Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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DJ Nobu

Techno Dj / Producer & Children Of Tomorrow label head. Based in London, UK. Arnaud is also producing with Antonio De Angelis under Detect Audio's alias.

Arnaud Le Texier

Setaoc Mass is an essential voice in techno and electronic music today. As a DJ, producer and label curator, his vision is bold and clear, rooted as much in techno as it is in IDM and experimental music.

Setaoc Mass

Donato Dozzy

Temudo

Marco Bailey is somewhat considered an icon when it comes to techno and the dance music industry as a whole. It starts with a beat, and for Marco that as in the late 80’s. In 2014 he celebrated 25 years of Marco Bailey, a true achievement for someone who is an ambassador for the scene as well as an amazing DJ and producer.

He grew up in Belgium, and it all started out when he went to a small local club in his nearby city. At this point, he knew little and didn't have any musical heroes, but soon released that he would rather be behind the decks than on the dance floor.

His break came in 2000 with his first EP on Carl Cox’s Intec imprint with “Play It Back”. Over the next couple of years he worked on his own imprint, launching MB Elektronics, with the first release in 2002 with “Caprioska”. The releases came flowing over the next few years, which saw the release of his critically acclaimed “Rube Boy” album back in 2004, soon followed by “Dragon Man” LP on John Digweed’s Bedrock in 2011.

His most recent album was with 12 track “High Volume” released back in 2013 on MB Elektronics, dubbed by some techno aficionados as a masterpiece. It was at this time, he also released an up close and personal documentary “Marco Bailey”.

His Electronic Force radio show has been a huge success from the get-go, with almost 300 episodes to date, he has had every artist on board from Carl Cox, Alan Fitzpatrick, Umek, Joseph Capriati, Sam Paganini and Carlo Lio. It’s heard by millions of listeners in more than 50 countries.

Marco has been touring relentlessly throughout his career, he’s an artist who can say he has probably played at almost every club in the world, and been listed at the top of major festivals. He hasn't stopped, and this summer was no exception his MATERIA brand taking a new home at Vista Club, Ibiza. Every Sunday, he offered artists including Sam Paganini, Carlo Lio, Julian Jewell, and Paul Ritch for the closing on the 28th August all came out to party with Marco and the crowd.

You can expect to see the MATERIA brand reach far and wide this year, with parties in London, Vienna, Amsterdam and Tokyo planned this winter. Mid October will see the release of the MATERIA compilation mix, a collection of tracks selected personally by Marco, of both his own releases and all the artists which played at MATERIA in Ibiza this summer.

2017 continues to be another landmark year for Marco, with his first MATERIA residency considered a huge success, the brand looks to move worldwide, becoming a high-profile label and radio show as well and continuing to grow. He is a true pioneer of Techno, and has no plans to put on the brakes anytime soon.

What is MATERIA?

A party where the want, need & desire to feel the love and vibrations on the dance floor is understood. Where music lovers can digest the passion in the percussion, the energy of the crowd coming together, experience the sensation of letting go - elements that constitute the foundation for what some may never get to fully experience... a pure musical journey. Embark on a global movement, as Belgium's Marco Bailey sets the mood for one unforgettable evening. Welcome MATERIA - where techno is valued as a religion, the dance floor has no limits, the crowd is united and melted together by sound - where the rules require two things: listen and live.

Marco Bailey

Jonas Kopp was born in Buenos Aires, Argentina in 1981.
He has been a producer since he was 19 years old.

Jonas Kopp

Obscure Shape

Psyk

Rene Wise’s approach to writing music and DJing fuses together as one concept; where high attention to detail blends with a strong vision for storytelling through sound.

Wise portrays a deep sense of knowledge and maturity, devising atmospheric soundscapes with a raw but modern touch, captivating the listener from beginning to end. His sets demonstrate this to full effect, consistently maintaining a powerful sonic trademark via a low end focused, yet intricate and enchanting selection. Indeed, the capacity to dip in between deeper realms of sound and rhythmic exploration aids the artists preference towards longer sets.

Before discovering the world of electronic music, Wise came from a background of drum and percussion which was guided by his Iranian father, a former professional drummer. This influence plays a key part in shaping the foundation of techno that he crafts. Subsequently, exposure to Europe’s dancefloors further triggered his passion, allowing him to understand the importance of the interaction between the physicality of sound on the human body. Fast-forward to 2024, this notion gave birth to his label ‘Moving Pressure’. Conceptually, as the title already hints at, the imprint focuses on the capacity of sound to guide movement and emotion, to weave into the fabric of our physical being.   Concretely, the first release features a 4 tracker by Wise himself and will proceed by showcasing his sonic vision through self and external releases.

Rene Wise

Croydon-born producer and DJ James Ruskin is one of the most respected figures in British techno, both for his Blueprint label and his own recordings, which are equally informed by the no-nonsense drive of the Birmingham sound as well as the adventurous sound design of Autechre. Consistently releasing quality material through Blueprint since the label's mid-'90s foundation, he's also issued several full-lengths and EPs through German institution Tresor, including 2001's Into Submission. In addition to releasing collaborations with Surgeon and Oliver Ho, Ruskin has also worked with Regis (Karl O'Connor) as O/V/R, and produced more experimental, IDM-leaning material with Mark Broom as the Fear Ratio.

Point 2
Ruskin began to DJ in 1991, and started producing in 1994, initially with studio partner Richard Polson. First releasing a 12" under the name Void in 1995, the two founded Blueprint in 1996, and started issuing records as Outline, quickly establishing the label's hard, uncompromising techno sound. Ruskin began releasing material under his own name in 1997, and his debut full-length, Further Design, arrived on Blueprint in 1998. Tresor released his next two albums, Point 2 (2000) and Into Submission (2001), and Ruskin continued issuing EPs on Blueprint and Coda. Ruskin and Blueprint went on a brief hiatus in 2006, following Polson's death due to natural causes, but Ruskin returned in 2008, issuing fourth full-length The Dash through Tresor. He formed O/V/R with Sandwell District/Downwards co-founder Karl O'Connor, debuting with Interior in 2009. This was followed by 2010's Post-Traumatic Son; the EP's title track was subsequently remixed by Robert Hood, Marcel Dettmann, and others.

Refuge of a Twisted Soul
Starting in 2010, Ruskin released several techno EPs with Mark Broom, and the two formed a more abstract, fractured project called the Fear Ratio, issuing debut album Light Box in 2011. The pair's second album, Refuge of a Twisted Soul, appeared on Skam in 2015, and Live E.P. surfaced in 2018. After going five years without a solo release, Ruskin returned in 2019 with Reality Broadcast Off (Blueprint) and Siklikal (Tresor). He kicked off 2020 with the Blueprint-issued Consumer Patterns.

James Ruskin

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

DJ Nobu

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30YRS Fuse Compilation

¥ØU$UK€ ¥UK1MAT$U w/ friends - Midnight is Comin'

100 Years of Colombia

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