Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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MINDSKAP

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

After being exposed to House music of the 90's and early 2000's, Barcelona based Piem was destined to journey into the world of underground music. These early musical experiences helped to shape Piem into a firm favourite on the Barcelona club scene with a residency at W Barcelona and playing in venues like Pacha and Barcelona's biggest festival, Sonar.

Meanwhile, locking himself away in his studio honing his sound, Piem's dedication continues to pay off with releases on well revered labels: DFTD, Knee Deep in Sound, Relief, Crosstown Rebels, Sola and Moon Harbour. Piem has established himself across the world and is gaining recognition among fans, DJ peers and promoters. Piem has seen his music played by and performed on the same line ups as many renowned names such as Black Coffee, Carl Cox, Hot Since 82, Maya Jane Coles, MK, Nic Fanciulli, Pete Tong, Solardo and Camelphat.

Playing at some of the world's most iconic clubs: Club Space (Miami), Heart Nightclub (Miami), Space (Ibiza), Pacha (Ibiza), Amnesia (Ibiza), Club Room (Chile), Cavo Paradiso (Mykonos), and with over 3 million Spotify global streams to his name, Piem is reiterating why he is one to watch

Piem

Angel Heredia is a Spanish electronic music producer and deejay, who from an early age developed a real passion for electronic music. Shortly after starting his professional career, his music quickly caught the attention of the best national clubs such as Industrial Copera, Fabrik, Lab, Spook, Razzmatazz, Metro Dance and big festivals like Elrow, Dreambeach, Aquasella, among many others.

Outside the Spanish borders, he has taken his music all over Europe and Latin America. He is well known for his productions, reaching the Beatport Top 100 several times and releasing on renowned labels such as Toolroom, Glasgow Underground ,Cr2 Records, Mindshake Records, Rawthentic, La Pera Records, and Clarisse Records. He currently owns his record label "KoBBoK"” where he shows all his aspects as a producer.

The label has quickly gained the support of the best artists of the scene and reached many times the Top 100 of Beatport. DJ's like Erick Morillo, David Guetta, Cloone, Paco Osuna, Marco Carola, Loco Dice, Nic Fanciulli, The Martinez Brothers, Jamie Jones, Roger Sanchez, Luciano, Solardo, Fisher and many more support his music on their sets

Angel Heredia

When word comes to electronic music, Stanny Abram is full od spectacular stories. Not only that, we talk about musical genious, who has currently more than 1100 released tracks out there, including 6 studio albums on more that 100 international labels...

Stanny Abram

Gavin Griffin, also known as GMJ, has been a prominent figure in underground electronic dance music for over two decades.

Forging a successful career as a DJ, event organizer and producer, Gavin is a pioneering force in the Melbourne scene and has performed all over the globe.

Playing alongside some of the world’s leading names in progressive, it was a natural evolution that Gavin would bring his passion for hypnotic soundscapes and deep grooves to the studio setting.

In 2007 the GMJ project was born and has since landed on iconic imprints including Replug, Sudbeat, AnjunaDeep, Proton, Parquet, Balance Music, Hoomidaas and many more.

Spacious yet powerful, the GMJ sound has been supported by luminaries such as Hernan Cattaneo, Cid Inc, Guy J, Nick Warren, Alex O’Rion, and regularly features on the front pages & charts of the world’s biggest dance music retailer Beatport.com, with numerous top 10 entries and a rise in 2021 & 2022 to the top 10 selling artists on beatstats in the genre.

Touring has followed extensively through his native Australia and beyond to locations such as Sri Lanka, Europe, Japan, India, New Zealand, Noumea and many more.

Alongside great friend and collaborator Matter, the pair formed their “Meanwhile Recordings” imprint in 2020, which has gone on to become one of the most acclaimed and respected labels in progressive house, housing the pairs own productions and becoming a destination imprint for the world's best.

Rick Pier O'Neil is a French Dj, music producer and sound engineer.

Working with big labels as Sony Music, Universal music, Motown, Polygramm. As remixer for Kool and the gang, Stevie Wonder.

Collaborations with Stan Kolev, Matan Caspi, D-Formation, dj san, Quivver, Gmj and more.

The first released ranked 5th in the famous Billboard Chart.

Remixed by Donna Summer (which became number one on bilboard charts), Lenny Kravitz, Ultra Nate, Cee Peniston, Stevie Wonder.

The title "I don't want nobody " created for Cheri Amore (Vocalist of Armin Van Buuren). RPO makes rankings on the US Billboard and is acknowledged by the biggest Djs.

Child of soul music, progressive house, tech house, and techno, he now produces his own sonorities. Lots of Dj support the RPO Sound. He has produced , created and remixed over 1500 titles up to now under various artist names and surrounds himself with the best vocalists and musicians.

Rick Pier O'Neil

Amir Telem

Multifaceted, eclectic, disruptive, and always full of energy—this is Mayro, an Argentine DJ and producer who has carved out his place in the scene with a unique ability to blend genres like Progressive House, Electro, Techno, Psy, Trance, and more. His unmistakable and vibrant sound translates seamlessly onto the dancefloor and into his productions.
Mayro’s music has earned recognition from industry heavyweights such as Hernán Cattáneo, Nick Warren, Tony McGuinness (Above & Beyond), Eelke Kleijn, Einmusik, Space Motion, Miss Monique, Armen Miran, D-Nox, Mariano Mellino, and many others.
His style is a distinctive blend: fun, powerful, and occasionally tinged with dark, emotional undertones. The way he merges different genres in his compositions showcases boundless creativity, delivering sets that are both intelligent and profound. Every performance is a crafted experience designed to entertain, with Mayro’s versatility enabling him to captivate audiences in ways that are both unexpected and thrilling.
His own label, “Traful”, is a space where music follows no rules, exploring creative freedom as its core essence.
Mayro has shared his art in countries such as the Netherlands, Sweden, Poland, Spain, Australia, Malta, UK, Norway, Hungary, Sri Lanka, the United States, Mexico, Uruguay, Brazil, Chile, and of course, his homeland, Argentina.


Mayro

Jeremy Bass

Lil'M

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

MINDSKAP

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Era | Black Summer Incl. MINDSKAP Remix

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