Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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Carlo Rewer

Danniel Selfmade Dj/Producer its variant style in the Electronic / techno melodic & Deep tech.

The tracks that Danniel Selfmade releases are absolutely and consistently outstanding. Danniel has a hugely varied musical style and importantly Danniel’s music appeals very much to both men and women. Danniel's music is funky, subtle, layered, sexy and melodic with strong baselines and complex arrangements.

Note the recent Nº1, with the remix for M.A.N.D.Y. & Booka Shade, from Get Physical's classic Body Language, & Nº1, with the track WHY HERE from Dpe, on beatport.

Additionally, a huge number of Industry Leading DJs have charted Danniel Selfmade’s music and Infamous Recordings label, including Richie Hawtin, Marco Carola, Pig&Dan,Tim Green, Nicole Moudaber, Dubfire, Adam Beyer, Joseph Capriati, Neverdogs, Mathias Kaden ect… In recent years has played in clubs around the world in locations like Mallorca, Ibiza, Germany, London, Turkey, Italy, Beirut and Japan, . DJing in Clubs such as BCM Planet dance , Pacha, Bora Bora, Privilege Ibiza, The Egg London, Tresor Berlin, Rheingold, Mandarino, Tag club Venice . . ..

This new year is focussing on a sound that has the unique personal style and a big electronic project….. Templanza live.

Danniel Selfmade

JP Chronic

Carl Bee is a DJ and producer from Malta, recognised globally for his innate  talent and relentless dedication to the electronic music.

With releases on esteemed labels like Diynamic, Spectrum, Aeterna, Ultra and Armada Electronic Elements. His track "Sinfonia" was celebrated as an Essential New Tune on Pete Tong’s BBC Radio 1 Show, and his collaboration with Miss Monique and Genesi on Meduza’s label Aeterna Records reached number #1 spots on multiple charts such as Beatport &

1001Tracklists.

Supported by industry giants such as Solomun and Carl Cox, Carl is also the Director and Co-Owner of GRINGOS events brand in Malta, hosting renowned

headlining artists at Malta's UNO. He regularly headlines major festivals and venues including Elrow and Ibiza's Eden, showcasing his prowess alongside legends like Joris Voorn, Kolsch, Meduza, Marco Carola, Argy and more

Carl Bee

Ben A’s DJing career began in 1991, when at the age of 16, he got the chance to play at ‘Butterfield Eight,’ an intimate nightclub in Colorado. Nineteen years later, Ben has evolved his sound, approach, and style, and enjoys playing for the masses whenever possible. A regular at some the elite nightclubs in North America including Beta and the Beatport Lounge in Denver, La Santanera in Playa Del Carmen Mexico, The EndUp in San Francisco, and RAIN in Las Vegas, to name just a few. Outside of live performances, Ben has a number of sets that have aired on sites like Proton Radio and friskyRadio over the years.

ben A has also been a staple in the Denver music scene for well over a decade, and has made lasting impressions for his opening sets for A-List DJs across the globe. Recent opening sets for include: Pete Tong, Bad Boy Bill, Armin Van Buuren, Thugfucker, Doc Martin, Lisa Shaw, H-Foundation, Miguel Miggs, D-Julez, Josh Wink, Louie Vega, Eric Morrilo, Terry Francis, Marques Wyatt, Mark Farina, Derrick Carter, James Zabiela, Dj Three, and many more.

Curently releases to debut on: Moody Recordings, White Island Recordings & Aerotek Recordings.

Ben A

Matt Caseli

Bias

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Mihalis Safras is the Greek DJ/producer sensation that has – over the course of an illustrious career – forged a name for himself as one of the most hard-working and consistently brilliant electronic artists in the world. An Ibiza DJAward-winner, Mihalis is one of the most charted tech house artist of all time on Beatport and Resident Advisor, releasing on a slew of leading labels including Relief, Hot Creations, Moon Harbour and of course his own Material imprint. A ferociously dedicated producer and vinyl-championing DJ, Mihalis is a true electronic warrior.

Significant milestones in his career include remixing Marco Carola – one of the very few artists every to have officially done so – with his interpretation of Play It Loud hitting Beatport top spot after only a few days and going on to be one of the biggest records of 2016. More recently, Mihalis has formed a unique bond with dance music pioneer Green Velvet. To date they have collaborated on no fewer than seven records – including Discogirl, Microwave and Speak To Me – with their eight due for release late 2019.

In addition to being a real DJs DJ – there are few other tech house artists charted as regularly by their peers as Mihalis – he’s firm fan favourite, to date having clocked up an impressive ten million streams on Spotify, and regularly packing clubs from London to Ibiza and beyond.

Currently working on his third studio album and touring the global festival circuit at EDC, Creamfields, BPM and more, Mihalis’s will continue to pursue his love of musical creation and performance for the foreseeable future. For the sake of ravers around the world, long may his passion continue.

Mihalis Safras

Oliver Schories

Oscar L

<Sin título>

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Los Focus Charts son selecciones seleccionadas a mano por el equipo de selección de Volumo, con una prioridad clara: la calidad del sonido en sí. Estos charts no se basan en grandes nombres de artistas, labels famosos ni el hype de la industria. Cada track se evalúa únicamente por su valor musical, originalidad, calidad de producción y cómo se siente en un contexto real de DJ. Si el sonido es potente, pertenece aquí, venga de un artista conocido o de un nombre completamente nuevo. Los Focus Charts están pensados para DJs y buscadores de música que confían más en sus oídos que en las reputaciones. Este es un espacio donde productores emergentes conviven de forma natural junto a artistas consolidados, y los releases underground reciben la misma atención que los tracks de labels grandes. Si estás buscando música electrónica fresca, descubriendo joyas ocultas o explorando nuevas direcciones dentro del techno, house, minimal y géneros relacionados, los Focus Charts en Volumo ofrecen una experiencia de escucha y descarga cuidadosamente seleccionada, creada para DJs que ponen el sonido por delante.

Si eres proveedor de contenido, también perderás todos tus artistas y labels verificados, y todo el contenido generado por usuarios (álbumes, etc.) se eliminará de la tienda. Todas las ganancias no pagadas también se perderán.

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El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Carlo Rewer

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