Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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Joji

Fcukers

Dj Tennis is Manfredi Romano
Founder of Life and Death record label
Born in Italy, Based in Amsterdam and Miami

DJ Tennis

Tiga, born in Montreal, is a globally renowned DJ, producer, and the creative force behind Turbo Recordings. His journey began in the vibrant chaos of the 1980s Indian club scene, where he developed a deep appreciation for electronic music’s transformative power. Returning to Montreal in the early 1990s, his relentless pursuit of musical excellence saw him co-founding the legendary nightclub Sona, creating a sanctuary for bold, cutting-edge dance music, while his label Turbo Recordings became a launchpad for numerous iconic releases in electronic music from artists such as Chromeo, Azari & III, Gesaffelstein, Duke Dumont, ANNA, and Charlotte de Witte.

As a producer, Tiga achieved global recognition with his acclaimed albums Sexor, Ciao!, and No Fantasy Required. His remix credits include high-profile artists such as The xx, LCD Soundsystem, Moby, Depeche Mode, and Justice, solidifying his reputation as a master of reinvention. His original works, including the hit single “Pleasure from the Bass,” cemented his place in electronic music history. Throughout his career, Tiga has toured extensively, performing at legendary festivals and nightclubs such as Coachella, Sónar Festival, Berghain, Stereo Montreal, and Tomorrowland.

Tiga

Ben Böhmer

Peggy Gou is a South Korean-born DJ, producer, and songwriter based in Berlin. During the 2010s, she became internationally renowned for her energetic DJ sets, which dreamily flow through various styles of techno, house, and electro. A 2019 volume of the DJ-Kicks series demonstrated her eclectic approach. Her own tracks, such as the acclaimed 2018 single "It Makes You Forget (Itgehane)" and 2021's "I Go," are vibrant, joyous productions that echo vintage deep house and post-disco without sounding like throwbacks. Taking her sound in a more accessible direction, she released the dance-pop single "(It Goes Like) Nanana" and the Lenny Kravitz collaboration "I Believe in Love Again" in 2023. Both tracks were featured on I Hear You, her 2024 debut album.Gou seemed to appear out of nowhere in 2016, releasing no less than four 12" EPs of bright, slightly hazy house tracks during the course of the year. In actuality, she had been producing and DJing for several years -- she learned to beatmatch in Korea in 2009 and resumed the hobby a couple years later, when she was attending the London College of Fashion. After racking up gigs during the next few years, as well as moving to Berlin, she made her breakthrough in 2016, releasing two Art of War EPs on Radio Slave's Rekids imprint, "Day Without Yesterday" on Phonica White, and Seek for Maktoop on Technicolour. She also played dozens of gigs across the globe, including dates with Moodymann, the Blessed Madonna, Jackmaster, and others. Following an even busier 2017, which included her first American tour and a month-long BBC Radio 1 residency, Gou returned to the studio. Her Once EP was released by Ninja Tune in 2018, led by "It Makes You Forget (Itgehane)," a catchy single featuring Gou's Korean-language vocals. "Travelling Without Arriving" was issued by Phonica White soon afterward. In 2019, she released the two-song Moment EP on her own Gudu Records, as well as her first mix CD, a volume of !K7's long-running DJ-Kicks series. She was featured on "Jigoo," the lead track from Maurice Fulton's Gudu-issued Earth EP, in 2020. The following year, Gou released the downtempo single "Nabi" (featuring OHHYUK) and the electro-disco tune "I Go." Remixes of the song, by Soulwax, DJ Koze, and Fulton, appeared in 2022. She remixed "Can't Get You Out of My Head" by Kylie Minogue the same year. Gou made her mainstream breakthrough in 2023, when "(It Goes Like) Nanana," a Euro-dance-influenced single issued by XL, went viral, eventually topping club and pop charts around the world. She followed the hit with "I Believe in Love Again," a collaboration with Lenny Kravitz. I Hear You, Gou's debut full-length, appeared in 2024, including both previous singles as well as the trancey, festival-sized anthem "1+1=11." ~ Paul Simpson

Peggy Gou

Four Tet

Fragments is the most emotionally intense record that Bonobo - aka Simon Green - has ever had to make. It’s no surprise that it’s also his masterpiece. Born first out of fragments of ideas and experimentation, the album ultimately was fused together in a burst of creativity fueled by both collaboration and Green’s escape into the wild.

Full of tension and release on both an intimate and an elemental scale, Fragments is truly a record for our times. But there were times when it felt it would never happen. Where previously Green had always written on the move, this time he had to fight to get it out, in isolation, as the world changed around him. He started to pull back into himself – and for the first time, crucially, he wasn’t writing new music as he travelled. But slowly, he found inspiration as he sought refuge in the great expanses of wild nature outside his adopted home of Los Angeles, “finding the places that were alien and unique and awe inspiring.”

Bonobo

“I’ve always felt that the dance music scene is too cool for us,” producer Guy Lawrence told Apple Music in 2020. It’s a bit of a surprise admission considering that he and his brother Howard—who was just 15 when they released their first music as Disclosure—were hugely responsible for reinvigorating house music in the UK in the early 2010s. “It was never our intention to be famous,” said Guy. “It was the music that we wanted to be famous, and the more work we did, the better chance it had.” While their musical peers James Blake and Mount Kimbie were redirecting dubstep towards a more organic, instrumental style, Disclosure looked to ’90s house and UK garage as inspiration for their developing sound—one that had reverence for the past but still aimed to push things forward. Their first single, 2010’s “Offline Dexterity,” generated a lot of buzz for the two Surrey teens, but it was 2012’s genre-fluid “Latch” (which made good on an irresistible vocal from another fledgling UK talent, Sam Smith) that cemented their status as British dance music’s new standard-bearers. Their debut album, Settle, would top the UK album charts nine months later. Its power lay in the complementary talents of brothers born to a rock musician father and session singer mother. Guy brought the intuitive, deeply satisfying production that delivered club credibility, while Howard’s songwriting instincts ensured an abundance of radio-friendly hooks for the duo’s tastefully curated vocalists, which included Smith, AlunaGeorge, Jessie Ware, and others.

The band’s second album, Caracal, arrived in 2015 to diversify and disrupt the Disclosure blueprint. Five years, a hiatus, and several appetite-whetting EPs on, they did much the same with their third. “Because of the time off, ENERGY has been a little more tactical,” Howard told Apple Music. “With the first album especially, we basically wrote songs and put them out. Now, we’ve got a wider musical vocabulary. Guy can now say, ‘I want this to sound like a French house tune,’ and I can say, ‘I want chords to make me feel this way.’ Our skills have progressed.”

Disclosure

Revered producer and composer Daniel Avery returns with a new album and live show, his most ambitious works to date. Channelling every corner of his sound, Tremor is a bold and transportive body of work through euphoric shoegaze, submerged techno, ambient soundscape and industrial bliss. It remains unmistakably Avery, yet dramatically evolved.

With the album Avery has welcomed an inspiring cast of collaborators, including the likes of Alison Mosshart (The Kills), Walter Schreifels (Quicksand / Rival Schools), bdrmm, Julie Dawson (NewDad), yeule, Ellie, Art School Girlfriend, yunè pinku, and Cecile Believe. Each artist leaves their indelible mark, yet the record’s true power lies in the communal spirit at its core.

“This is a living and breathing collective,” says Avery. “Since the earliest recordings, Tremor felt like a studio in the sky, a space in time through which we could all pass as artists”, he reflects. “It’s the welcoming spirit of acid house with the doors flung open wider still to allow in every influence from my musical journey: the warmth of distortion, the stillness inside intensity, the transcendental beauty of noise... They have always been there in my music but now it feels like those ideas are being transmitted in Technicolor. This is a record for the post-rave comedown kids, the guitar heads and anyone else who wants to come along for the ride. Everyone is welcome.”

Daniel Avery

RÜFÜS DU SOL

<Sin título>

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Nombre

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El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Joji

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