Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

Sobre nosotros — Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} · Precio: {price} · Catálogo n.º {catalogNumber} · MP3, WAV, AIFF y FLAC · Re-descargas ilimitadas

{albumTitle} de {recordlabelTitle} en Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} en Volumo

Mejores pistas, lanzamientos y álbumes de {contributorTitle}. Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música de {contributorTitle} en Volumo

Best {currentYear} {genres: :1} Artists Tracks & Releases {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Mejores artistas, pistas, lanzamientos y álbumes de {genres: :1} en {currentYear} en Volumo — {paginationText}

{chartName} por {author} - Volumo · MP3, WAV, AIFF y FLAC · Descargas ilimitadas

{chartName} por {author}

{chartName} por {author} - Volumo

Música {genreTitle} {genreDescription}: canciones, lanzamientos y álbumes {currentYear}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música {genreTitle} {currentYear} en Volumo

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Top {genreTitle} {currentYear}: Best Releases & Albums at Volumo {paginationText}

Música exclusiva de {genreTitle}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga exclusiva de música {genreTitle} en Volumo {paginationText}

Lo mejor de {genreTitle} {currentYear}. Principales lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados en Volumo {paginationText}

Música de {contributorTitle} · Descarga en MP3, WAV, AIFF y FLAC · Volumo — tienda de música electrónica de nueva generación para DJs profesionales

Compra y descarga música de {contributorTitle} en Volumo

Compra y descarga música de los mejores sellos de {genres: :1} en {currentYear}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Mejores sellos de {genres: :1} en {currentYear} · Descarga de música en Volumo {paginationText}

Descarga de la música más reciente de Electronic, Dance y House {currentYear} {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga la música más reciente de Electronic, Dance y House {currentYear} en Volumo {paginationText}

{artists:, :1} - {trackTitle} de {recordlabelTitle} · Precio: {price} · Descargas ilimitadas · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Lanzado el {releaseDate} · MP3, WAV, AIFF y FLAC

{artists:, :1} - {trackTitle} de {recordlabelTitle} en Volumo

Soni

Roland Clark

Julie McKnight

Sterling Ensemble

More than any other producer, Todd Terry defined New York house during the ’80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy. And with two of the most respected crossover remixes of the house era («I’ll House You» by the Jungle Brothers and «Missing» by Everything but the Girl), Terry more than earned his title «Todd the God» (or occasionally, simply «God»). Though he’s often been accused of recycling his own beats and effects (in his production work as well as the DJ booth) a bit too often for his own good, Terry’s immortality as a dance icon is assured.

Born in Brooklyn, Terry began DJing in the early ’80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago dropped in the mid-’80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny «Dope» Gonzalez, Terry borrowed the Masters at Work guise — which Vega and Gonzalez would later popularize — for one of his first big productions, the 1987 single «Alright Alright»; the single became a milestone on New York’s early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in «I’ll House You,» one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, «Weekend» and «Bango (To the Batmobile),» both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits — Black Riot’s «A Day in the Life,» Gypsymen’s «Hear the Music,» Royal House’s «Can You Party,» Todd Terry & the Countdown’s «Flipside,» Torcha’s «Feel It,» D.O.S.’s «House of Gypsies,» Sound Design’s «You Can Feel It,» Tech Nine’s «Slam Jam,» and Static’s «Dream It.» Despite his wealth of released material, Terry remixed dozens of artists as well, including Sting, Björk, Janet Jackson, Tina Turner, Malcolm McLaren, Annie Lennox, Robert Plant, and Technotronic, among others. The British house boom of the early ’90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a minor sensation, causing several British journalists to describe him as «God.»

Terry moved into label entrepreneurship in 1992 when he formed Freeze Records with William Socolov. (Several of Terry’s early singles had appeared on Socolov’s Fresh/Sleeping Bag label, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry’s productions, including several volumes of his EP series Unreleased Projects beginning in 1992 and running through 1995.

That same year, Terry’s remix of the erstwhile pop act Everything but the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo’s flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while the flip side of the coin, A Day in the Life of Todd Terry (including his best single and remix productions) appeared the following year. His next project, Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, and Bernard Fowler. Terry made another artistic change-up, to LP-oriented drum’n’bass, with his 1999 album Resolutions, recorded for indie/electronica stalwart Astralwerks.

Todd Terry

A leader in  global dance music, Louie Vega has painted an award-winning career from a palette mixed with everything from house, salsa and afro-beat, to jazz, hip hop, gospel and soul.

What distinguishes the Grammy winner and 7-time nominee as one of the best living house music deejays is his ability to evolve alongside the times, distill the current musical landscape through his unique taste and put his own timeless spin on his musical creations.

In 2020, his production team Masters At Work with Kenny Dope Gonzalez will revamp their label Maw Records, and will be releasing their full catalog worldwide via digital and streaming outlets. New Masters At Work Remixes for Dua Lipa (Via The Black Madonna’s Mix Tape), DJ Krust (on Crosstown Rebels), and new productions for the Maw Imprint by The Masters At Work.

Louie Vega has also teamed with The Martinez Brothers for a second single entitled “Let It Go” with Marc Bassy released July 10, 2020 on the titan record label Defected.

In NYC, Vegas' weekly residency night has inspired him to record an album for Nervous Records release coming early 2021 featuring his friends : Robyn, Honey Dijon, Bernard Fowler, Moodymann, Kerri Chandler, Anané, Lisa Fischer, Joe Claussell, Tony Momrelle, Karen Harding, & the super band Unlimited Touch.

Breaking down musical barriers and bringing people together through a love of music has always been Vega’s aim; his contributions continue to positively influence global dance music.


Louie Vega

В тексте про DJ Sneak есть одно нарушение твоих правил.

Что нужно исправить:

В конце упоминается «All World Entertainment» как букинг-агентство. Согласно твоим правилам, любые контактные данные или информация о заказе артистов (даже если это его собственное агентство) должны быть удалены.

Отредактированный текст:

In 1983, Carlos Sosa pka DJ Sneak, moved to the city of Chicago from The island of Puerto Rico, where his early musical experiences and Influences were rooted in salsa, meringue and famous Latin orchestras. Chicago, like Puerto Rico, is a city rich with musical styles and sounds. It was in Chicago that Sneak found inspiration in underground house music, Warehouse parties and "old school" mix tapes from the early pioneers - Farley Jackmaster Funk, Ralphi Rosario, Steve Hurley and local radio station shows played on WBMX. Sneak earned his nickname rocking designs in the graffiti tagging days and began working at retail stores as an airbrush artist, not long after he cultured the music industry world and began recording his first releases. While at retail stores Sneak developed his DJing skills around the city working regular mobile DJ jobs and local nightclubs. In an already saturated DJ pool, sneak focused on music production and started an independent label - Defiant Records. In 1992, using the fundamental studio pieces, Sneak began recording tracks with an unusual new style. In 1994, while still working at local store Gramophone Records sneak met Cajmere (green velvet) owner of Cajual and Relief Records. Cajmere released some of sneak's pivotal tracks and helped bring international recognition, with it, a global DJing career. In 1995, sneak's new sound revolutionized house music with inspirational sounds and rhythms never heard. The disco filtered house grooves became sneak's signature sound. Innovator to many, sneak's love for music spawned current talents such as Daft Punk, Basement Jaxx, Armand Van Helden. In 1996, Dj Sneak's "You can't hide from your bud" on Derrick Carter's Classic Recordings turn out to be something of a masterpiece, setting a blueprint for many subsequent 'filtered disco' tracks and preceding the wave of funky, disco-influenced house that would prove the massive popularity of Chicago underground music. From 1996 through the present day DJ Sneak is also a veteran on the remix world, with highly expected remixes that drive dance floors across the globe to ecstatic conditions by means of his intense beats and rhythms. After years of development, DJ Sneak is a familiar name across the world's club circuit rocking down the best venues and events. A frequent visitor of Ibiza - the Island of spiritual parties and the Mecca of dance music culture, sneak has played a part in many of events involving the best production teams from England; Ministry of Sound, Cream, Manumission, Miss Money penny's to mention a few. A favorite in the United Kingdom's summer festivals for example Homelands, Creamfields, 'T' in the park in Scotland, Sneak has no mercy on the sound systems and on the scale of exiting DJs to grasp he remains part of the top 100 DJs of the world for 5 consecutive years. Recognized as the disco filter innovator his musical style is diverse from furious banging' Chicago tracks and Latin tribal beats to disco filtered reworks of retro classics with melodic rhythms that suit your soul. In 2001 Sneak launched a new record label 'Magnetic Recordings" where he's releasing all new music, compilations as well as introducing new talents and continue preaching the sound of Chicago House Music. The future bring about new light to DJ Sneak's journey focusing on the development and evolution of electronic music's struggle to be acknowledged as the sound of tomorrow.

DJ Sneak

David Morales

For anyone who knows their shit, Mike Dunn should need no introduction, but for those that don’t, he was highly influential in birthing the modern day dance music phenomenon, most notably as a major progenitor of acid house.

“I was one of the first cats bringing two reel-to-reels and spinning with them at the parties. I was bringing out two Pioneer 707s, doing the Hummingbird, Jacks, The Courtyard, etc. I’d bring a drum machine, too. I would make tracks right then as the party was going. Way before my guys Daft Punk and all of them were doing live gigs, I was doing that at the basement parties – just bringing drum machines and doing everything live."

Word soon spread about his talents and Mike was booked for various clubs in and around Chicago, DJ’ing with house music innovators such as Ron Hardy, Larry Heard and good friend Armando Gallop. It wasn’t long before Mike got the production bug releasing 'Dance You Mutha' in 1987. More house and techno productions followed in the late 80s with Mike’s distinctive vocal delivery and trademark hip-house, acid, production style, to create tracks such as ‘Let It Be House’, ‘Magic Feet’ and “Face the Nation”.

More recently, tracks like Phreaky MF’ and ‘God Made Me Phunky’, re-released on Defected records, have raised his profile and delivered his music to new audiences. Whilst new interest in Mike’s original old school jamz have taken him to work with the new generation of house and techno producers and labels.

Mike Dunn

Before today there was yesterday and after tomorrow is the future. Eli aka Bamboozle and Charlie aka Lonely C's paths were crossed for all time when a Sun Ra light beam sent from Saturn collided with the P-Funk Mothership and sent them tumbling to earth. Now, Soul Clap time travels on a musical spaceship of dopeness...

Soul Clap

Junior Sanchez has been a dynamic force in the world of house music, consistently pushing boundaries with his diverse sounds. His extensive catalog boasts releases on renowned labels like Defected, Relief, Mad Tech Records, Strictly Rhythm, and Nervous Recordings. Noteworthy remix credits include Madonna, Gorillaz, Jamiroquai, Daft Punk, Chrvches, Azealia Banks, and Ariana Grande.

As 2023 concludes, Junior's recent releases on Planet E, Wh0plays, Circus Recordings, Club Bad, and Defected, along with the attention-grabbing collaboration with Dance System as Freqazoids, showcase his continued impact. With plans for a sophomore album in 2024, Junior Sanchez remains a headline act on global stages, from Ultra in Miami, Korea, and Singapore to Pacha and Ushuaia in Ibiza, demonstrating no signs of slowing down.

Junior Sanchez

<Sin título>

Título del álbum

Álbum {title}

El álbum {title} ha sido retirado del envío

Portada para {title}

Título del chart

¿Eliminar artista {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del artista, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

¿Eliminar label {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del label, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

Mensajes directos (para proveedores de contenido)

Editar álbum {title}

Introduce el título del chart

Error al obtener {title}

Cada track se evalúa únicamente por su valor musical, originalidad, calidad de producción y cómo se siente en un contexto real de DJ. Si el sonido es fuerte, pertenece aquí, tanto si viene de un artista conocido como de un nombre completamente nuevo. Los Focus Charts están diseñados para DJs y buscadores de música que confían en sus oídos por encima de las reputaciones.

Los Focus Charts son selecciones seleccionadas a mano por el equipo de selección de Volumo, con una prioridad clara: la calidad del sonido en sí. Estos charts no se basan en grandes nombres de artistas, labels famosos ni el hype de la industria. Cada track se evalúa únicamente por su valor musical, originalidad, calidad de producción y cómo se siente en un contexto real de DJ. Si el sonido es potente, pertenece aquí, venga de un artista conocido o de un nombre completamente nuevo. Los Focus Charts están pensados para DJs y buscadores de música que confían más en sus oídos que en las reputaciones. Este es un espacio donde productores emergentes conviven de forma natural junto a artistas consolidados, y los releases underground reciben la misma atención que los tracks de labels grandes. Si estás buscando música electrónica fresca, descubriendo joyas ocultas o explorando nuevas direcciones dentro del techno, house, minimal y géneros relacionados, los Focus Charts en Volumo ofrecen una experiencia de escucha y descarga cuidadosamente seleccionada, creada para DJs que ponen el sonido por delante.

Si eres proveedor de contenido, también perderás todos tus artistas y labels verificados, y todo el contenido generado por usuarios (álbumes, etc.) se eliminará de la tienda. Todas las ganancias no pagadas también se perderán.

Si deseas publicar tu release de forma exclusiva, ve al {album} y rellena el campo {exclusive}. Usar “Exclusivo” en los títulos puede provocar resultados poco relevantes en la búsqueda.

Presentamos los visuales compartibles de Volumo. Sabemos que dedicas mucho tiempo a perfeccionar tu sonido y estilo, así que lo hicimos fácil para que generes imágenes y videos promocionales en segundos. Personalízalos como quieras, descárgalos y úsalo donde quieras—en redes sociales o en tu propio contenido.

Parece que el título incluye espacios innecesarios dentro de los corchetes. ¿Deseas quitarlos?

Parece que el título está escrito en mayúsculas, ¿vas a corregir este error?

Parece que el título del álbum incluye un número de catálogo. ¿Moverlo al campo correspondiente?

Parece que el título del track incluye un número de versión de mezcla. ¿Moverlo al campo correspondiente?

Nombre

Luego, dirígete a tu sección de playlists y crea una nueva playlist. Empieza dándole un título a tu playlist. Puede ser el título final o solo uno provisional. Después pulsa "Crear Playlist".

Una vez que tu playlist esté completa, ve a "Mis playlists". Aquí puedes subir una portada, renombrar tu chart y agregar una descripción sobre ti, tu sonido o la vibra que quieres transmitir. También puedes reordenar los tracks.

Pausar {title}

Reproducir {title}

Título de la playlist

¿Listo para compartir? Haz clic en los tres puntos junto a tu playlist y selecciona "Publicar como chart", pon una Descripción llamativa, elige la imagen de portada y voilà, ¡tu ranking está en vivo!

Notificaciones de ventas (para proveedores de contenido)

Selecciona el nombre del artista o el título del label que se mostrará en el campo de autor del chart

Mostrar el título del track

Empieza a escribir un título de chart o track, o un nombre de artista o label, para ver los resultados.

Empieza a escribir el nombre de un país para ver resultados

Empieza a escribir el título de un género para ver los resultados

Empieza a escribir el título de un track o álbum, o el nombre de un artista o label para ver resultados.

Detener {title}

El álbum {title} ha sido eliminado

Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo'. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

Track {title}

El track {trackTitle} solo se puede comprar como parte del álbum {albumTitle}.

Track {trackTitle} eliminado de {playlistName}

¿Retirar el álbum {title}? Después de eso, el álbum deberá ser moderado nuevamente antes de su publicación.

Sin título

Actualizar la descripción de la playlist

Usar “Volumo” en los títulos puede generar resultados de búsqueda no relacionados.

Nosotros, Volumo, somos los responsables de tus datos personales; usamos cookies para personalizar el contenido y la publicidad, ofrecer funciones sociales y analizar nuestro tráfico. También compartimos información sobre tu uso de nuestro sitio web con nuestros socios de redes sociales, publicidad y de análisis, quienes pueden combinarla con otra información que les hayas proporcionado o que hayan recopilado del uso de sus servicios.

No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Soni

Resumen

Tracks destacados

Últimos releases

Resonance Sixty-Three

Golden Ladies Volume 1

Here To Stay

Géneros

Artistas relacionados