Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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Wintersix

Lowdown

Riva Starr

Innellea

Solardo

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production.
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm.
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby.
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno.
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor.
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration.

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

Reinier Zonneveld

Gene Farris lives and breathes house music. A bonafide Chicago legend, he’s been pushing musical boundaries for over three decades, from spinning at underground warehouse parties in the early 90s to working with the current crop of world-leading labels and artists. Relief, Dirtybird, Circus, ViVa Music, Defected: all have released and championed Gene Farris records over the past few years, alongside his own Farris Wheel imprint: a testament to the quality and relevance of the music he creates. Farris has become a go-to collaborator for many high calibre artists, including Sub Focus, Cajmere, Green Velvet, Loco Dice, John Summit, Riva Starr, Mark Knight and Jamie Jones, further establishing Farris as a rare and highly sought-after talent.

As a self-taught engineer and producer, his work with Cajual, Relief Records, Defected Records, Soma Recordings and his own breakout label Farris Wheel Recordings, propelled his influence into ever expanding realms. His catalogue is vast, varied and consistently inspired, with notable releases including collaboration ‘It’s Time’ on EMI with drum and bass heavyweight Sub Focus, ‘Play’ on Snatch!, ‘LOL’ on Relief and 2015’s ‘Move Your Body’, which was one of the biggest club records of the year. Similarly impressive was Gene’s ‘Welcome To Chicago EP’, which after its release on Defected Records back in 2003, quickly became a cult classic.

Gene Farris

Always one step ahead, Bart Skils stands as a defining force in the global techno movement. Celebrated for his dynamic, driving DJ sets, he crafts seamless journeys of rhythm and energy—each performance marked by his unmistakable rolling groove and intuitive connection with the crowd.

A cornerstone of Adam Beyer’s Drumcode Records, Bart has produced some of the most iconic releases. Tracks like “Your Mind,” “Roll the Dice,” and “Universal Nation” have become modern techno anthems and staples of the genre cementing his reputation as one of the scene’s most consistent and forward-thinking producers.

His remix work for electronic pioneers including Underworld, Moby and Sven Väth showcases his versatility and deep understanding of the dance floor and essence of electronic music.

From underground basements to the world’s biggest festival stages, Bart Skils continues to push boundaries and evolve his sound. With an ever-expanding tour schedule and a catalogue of impactful releases, he remains at the forefront of shaping the future of techno worldwide.

Bart Skils

Having mastered the art of modern production, Belgium’s Olivier Grégoire has become one of

the world’s most renowned dance music artists, with a bevy of high-profile releases under his

various pseudonyms. You may know him as Kolombo, the house player with a discography that

charts esteemed imprints like Kompakt, Turbo, Diynamic, Noir Music, Suara, Snatch!, Sweat

and most recently Dirtybird, with the summer 2018 single “It’s Gettin’ Hot.” Though he’s also

made waves as the LouLou Players with his partner Jerome. Together they’ve toured the world,

and launched the LouLou Records imprint, a house label with several releases from Kolombo

and the Players.

With shows at Belgium’s Tomorrowland, all across America, in Russia, Australia, and in the hip

party capital of Berlin, the past few years have seen Kolombo’s star continue to rise as a DJ

almost everywhere. But especially in South America, where he regularly plays major festivals

and clubs.

Last but certainly not least, Grégoire is also part of the highly touted Mugwump outfit, a leftfield

house duo launched with Belgian dance music pioneer Geoffroy Mugwump in 2008. Together,

their recordings have landed on electronic music’s most discerning labels, including DJ Hell’s

Gigolo, as well as Kompakt, R&S, Cocoon, !K7, Throne Of Blood, Misericord, International Feel, Permanent Vacation and Endless Flight.

Kolombo

Vanilla Ace aka London DJ and producer Sam Young is a prolific and increasingly prominent force in house music. A firm favourite in his native UK and a growing name globally, with releases on Toolroom, Safe Music, Hot Boi, Glasgow Underground, Nervous, Simma Black and Spinnin Deep Vanilla ACE has been making club hits since 2012.

The last few years have seen him go from strength to strength with top charting singles on Beatport, Traxsource and Trackitdown. January 2018  ‘Commotion’ was released on Ministry of Sound and had support from A-Trak, Silk City (Diplo & Mark Ronson), Danny Howard, MistaJam and James Hype.

2018 saw releases on Elrow Music, Big Beat/Atlantic, Erase, Universal, Box of Cats, Hot Boi, Stashed and Club Sweat.

The crowning achievement of 2016 was ‘The Gee’. Built around an instantly recognizable sax sample, the track shot to no.1 on Beatport 100 chart and stayed there for weeks and picking up support from an array of club and radio DJs. This follows his 8 week top 10 on Beatport ‘Deep House’ with ‘Bring it Back’ during the heyday with OFF recordings in 2013.

Touring globally, Vanilla Ace has performed in North and South America, Australia, South Africa and India, with bookings including HARD Summer festival in LA, Holy Ship in Miami, Green Valley in Brazil, Ministry of Sound and Egg in London and Chinese Laundry in Sydney, Australia playing alongside the likes of Patrick Topping, Tough Love, Green Velvet, Low Steppa, Roger Sanchez and Breach.

Vanilla Ace

FREAK ON

<Sin título>

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Cada track se evalúa únicamente por su valor musical, originalidad, calidad de producción y cómo se siente en un contexto real de DJ. Si el sonido es fuerte, pertenece aquí, tanto si viene de un artista conocido como de un nombre completamente nuevo. Los Focus Charts están diseñados para DJs y buscadores de música que confían en sus oídos por encima de las reputaciones.

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Nombre

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El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Wintersix

Resumen

Tracks destacados

Últimos releases

A State of Trance Year Mix 2023

Night Vision

Umbra

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