Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

Sobre nosotros — Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} · Precio: {price} · Catálogo n.º {catalogNumber} · MP3, WAV, AIFF y FLAC · Re-descargas ilimitadas

{albumTitle} de {recordlabelTitle} en Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} en Volumo

Mejores pistas, lanzamientos y álbumes de {contributorTitle}. Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música de {contributorTitle} en Volumo

Best {currentYear} {genres: :1} Artists Tracks & Releases {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Mejores artistas, pistas, lanzamientos y álbumes de {genres: :1} en {currentYear} en Volumo — {paginationText}

{chartName} por {author} - Volumo · MP3, WAV, AIFF y FLAC · Descargas ilimitadas

{chartName} por {author}

{chartName} por {author} - Volumo

Música {genreTitle} {genreDescription}: canciones, lanzamientos y álbumes {currentYear}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música {genreTitle} {currentYear} en Volumo

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Top {genreTitle} {currentYear}: Best Releases & Albums at Volumo {paginationText}

Música exclusiva de {genreTitle}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga exclusiva de música {genreTitle} en Volumo {paginationText}

Lo mejor de {genreTitle} {currentYear}. Principales lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados en Volumo {paginationText}

Música de {contributorTitle} · Descarga en MP3, WAV, AIFF y FLAC · Volumo — tienda de música electrónica de nueva generación para DJs profesionales

Compra y descarga música de {contributorTitle} en Volumo

Compra y descarga música de los mejores sellos de {genres: :1} en {currentYear}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Mejores sellos de {genres: :1} en {currentYear} · Descarga de música en Volumo {paginationText}

Descarga de la música más reciente de Electronic, Dance y House {currentYear} {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga la música más reciente de Electronic, Dance y House {currentYear} en Volumo {paginationText}

{artists:, :1} - {trackTitle} de {recordlabelTitle} · Precio: {price} · Descargas ilimitadas · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Lanzado el {releaseDate} · MP3, WAV, AIFF y FLAC

{artists:, :1} - {trackTitle} de {recordlabelTitle} en Volumo

Lego

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Supernova. Emiliano “EMIJAY” Nencioni and Giacomo “G.O.D.I.” Godi have shot to fame through their production hits and remixes on labels like their own imprints Lapsus Music, Downtown Underground and Blackboard as well as Defected, Mother Recordings, Elrow Music, 8Bit, Get Physical Music, Moon Harbour, Stereo Productions and more..

Supernova

More than any other producer, Todd Terry defined New York house during the ’80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy. And with two of the most respected crossover remixes of the house era («I’ll House You» by the Jungle Brothers and «Missing» by Everything but the Girl), Terry more than earned his title «Todd the God» (or occasionally, simply «God»). Though he’s often been accused of recycling his own beats and effects (in his production work as well as the DJ booth) a bit too often for his own good, Terry’s immortality as a dance icon is assured.

Born in Brooklyn, Terry began DJing in the early ’80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago dropped in the mid-’80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny «Dope» Gonzalez, Terry borrowed the Masters at Work guise — which Vega and Gonzalez would later popularize — for one of his first big productions, the 1987 single «Alright Alright»; the single became a milestone on New York’s early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in «I’ll House You,» one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, «Weekend» and «Bango (To the Batmobile),» both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits — Black Riot’s «A Day in the Life,» Gypsymen’s «Hear the Music,» Royal House’s «Can You Party,» Todd Terry & the Countdown’s «Flipside,» Torcha’s «Feel It,» D.O.S.’s «House of Gypsies,» Sound Design’s «You Can Feel It,» Tech Nine’s «Slam Jam,» and Static’s «Dream It.» Despite his wealth of released material, Terry remixed dozens of artists as well, including Sting, Björk, Janet Jackson, Tina Turner, Malcolm McLaren, Annie Lennox, Robert Plant, and Technotronic, among others. The British house boom of the early ’90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a minor sensation, causing several British journalists to describe him as «God.»

Terry moved into label entrepreneurship in 1992 when he formed Freeze Records with William Socolov. (Several of Terry’s early singles had appeared on Socolov’s Fresh/Sleeping Bag label, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry’s productions, including several volumes of his EP series Unreleased Projects beginning in 1992 and running through 1995.

That same year, Terry’s remix of the erstwhile pop act Everything but the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo’s flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while the flip side of the coin, A Day in the Life of Todd Terry (including his best single and remix productions) appeared the following year. His next project, Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, and Bernard Fowler. Terry made another artistic change-up, to LP-oriented drum’n’bass, with his 1999 album Resolutions, recorded for indie/electronica stalwart Astralwerks.

Todd Terry

A leader in  global dance music, Louie Vega has painted an award-winning career from a palette mixed with everything from house, salsa and afro-beat, to jazz, hip hop, gospel and soul.

What distinguishes the Grammy winner and 7-time nominee as one of the best living house music deejays is his ability to evolve alongside the times, distill the current musical landscape through his unique taste and put his own timeless spin on his musical creations.

In 2020, his production team Masters At Work with Kenny Dope Gonzalez will revamp their label Maw Records, and will be releasing their full catalog worldwide via digital and streaming outlets. New Masters At Work Remixes for Dua Lipa (Via The Black Madonna’s Mix Tape), DJ Krust (on Crosstown Rebels), and new productions for the Maw Imprint by The Masters At Work.

Louie Vega has also teamed with The Martinez Brothers for a second single entitled “Let It Go” with Marc Bassy released July 10, 2020 on the titan record label Defected.

In NYC, Vegas' weekly residency night has inspired him to record an album for Nervous Records release coming early 2021 featuring his friends : Robyn, Honey Dijon, Bernard Fowler, Moodymann, Kerri Chandler, Anané, Lisa Fischer, Joe Claussell, Tony Momrelle, Karen Harding, & the super band Unlimited Touch.

Breaking down musical barriers and bringing people together through a love of music has always been Vega’s aim; his contributions continue to positively influence global dance music.


Louie Vega

Berlin based duo Mat.Joe are the latest addition to the FMLY roster. Coming from a background of rap, skateboarding and breakdancing - influencing their style of House today. From their roots as hip hop producers they have moved to producing and playing crispy Housebeats paired with rhythmic Soul and Hip Hop elements. The result is deep and dancefloor-qualified, warm and rough.

Being best friends and moving from Hannover to Berlin to follow their sound - you can see their passion and comaraderie behind the decks. Being inspired by the Berlin culture and every day places such as subway rides, late night showers and favourite bars, their music has taken them on a journey.

Mat.Joe

Still young but with experiences in the booth and studio well beyond his years, he has a fine array of tools at his disposal. Over the past years, the friendly character has excelled at many different musical styles, often ahead of the curve, but all intrinsically linked in Hux’s own inimitable style in a House to Tech House to Techno vein, all musically accomplished offerings that stir real emotion. Proof of that lies in his varied and vital discography. In 2020 alone he released across a string of top tier labels the likes of Knee Deep In Sound, Hot Haus, Moon Harbour, Repopulate Mars, Muna Musik, We Are The Brave & more. The aforementioned include many club hits and Dj Weapons. Always refusing to stay in one sonic niche for too long, Huxley – whether working solo or with collaborators – switches up his sound, tries new things and colours outside the lines with every new outing. Not afraid of a big hook or slaying bass line, he is an artist who unites a variety of sounds, styles and scenes with ease, and always proves as fun as he is well informed. As a Dj, Huxley is someone as comfortable headlining a vast festival stage as he is holding down a small and sweaty basement. He does so from Africa to Australia and is the sort of selector who always delivers a slick high impact dose of the good stuff. His youthful looks have adorned the pack-shot cover of Spotify’s hugely populated Electronic Rising playlist not once but twice already, showing he has that mass demographic appeal to the new generation of Spotify clubbers that are fanatical about the dance scene just as much as he is himself.

Huxley

Qubiko

David Morales

Demuir

DJ/producer Prunk is working at his own pace, but this doesn’t mean he’s taking things slow. His label PIV, which he started in 2015, has been steadily releasing EP’s, like his own production ‘Sexy Brasil’ that was released on the imprint in the spring of 2016. Together with his sparring partner Chris Stussy, Prunk released the ‘Material’ EP on EWax in the winter of 2016 and the two also released ‘The Machine’ EP that came out on the notorious Nervous Records and EP’s on Moulton and Innercity Records. These EP’s caught the attention of vocalist Alex Mills, who you can hear on Miguel Campbell’s hit Something Special. Prunk and Mills hooked up in the studio with No Cure as a result. Other labels Prunk has released records on are: Electronique, City Soul and King Street.Next to producing Prunk is a resident dj for the major Dutch festivals DGTL and Straf_Werk, he is a regular at Jenja (Bali) and has played in Monaco, Barcelona, Zürich, Lille, São Paulo, Ibiza and at Awakenings Festival. His warm and sexy, but always dancefloor orientated and uplifting sound that finds its influences in artists like Kerri Chandler, Djebali, Mark Farina and Mr Ks is definitely attracting attention from promoters.After editions at Chicago Social Club and De Marktkantine Prunk’s PIV Label night has moved to Amsterdam’s freshest club Claire and already had an impressive first edition in April. Prunk will also host a PIV stage at The Ark, a cruise that will take-off from Barcelona sets sail to Ibiza.In 2017 you can see Prunk play at the following festivals: Labyrinth Open in Croatia, DGTL Barcelona, Welcome to the Future, Straf_werk festival, Dockyard and Amsterdam Open Air.

Prunk

<Sin título>

Título del álbum

Álbum {title}

El álbum {title} ha sido retirado del envío

Portada para {title}

Título del chart

¿Eliminar artista {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del artista, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

¿Eliminar label {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del label, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

Mensajes directos (para proveedores de contenido)

Editar álbum {title}

Introduce el título del chart

Error al obtener {title}

Si eres proveedor de contenido, también perderás todos tus artistas y labels verificados, y todo el contenido generado por usuarios (álbumes, etc.) se eliminará de la tienda. Todas las ganancias no pagadas también se perderán.

Si deseas publicar tu release de forma exclusiva, ve al {album} y rellena el campo {exclusive}. Usar “Exclusivo” en los títulos puede provocar resultados poco relevantes en la búsqueda.

Presentamos los visuales compartibles de Volumo. Sabemos que dedicas mucho tiempo a perfeccionar tu sonido y estilo, así que lo hicimos fácil para que generes imágenes y videos promocionales en segundos. Personalízalos como quieras, descárgalos y úsalo donde quieras—en redes sociales o en tu propio contenido.

Parece que el título incluye espacios innecesarios dentro de los corchetes. ¿Deseas quitarlos?

Parece que el título está escrito en mayúsculas, ¿vas a corregir este error?

Parece que el título del álbum incluye un número de catálogo. ¿Moverlo al campo correspondiente?

Parece que el título del track incluye un número de versión de mezcla. ¿Moverlo al campo correspondiente?

Nombre

Luego, dirígete a tu sección de playlists y crea una nueva playlist. Empieza dándole un título a tu playlist. Puede ser el título final o solo uno provisional. Después pulsa "Crear Playlist".

Una vez que tu playlist esté completa, ve a "Mis playlists". Aquí puedes subir una portada, renombrar tu chart y agregar una descripción sobre ti, tu sonido o la vibra que quieres transmitir. También puedes reordenar los tracks.

Pausar {title}

Reproducir {title}

Título de la playlist

¿Listo para compartir? Haz clic en los tres puntos junto a tu playlist y selecciona "Publicar como chart", pon una Descripción llamativa, elige la imagen de portada y voilà, ¡tu ranking está en vivo!

Actualizaciones regulares sobre el contenido de Volumo

Notificaciones de ventas (para proveedores de contenido)

Selecciona el nombre del artista o el título del label que se mostrará en el campo de autor del chart

Mostrar el título del track

Empieza a escribir un título de chart o track, o un nombre de artista o label, para ver los resultados.

Empieza a escribir el nombre de un país para ver resultados

Empieza a escribir el título de un género para ver los resultados

Empieza a escribir el título de un track o álbum, o el nombre de un artista o label para ver resultados.

Detener {title}

El álbum {title} ha sido eliminado

Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo’. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

Track {title}

El track {trackTitle} solo se puede comprar como parte del álbum {albumTitle}.

Track {trackTitle} eliminado de {playlistName}

¿Retirar el álbum {title}? Después de eso, el álbum deberá ser moderado nuevamente antes de su publicación.

Sin título

Actualizar la descripción de la playlist

Usar “Volumo” en los títulos puede generar resultados de búsqueda no relacionados.

Nosotros, Volumo, somos los responsables de tus datos personales; usamos cookies para personalizar el contenido y la publicidad, ofrecer funciones sociales y analizar nuestro tráfico. También compartimos información sobre tu uso de nuestro sitio web con nuestros socios de redes sociales, publicidad y de análisis, quienes pueden combinarla con otra información que les hayas proporcionado o que hayan recopilado del uso de sus servicios.

No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Lego

Resumen

Tracks destacados

Releases destacados

Fractured Unity I

Acid Work Out

Los Angeles Fire Relief V/A Compilation

Géneros

Artistas relacionados