Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Massimo Santucci

The Aix-en-Provence/Marseille based Rafael Cerato is known for blending emotional and percussive sounds with Rolling and powerful basslines, adding his own vocals and guitar with a touch Of New Wave, Dark Disco synth vibes. Releasing selectively on respected labels such as Systematic Recordings, Diynamic Music and Stil Vor Talent, Rafael Cerato also runs his own label and events Ritual. Rafael finally drops a long awaited debut studio album on Marc Romboy’s Systematic in 2020. Already 8 years of touring around the world to play in most famous clubs from Ibiza to Australia, Brazil to Russia, Asia to South Africa to name a few, Rafael is writing his own story years after years.

Rafael Cerato

Josh Butler

DJ Since 1992, based in Berlin & Buenos Aires 
Founder & Head of Sprout Music 
One Part of D-Nox & Beckers

D-Nox

Tripmastaz

Miguel Bastida’s (1984, Granada, Spain) career has been steadily going up since he started DJing with only 14 years old, in the local radio station of his hometown, Alhama de Granada.
Nowadays living in Barcelona, Miguel has become one of the most in-demand Spanish artists worldwide, due to his versatility, great musical selection and charisma dominating the dancefloor.

Miguel’s influences initially came from bands as The Prodigy or The Chemical Brothers, and also from harder styles, like hardtechno and breakbeats. Besides, he had one of South Spain’s electronic music strongholds close to home: Industrial Copera. There, DJs as Ben Sims or Cristian Varela left a huge impression on Bastida, who also looked up to artists such as Nathan Fake, James Holden or Alex Under, during the golden years of minimal techno.

Miguel already dominated the mixing craft when he turned 16. After his first nights out, the idea of music production started to come to his mind. Picturing sounds with each song he listened to, Bastida started gathering with friends with the same ideas and taste for music, setting up his first live sets, which finally led to the foundation of his first group: the electronic music band Raíz Electrónica (Electronic Roots). After that, and thanks to his self-taught practice, he managed to dominate his first production software, Reason, changing to Logic afterwards. Today, being his weapon of choice when creating beats. His love for machines is also well known, especially for Moog’s creations and MIDI controllers.

With his family support as mainstay, helping at the family’s business in the morning and focusing on the studio sessions during the afternoon, Miguel was able to dedicate himself to his great passion: the creation of tunes. Music production has been, without a question, what has taken Miguel Bastida where he is today. After years and years of being locked up in the studio, he managed to create his own, exclusive and uncompromised sound, whose turning point came in 2015, with the release of ‘Moudness’, a track that managed to stay up in the Top charts of platforms such as Beatport. Before that, he already managed to knock on the doors of heavyweights as Umek and his 1605 platform. Then Sébastien Leger’s Mistakes Music came, followed by Mark Knight’s Toolroom; Deeperfect; Trapez, elrow Music; Marc Marzenit’s Paradigma Music; Dubfire’s Sci-Tec; and most recently, Suara, demonstrating all the styles he dominates. Today his productions can be found in the selections of artists such as Richie Hawtin, Paco Osuna, Luciano, John Acquaviva or Leger, Dubfire or Umek themselves.

As DJ, Miguel Bastida belongs to the exclusive group of Spanish DJs that has had the chance of touring around the world, presenting his repertoire in almost every country in the planet, from Australia and New Zealand to electronic music strongholds as New York and Chicago. His name can also be found on the line-ups of the world’s best clubs and festivals, managing to convince even the most demanding dancefloors of the scene.

Self-taught and entrepreneur, Bastida’s projects ended up naturally in the creation of his own label, Be One Records, that he manages along two of his childhood friends. Bastida is in charge of the A&R, while his buddies in Berlin and Granada manage design and social networks duties. Recently they created a sub-label, dedicated to support and give a chance to young and upcoming talents of the electronic music scene.

Be it as groove creator, selector or supporter of new talents with his label, Miguel Bastida is a safe bet for any record label, festival or venue that seeks to tear up their dancefloors.

Miguel Bastida

Sylvain Soulier a.k.a Darlyn Vlys French born but Valencia (Spain) based, is inspired by a variety of artistic and musical influences, offering distinctive atmospherics that go far beyond sound. Managing to capture both nostalgic and futuristic sonic experiences, his experimental and stylistic approach creates electronic music that grabs your attention through sharp production and cinematic moods.

Darlyn’s visceral voice is currently in demand, with releases on labels like Get Physical, Upon You, Suara – to name a few. And plays by a range of wide reaching DJs including Maceo Plex, Loco Dice, Black Coffee, Ame, Dixon, Mind Against.. Using an emotionally invested approach to his music, his debut album “Prince In The Rain” is full of deeply moving tracks that showcase his range of styles and vibes to capture your senses and encourage you to surrender.

2019 looks to be even more promising, his latest single "Horse", released on (Feb. 2019) label Atlant, is fine testimony to his capacity to deliver the very best electronic music. First discovered by Âme & Dixon during their Innervisions hosted at the Royal Albert Hall 2018 event, frequently heard in Black Coffee or Tale Of Us sets, "Horse" is a melodic techno masterpiece built on a strummed bass-line and organic percussion which immediately draw you into Darlyn's electronic universe.

Darlyn Vlys

After being exposed to House music of the 90's and early 2000's, Barcelona based Piem was destined to journey into the world of underground music. These early musical experiences helped to shape Piem into a firm favourite on the Barcelona club scene with a residency at W Barcelona and playing in venues like Pacha and Barcelona's biggest festival, Sonar.

Meanwhile, locking himself away in his studio honing his sound, Piem's dedication continues to pay off with releases on well revered labels: DFTD, Knee Deep in Sound, Relief, Crosstown Rebels, Sola and Moon Harbour. Piem has established himself across the world and is gaining recognition among fans, DJ peers and promoters. Piem has seen his music played by and performed on the same line ups as many renowned names such as Black Coffee, Carl Cox, Hot Since 82, Maya Jane Coles, MK, Nic Fanciulli, Pete Tong, Solardo and Camelphat.

Playing at some of the world's most iconic clubs: Club Space (Miami), Heart Nightclub (Miami), Space (Ibiza), Pacha (Ibiza), Amnesia (Ibiza), Club Room (Chile), Cavo Paradiso (Mykonos), and with over 3 million Spotify global streams to his name, Piem is reiterating why he is one to watch

Piem

D-FORMATION is Dimas Carbajo, the owner and main exponent of BEATFREAK GROUP, a business alliance which is proud to include, among many others, the first Spanish record label of underground electronic music , BEATFREAK RECORDINGS, which has been conveying this national music style to the entire planet since 1997.

With over 25 years in his career path, both in worldwide booths and music studios in his role as a producer, D-FORMATION is one of the most respected electronic music artists across the world. Proof of that is his album 'MADRID' for YOSHITOSHI, (Deep Dish's label), which was launched in one of the most prestigious compilation series of the industry, being the only Spanish artist featured in it so far.

When he was barely 17 years old, he was awarded the first prize of the Spanish DMC DJ championship for two consecutive times (véase vídeo) and as from that time onwards his work was indefatigable not only as a megamixer for numerous Spanish multinational music companies, but also travelling around the entire country with his DMC gigs.

D-Formation

For over two decades, Norwegian DJ and producer Djuma Soundsystem has been a trailblazer in the underground music scene, crafting top-tier, genre-defying tracks. His work predominantly revolves around afro house, a style he championed long before its rise to mainstream recognition.

Through extensive global tours, his dedicated radio shows, and his Iziki movement and label, Djuma Soundsystem has played a pivotal role in bringing afro house and organic, tribal sounds to the forefront of the electronic music landscape.

Among his notable achievements, the modern classic "Les Djinns" remains a cornerstone for house music enthusiasts. His 2015 release "Anyimo" on Crosstown Rebels introduced a groundbreaking sound inspired by African rhythms to international audiences. He continued innovating with a reinterpretation of Analog Souls' "Trinidad Dreams" (Armada, 2020), infusing tribal beats with electronic depth. In 2019, his stature was further solidified with "Body Language", an 18-track compilation released on Get Physical, showcasing original productions and remixes.

Today, Djuma Soundsystem continues his mission of spreading meaningful, organic, afro-influenced club music to captivated audiences worldwide.

Djuma Soundsystem

Sascha Braemer is no stranger to the global House scene, to which he has contributed with an enormous amount of tracks in the past decades like ‘No sense’ or ‘Forlorn’. It is rare to find those within this scene, who have not yet danced to ‘Caje’ or got the lyrics of ‘People’ spinning in their head.Saschas roots go back to playing at Raves in Berlin during the wild 1990s at the age of 20. He since has devoted his commitment and passion with a genuine love for what he is doing to house music in all its deepest forms.Besides building an impressive discography in the past years, he travelled around the globe to play various shows reaching from small underground clubs up to impressive crowds of thousands at Festivals such as ADE and Fusion. He lights up clubs and festivals with a pleasure driven mix of deep melancholic melodies nevertheless touchingly warm synth basslines. His sets are characterized by independently distinctive sounds, and so are his productions where he puts a lot of focus into details to create the sophisticated Braemer style.It is certainly a long list of international clubs to be mentioned, notably Hive (Zurich), Watergate, Bar25, Kater (Berlin), Nest (Toronto), Rex Club (Paris), Live Rca (Bangkok), Sunshine Nation Factory (Singapore) plus festivals, such as Feel, SMS, Time Warp, Sea You, Züich Openair, Love Family Park or DGTLHe started his well-known label Whatiplay in 2014 not only to give his own releases a platform, moreover to support like-minded young talents he continuously meets along his way. Sascha furthermore released on highly regarded labels such as Get Physical, Kindisch, Bar25, Katermukke, Stil vor Talent, Dirtybird, Parquet Rec., Universal Music, CR2 Rec., ITH Defected House or Compost. His remixes, such as Eagles & Butterflies’ ‘Lost in a Dream’ are well known and played around the globe.

Sascha Braemer

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Massimo Santucci

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