in the past, both at the same time".

He takes his remixes just as seriously and regardless if it's Miss Kittin or Depeche Mode, he carries through with endearing qualities that resonate like a signature regardless of the style of music he brings to the remix. Mayer is renown for converting the mood and meaning of the original to it's opposite. A great example would be his now classic cover of Sade "Love Is Stronger Than Pride" - a friendly cocktail ballad contorted into a hard and sinister "schaffel" techno tune.

2007 was the year of Supermayer. Following a string of remixes for Losoul and Geiger, the friendship and musical connection between Superpitcher and Michael Mayer reached it's fruition. Their playfulness and open spirit in music, freedom and hilarity was embraced by the public with their debut full length Save The World. Their celebrated album brought forward an elaborative a/v live show taking them to numerous festivals including Coachella, Fiber Fib and Primavera Sound.

Finally, Kompakt sees the long-awaited release of Michael's sophomore album Mantasy, a long-awaited, indispensable update of Michael Mayer’s production sound and an essential release for the label in 2012. The album’s title refers to the escapist momentum of a cinematic journey into the unknown, a tribute to history’s great explorers, but also an intimate trip to the core of the Kompakt sound itself, whose main ambassador has always been Michael Mayer.

Though he remains dedicated to the 4/4 kick drum, Michael Mayer is by no means a techno purist but is constantly striving to look beyond one's own nose, to shift frontiers and to go in depth. "A DJ has a certain responsibility. He has to play progressive, contemporary music and combine it with the past. It is all about entertaining people, but you must not under challenge nor overstrain them. You must be subversive and play music that no one would have ever dreamt of listening to voluntarily at the club. You are both, entertainer and educator."

Michael Mayer

Danny Daze

Andres Campo’s already flourishing career is experiencing a swift and dramatic upturn. From becoming one of the most beloved DJs and producers in Spain, his name is now a worldwide byword for talent, quality and exciting music, both as a DJ, including his Florida 135 residency along with many international shows, and as a producer, signing to Drumcode, FilthOnAcid, Second State, Intec, Mood, Odd Recordings and Mindshake in the last year alone.

Andres Campo

Electronic producer, film composer, and techno legend Phil Kieran has worked with artists ranging from Green Velvet, Depeche Mode, Speedy J, David Holmes, and Nitzer Ebb. Kieran's solo releases are mainly techno or dancefloor-oriented. He is also the founding member and producer of the EBM band Alloy Mental and a three-player ensemble called Le Carousel, described as "a woozy look back into childhood, a blissed reflective songcraft, tinged with time-lapse psychedelia and shot through with hazy fairground ephemera... reimagined for the dancefloor, filtered through Phil’s unerring techno sensibility."

In recent years, Phil has been composing music for theatre, fashion shows, radio programmes, and film, releasing his first OST album, Nightride, in 2022.

Phil Kieran

Dorisburg

An On Bast

Mark Henning

Analogue warmth meets raw energy: This furious mixture made Andre Kronert a synonym for powerful and high- octane club sound, as a DJ as well as a producer. In his productions Andre Kronert performs a mesmerizing balancing act between two worlds. On the one side, there is the raw energy and explosive power of his ecstatic, repetitive rhythms. On the other side his style is characterized by subtle build-ups, filigree sound textures and the warmth of analogue synthesis. For a good reason, since Andre Kronert has been an avid vinyl lover since he started DJing 25 years ago. During his live performances he exclusively relies on his beloved music machinery which includes no laptop. His thirst for new enterprises frequently reaches hyperactive dimensions and is the driving force behind his label Odd/Even. So there’s a very good change that we’ll hear even more from Andre Kronert in the near future!


Andre Kronert

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