Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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DUPØUY

Techno Dj / Producer & Children Of Tomorrow label head. Based in London, UK. Arnaud is also producing with Antonio De Angelis under Detect Audio's alias.

Arnaud Le Texier

Jeroen Search simultaneously is one of techno’s most influential producers and well-kept public secrets. Consistently putting out quality music since the mid nineties on among many others his own genre-shaping Search imprint, he still resides where he has been for many years now; the absolute cutting edge.Named by many as a source of inspiration, Jeroen Search embodies a clear and honest interpretation of techno. His tracks, while audibly open to new and exciting musical influences, always remain true to that typical, inimitable Search-sound. He has seen little to no need to completely reinvent himself at any stage as most, if not all, of his work communicates itself with great ease due to its truly timeless nature.Starting out in 1993 under the DJ Groovehead alias with one of the first releases on X-Trax Records, Jeroen has so far put out his music on many respected labels such as Figure SPC, M_Rec LTD, Traut, Coincidence Records, and A&S, the latter he co-owns with friend and colleague Dimi Angélis. One of his personal highlights has been the ability to do two releases on Jeff Mills’ Axis/6277 label, one solo (New Reality EP) and one as Counterpart (The Martian Mystique).Jeroen’s approach to music production is an unorthodox one; he records all his tracks in a single take and does all his editing live. Constantly pushing his creativity by trying to get the most out of a minimal setup Jeroen remains active in the studio and he now has new releases lined up on Sect, Affin and Gynoid Audio.Jeroen Search live, which he debuted at Berghain in 2009, is more than just an excellent showcase of his work. It’s a journey through the vast landscape of techno, with an expert storyteller at the helm. When booked for a DJ-set, Jeroen always aims to show a unique and alternate side of himself as an artist; bringing along some gems that other DJ’s may have overlooked or under appreciated, a Search DJ-set is bound to be something special.

Jeroen Search

Marc Faenger

Carara

Yoikol is always trying to touch the audience and to get their groove on. He goes further than the famous 16 steps and bets heavily on a concept that is as complex as it is fascinating. However, when listening to his music it seems that he is playing it safe; when this techno lover plays music one soon realizes that techno is his lifestyle. We are before a guy that cannot live without his music. Techno is his disease and playing the beats is a necessary therapy for him.

Yoikol

PWCCA

Christian Wunsch has been in contact with music ever since he was a young boy: thanks to the influence of his elder sisters he discovered the darkest pop of the eighties, as well as goth rock, punk and new wave.This influence was to stay with him for the years to come, when he moved t o Not t ingham. In Rock Cit y, one of the city’s most famous live music venues, he enjoyed many live performances by the bands that had meant so much to him: New Model Army, The Mission, Ramones, Joolz, Sisters of Mercy and so on.But it wasn’t until he returned to Spain in the early nineties that he came to be fully in contact with electronic music. Back in those days and thanks to Madrid’s nightlife and clubs like Attica, Christian experimented the curious fusion of all his previous dark rock influences with the most combative electronic music in the form of EBM.This had a huge impact on him and lead him to take a step in the right direction and become the star, rather than a mere spectator. In order to gain a qualification in sound, he moved back to the United Kingdom and it was there and then that he discovered the sound of Techno at its most basic stages.Whilst he studied, he started looking for second hand equipment and created his own home studio; first with a primitive Roland tr 505 rhythm composer and a Novation Basstation synth.Not long after that, he got hold of an old Atari 1040 computer, a relic that included two Midi ports; he also acquired a few more bits of equipment and started to produce music in a more serious way.Following a period getting to know the machines, he released for the first time under the name of Metal Artefakt with Rhythm of time, a label based in Madrid that was amongst the first ones in Spain to release techno records, back in 1997. That same year, his demo was selected for Sónar 97; his gig at the festival was his second ever live performance.The first work he released under his own name saw t he light t hanks t o SYL:Label, a label t hat belonged t o an important Birmingham distributor, Integrale Muzique, under de direction of Regis, a young Karl O’konnor. After he listened to Christian’s demo, he proposed to him that he should have his own label in the platform, and so he released several records with them.Back then, his distinctive energetic and cyclic techno already featured within his sound palette and included a subliminal Soul component that later on developed to become his trademark.Having released his records on other labels, early in the year 2000 he decided to create his own, Tsunami Records, which is still active nowadays. Soon after he also created Nine, and with time both labels have become a symbol for the purest and most militant t echno.Aside from what he has released with Tsunami and Nine, Wunsch has released over 50 records in labels from all around the globe, such as Theory, Sheep, Music Man or Audio Assault, just to name the most prominent .Aside from his releases, the onstage version of Christian is committed to live performances and to taking his personal view of techno to the best dance floors of the planet, whether clubs or festivals, in countries such as Germany, Hungary, Holland, Belgium, England, Czech Republic, Slovakia, Malta, France, Slovenia, Austria, Brazil, USA or Japan, amongst others.At present, he is a member of the PoleGroup platform, together with Oscar Mulero, Exium, Reeko and Architectural; in this respect, he has been releasing excellent pieces of work alongside his Selección Natural companions, as well as the fantastic False Flag EP, release number 8 of the group.After a period of calm and reorganisation, 2012 will see Christian getting back on the saddle in order to revitalise Tsunami, making a new release with PoleGroup and polishing up his live act so as to put sound systems from around the world to the test.Aside from operating on his own, he’s also an active part of the Work Out project, a new alternative within the techno live dj set concept. Brought to you by Christian Wunsch and Oscar Mulero, both in terms of form and musical content, these sets combine the most up to date and futuristic sounds with the most classical influences of techno and electronic music in general. A choice two-hour musical revision in the shape of a dj set, featuring also a lot of unreleased material by both artists, as well as new versions of previously released tracks, which gives WorkOut! a personal and made to measure feel.Both the musical concept and the performance are designed to be flexible and modified to suit the needs of large events or clubs, or even the smallest of venues.

Christian Wunsch

Prolific dj and producer, label owner and promoter - Dawn Razor, conjures
up a deft, future-focused productions that paints a rich landscape of
exciting sounds that push the boundaries of modern electronic music in a
myriad of new directions. Been killing` the game since 2015, been making waves with over 50 releases to date on some of the most respected labels in the world, such as R & S, ARTS, Holding Hands, Dext, Of Paradise, UX, Planet Rhythm, Illegal Alien, Subsist, FLASH, and Credo.
With his music receiving support from some of the biggest names, such as
Richie Hawtin, Chris Liebing, Scuba, Rødhad, Marco Bailey, Pan-Pot, Joey
Beltram, Shed, and Answer Code Request, it's no wonder his tracks are
frequently found in the mixes and playlists of these industry heavyweights.
He`s also been featured in podcasts for Mixmag, DJ Mag, Essential Mix,
Slam Radio, Deep Space Helsinki, Rinse FM, and HOR Berlin.
Razor`s discography is packed with remixes from some of the most
respected names in the underground electronic music scene, including
Psyk, Julia Govor, Unbalance, Dubspeeka, Takaaki Itoh, 6SISS, Shedbug,
and Desert Sound Colony. Performing both LIVE and dj-sets, his music displays Dawn Razor’s skills as an increasingly confident producer and one of the most important artists emerging out of scene. Blurring the line between both straight and broken beat techno, breakbeat, electro, mutated bass, IDM and post-trance and more, Dawn Razor is one to watch.

Dawn Razor

Techno DJ & Producer from germany
- owner and founder of Sound Kleckse Records
Jens Mueller comes from Essen, the heart of Germany’s Ruhr region and in true German fashion Jens Mueller is the master of all things Techno. Jens has been behind the decks lighting up dance floors since 1994 and has played set’s at some of the Europe’s most prestigious events such as Love Parade and USB Festival. 

Jens Mueller

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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