Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Piegaja

Domy Berardino and Mirco Sonatore are two Italian DJ/Producers who form the artistic project "The Deepshakerz" a perfect blend of various musical styles from vocal House, afro- beats , 90s Tech and Chicago style.Their music has led to them gaining international support from the DJ likes: Groove Armada, David Morales, Loco Dice, Dubfire, Riva Starr, Mark Knight, Roger Sanchez, 2000 and One, Pirupa, Luciano, Shinedoe, Tube & Berger, Quentin Harris, Stefano Noferini, Chocolate Puma, Sandy Rivera and many more....With tracks on many importants labels (of techno and deep worldwide scene),they had also remixed legendary artist such: Marshall Jefferson, Todd Terry, Kerry Chandler, Ultra Natè, Blaze and Marlon D...The passion of these two guys leads them to evolve more and more and try new things in both productions and in DJ sets....They Run own imprint called “Safe Music” that is one of most respected italian labels and is steadily supported from many worldwide mainstream Dj's and radioshows........Welcome in their "World"!!!

The Deepshakerz

Award winning producer and DJ based in Berlin.
Releasing on labels like Cocoon & Crosstown Rebels.

Emanuel Satie

Andre Salmon

Cloonee

Dextro has a long track record as an artist. He started to learn the art of DJ'ing in 91 and has a different perspective on music. His residencies in several clubs for over 15 years has forged his name and helped him create his own distinctive brand of music.

As a producer he has made many tracks with his Redkone project that was born in 2002, as well as a multitude of tracks for other labels.

Over the last 20 years  Dextro has played around the globe and has releases on a variety of international record labels such as Missile - CLR - Mutual Rytm - Nechto - Second State - Suara - Uncage - Illegal Alien - We Are The Brave - Matéria - KD Raw - BEK Audio - Tronic - HotFlush - Terminal M - Planet Rhythm - Toolroom - Nervous - Stereo and more!

Dextro, is officially remixing artists like: The Advent, Gez Varley, Damon Wild, Tim Taylor, Inigo kennedy, Christian Smith, George Morel, Scuba, Chus & Ceballos, Joe T Vannelli, Chus , Richie Santana, Ron Costa, Axel karakasis, Lex Gorrie, Drumcomplex, Insolate, Skober, Cristian Varela, A.Paul, Mendo, Zzino & Guss Carver, John Creamer & Stephane K, Dataworx, Eric Entrena, TKC among others

DJ Dextro

Tennan

Drumsauw has made a prolific rise in a short amount of time in the techno world.  Only forming in late 2017, the English production wunderkind also known as Joseph Sutherland, donned his very driving studio mindset and high quality production finesse and produced many an original track.  It didn't take long before some international recognition followed, with massive support from some global major league techno artists.

No stranger to the world of production and DJing, Joseph started his musical journey over a decade ago, producing Hard Dance under his alias Side E-Fect.   A prominent feature in his productions would be a massive kick drum and techno influenced production, which would translate well when he decided to form Drumsauw.

Drumsauw

DOMPE aka Dominic Wagner is a DJ & Producer with an absolute passion. A day without Music is a lost day for him. He describes himself as a restless person always searching for the next track and a perfect baseline. His Output is noticeably high. The Output of Releases have attracted for many attention, national and international

2016 he has signed on many named labels like: SNOE, LAPSUS, STYLEROCKETS, SUPERFANCY Rec., AUDIO SAFARI, WIRED and many more. 2017 it goes on with GET PHYSICAL, KITTBALL, MONKEY LEAGUE, STYLEROCKETS and JACK FRUIT RECORDINGS.

The cooperation with his friend Andreas Schreck, better known as AGENT! is a good one, with a real groove. They spend much time together in the Studio and one can be eager for the results. Their EP SULTAN was a big one in 2017 and played by CLAPTONE and many more.

His tracks can also be finding on many “Berlin-Sounds”-Compilations. Next to his own releases, he brings out several lovingly carried remixes for his buddies. 2017 he released on 3000 GRAD, LAUTER UNFUG, BRISE RECORDS, just to name some.

CLAPTONE put DOMPE´s Tracks in his Best of 2017 Playlist and cause of the 10th anniversary of HANNE & LORE DOMPE made his one Version of HOSHLE, fresh released on HEULSUSE.

Also not uncommon that he can listen to his own stuff while he stands in the clubs private. CARL COX, LAURENT GARNIER, MARCO CAROLA, RICHIE HARTWIN play his songs.

DOMPE´s Tracks stand for extraordinary vocals paired with optimal arranged Sounds and Baselines. Never boring and always innovative.

In the summertime 2016 he played in India (Bangalore) for the first Time, transforming the dance floor into a boiling dance extravaganza in nearly no time. But, of course, he was also finding on the German festivals floors, for example he played at NATURE ONE or DIE LETZTE WIESE. At the Beginning of 2017 he was invitated to Russia, Nischni Nowgorod.

The Berlin Scene appreciates his sets: DIE WILDE RENATE, BIRGIT & BIER, IPSE, RITTER BUTZKE are only some locations, he played. HAMBURG, KASSEL, NÜRNBERG, COLOGNE, WÜRZBURG and MUNIC, national everything was in the program.

In Addition to that he also has time to work as a successful label manager for the Berlin Imprint of the KIDDAZ.FM-Musicgroup named STYLEROCKETS and proves his talent for new sounds and high talented artists. With JACK FRUIT RECORDINGS he founded his own brand new Label in 2017. There were three releases until now. 2018 there will be some more, with other artists.

At the end of 2011 he moved from Cologne to Berlin. A decision he has never regretted. But he is a well-known man in the Rhineland. With some Buddies he had a Club called ELECTROKÜCHE.

It is not unlikely that he will release his third album 2018. 2011 there was his first one BEAT BACK on IMPULSE REC. and in 2013 PARADISE CITY was the second one on MIMIQUE Rec. So it´s time for something new, the year has just started.

Dompe

Charlie Escobar better known as Marck D, Colombian Dj & Producer based in the city of Medellín - Antioquia, is one of the most experienced producers in his country, his productions are focused on techno with strong bases with groovy bass, melodies and synthes focused for the dance floor, his tracks have been played all over the world in festivals such as Tomorrowland, Awakenings, Resistance, Creamfields, El Row played by the biggest ones such as:

Carl Cox / Joseph Capriati/ Marco Faraone/ Sam paganini/ Andres Campo/ Adam Beyer/ Pleasurekraft/ D Unity/ Mark Reeve/ Ramiro López/ Ron costa/ Spartaque/ Enrico Sangiuliano/ and many more…

In his career he has reached several sales tops on Beatport, Trackitdown & Traxsouce, currently working so far for great labels on the techno scene such as:

UNCAGE/ On Edge Society/ Ei8ht/ Kraftek/ Analytictrail/ Unrilis/ Unity Records and many more…

He made his first international tour in Chile 2018, 2021 peru, 2023 Freedom and has played in countless places in his country sharing the stage with important international DJs such as:

HI-Lo/ Joyhauser/ Pleasurekraft/ Sasha Carassi/ D Unity/ Alex Under/ Marco Faraone/ Markantonio/ Harvey Mckay/ Matt Sassari/ The Yellowheads/Tiger Stripes/ Ilario Alicante/Mistress Barbara

Marck D

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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No Rush

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Superfiction Ensemble, Vol. 1

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