Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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DimSum

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

Carlo

DeMarzo

Aron Volta

Liverpool based DJ and Producer Lauren Lo Sung is revered for her groove-laden sound. A fusion of warm textures and stripped-back percussions, flavoured with a little Parisian flare, it’s the prime force behind her flourishing career, one that thus far has not only taken her to an array of club and festival hotspots like Junction 2, fabric, Tobacco Dock, Club Der Visonaere, Hi (Ibiza) and The Warehouse Project, but has also earned her accolades along the way like Mixmag’s 'One to Watch', DJ Mag’s ‘Get To Know’ and Liverpool Echo’s 'DJ Of The Year’.

Lauren Lo Sung

It can’t be missed that Dennis Quin has emerged his way up into the scene as one of the most exciting names Worldwide, after being Amsterdam’s best kept secret for a while.  
The Dutch native Quin has got a mature, though refreshing sound identity that you simply don’t hear that often.

Quin’s passion for House music started in the early nineties inspired with the Chicago / NY House sound, Dennis bought his first vinyl records (his first records by: Kerri Chandler, Todd Terry and Masters At Work) he got, Dennis is a true curator of undiscovered sounds to apply in his current work as a producer.

HIS MUSIC, HIS SOUND

His signature sound is being adapted in today’s global House scene. Being diverse sound wise, but always consistent within his own productions, Dennis Quin claims the spotlight he deserves.

Dennis Quin's music is irresistible. He has a unique and unmistakable sound, combining heavy bass-lines with infectious rhythms that make the dance-floor heave. His melodies conjure up all sorts of emotions, while his hypnotic grooves are guaranteed to leave any crowd entranced. Whether you're into thumping Tech House or sublime Deep House, Dennis Quin always delivers something special. And with his impressive discography,

His long-lasting legacy as a selector and tastemaker within the scene has earned him recognition from industry professionals, chart success and legions of loyal fans. With each release, Dennis Quin continues to defy expectations with his sublime production skills, creating timeless bangers that effortlessly bridge past and present. His tracks never fail to take listeners on an unforgettable journey through the evocative sounds of classic house music.

It's no wonder why this maestro of modern House Music continues to captivate audiences around the globe.

Highlighting his collaboration and friendship with Kerri Chandler, his successful remix of Kerri’s - You’re In My System opened doors internationally.

It was a matter of time that the music of Dennis nowadays gets heavily supported by the likes of Chris Stussy, Jamie Jones, Seth Troxler, Louie Vega, and Benny Rodrigues.  Next to all of the massive club and festival support Dennis is a regular at BBC Radio 1 and doing resident live mixes on a regular base at the Dutch National Radio SLAM! (The Boom Room)

Being asked by Kerri Chandler to play B2B multiple gigs last year, and also played b2b with Benny Rodrigues, the Dutch king of House and Techno,

No hype, rather timeless music. One of the highlights in 2025 is the forthcoming Dennis Quin remix for legends Moodymann & Louie Vega next to an official Masters At Work Remix seeing the light of day later on on the iconic US Nervous Records label

DENNIS QUIN THE ARTIST

A When it comes to performing, Dennis transforms into a true passionate crowd-focussed DJ when he enters the booth.

Besides being the most friendly giant of the scene he is playing most often exclusive unreleased tracks of his own and cheeky private reworks / edits that makes him stand out for sure.

Dennis performed at shows in Miami, Chicago, New York and even in Tokyo, a regular at Amsterdam renowned festivals like Straf_Werk, Mystery Land, and iconic club venues all over the world like Fabric London, Spybar Chicago, Amnesia Ibiza, Pacha Barcelona just to name a few.

Dennis has got a reputation for creating the most unique and exciting atmosphere. His sets draw on a range of different styles and influences, Dennis is always focussed playing new, mostly his own exclusive music in his sets.

He definitely knows how to work the room. Drawing on over a decade of experience, he has a knack for reading the energy of the crowd and crafting sets that keep people dancing all night long. Whether it's a sweaty warehouse rave, Summer Festival or an intimate club-setting with sweaty gritty vibes, Dennis knows how to set the vibe and keeps things moving.

Always being able to adjust to the right setting without making concessions to his own fingerprint sound.

RELEASES

With previous original Hit records like ‘ Move Out Of My Way’ Dennis Quin turned heads. Being streamed on Spotify more than 6.6 mln times, charted at the MTV Europe Big 20 Chart Show in 2018 he turned heads.

in 2025 he reached 1.4M monthly listeners and over 10k followers on Spotify.

His second most successful track is the highly respected remix of ‘ You’re In My System’ (Kerri Chandler, Jerome Sydenham) released on Ibadan Records, Selling out 2 represses in a few weeks time, there’s no doubt that this Dennis Quin interpretation of the original will always be a timeless record. Yet again in 2023 officially re-released but this time as an official collaboration with Kerri.

With his diversity in styles he managed to get signed to the renowned Slapfunk’s Sister label ‘Dungeon Meat’ with an original solo EP in 2024 (Vinyl only).

2025 sees a lot of new music on a wide variety of labels such as Dungeon Meat, Constant Sound and Dennis will launch his new imprint this summer.

Dennis released his music on labels such as Beeyou, Dungeon Meat, Constant Sound, Eastenderz, PIV and Kaoz Theory and will release in 2025 on Factory 93 Records, MAW records and more to come.

Dennis Quin

The Checkup

Coral O'Connor

Manuold

German born and Amsterdam based Retromigration has been carving out a name for himself in the last year by producing a refreshing and raw sound in his in music. It's a deliberate and elegantly explosive blend capable of giving shape to deep, immersive beats that look toward the future while paying tribute to the past. With only a handful of releases under his belt, the producer and DJ with Nigerian and Ghanaian roots, has already made waves with releases on Wolf Music, Healthy Scratch, Rhythm Section and Heist Recordings  with forthcoming projects and  his debut album with Wolf Music coming in the beginning of next year. Retromigration is cementing himself as someone to watch.

Retromigration

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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DimSum

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