Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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04LM

Flug

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself.&nbsp;

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing.&nbsp;


Chris Liebing

Marco Bailey is somewhat considered an icon when it comes to techno and the dance music industry as a whole. It starts with a beat, and for Marco that as in the late 80’s. In 2014 he celebrated 25 years of Marco Bailey, a true achievement for someone who is an ambassador for the scene as well as an amazing DJ and producer.

He grew up in Belgium, and it all started out when he went to a small local club in his nearby city. At this point, he knew little and didn't have any musical heroes, but soon released that he would rather be behind the decks than on the dance floor.

His break came in 2000 with his first EP on Carl Cox’s Intec imprint with “Play It Back”. Over the next couple of years he worked on his own imprint, launching MB Elektronics, with the first release in 2002 with “Caprioska”. The releases came flowing over the next few years, which saw the release of his critically acclaimed “Rube Boy” album back in 2004, soon followed by “Dragon Man” LP on John Digweed’s Bedrock in 2011.

His most recent album was with 12 track “High Volume” released back in 2013 on MB Elektronics, dubbed by some techno aficionados as a masterpiece. It was at this time, he also released an up close and personal documentary “Marco Bailey”.

His Electronic Force radio show has been a huge success from the get-go, with almost 300 episodes to date, he has had every artist on board from Carl Cox, Alan Fitzpatrick, Umek, Joseph Capriati, Sam Paganini and Carlo Lio. It’s heard by millions of listeners in more than 50 countries.

Marco has been touring relentlessly throughout his career, he’s an artist who can say he has probably played at almost every club in the world, and been listed at the top of major festivals. He hasn't stopped, and this summer was no exception his MATERIA brand taking a new home at Vista Club, Ibiza. Every Sunday, he offered artists including Sam Paganini, Carlo Lio, Julian Jewell, and Paul Ritch for the closing on the 28th August all came out to party with Marco and the crowd.

You can expect to see the MATERIA brand reach far and wide this year, with parties in London, Vienna, Amsterdam and Tokyo planned this winter. Mid October will see the release of the MATERIA compilation mix, a collection of tracks selected personally by Marco, of both his own releases and all the artists which played at MATERIA in Ibiza this summer.

2017 continues to be another landmark year for Marco, with his first MATERIA residency considered a huge success, the brand looks to move worldwide, becoming a high-profile label and radio show as well and continuing to grow. He is a true pioneer of Techno, and has no plans to put on the brakes anytime soon.

What is MATERIA?

A party where the want, need & desire to feel the love and vibrations on the dance floor is understood. Where music lovers can digest the passion in the percussion, the energy of the crowd coming together, experience the sensation of letting go - elements that constitute the foundation for what some may never get to fully experience... a pure musical journey. Embark on a global movement, as Belgium's Marco Bailey sets the mood for one unforgettable evening. Welcome MATERIA - where techno is valued as a religion, the dance floor has no limits, the crowd is united and melted together by sound - where the rules require two things: listen and live.

Marco Bailey

Temudo

Ian O'Donovan

Zisko

DEAS (Karol Mozgawa), based in Cracow/Poland, born in Greece is a music producer and DJ, who is fast becoming one of Techno’s most exciting breakthrough artists originating from Eastern Europe. One can recognize his Greek origins and East European upbringing in his music, where enthusiasm and fantasy blends in varying shades of Techno. He believes that music “is never a subject to stereotypes and clichés”. This allows him to think freely and create music without boundaries, in which psychedelics and raw, heavy Techno is balanced to perfection with memorable, warm but yet deep melodies. Not yet 30, he has been mastering his production skills for a decade. During this time he developed an impressive studio where most of his music is recorded live. His hard work is presently coming into a full effect with the releases of a number of labels ranging from Platent Rhythm, through Materia, to Quartz Records. Deas productions received great feedback and are strongly endorsed by Len Faki, Marcel Dettmann, Rodhad Alex. Do, Marcel Fengler to name just a few. His music is also featured and supported by such music magazines as Mixmag, Dj Mag, Decoded Magazine, Datatransmission and so on. It is not that often you see such broadly developed artist, like Deas, who is equally skilled in the production studio and behind the decks.

Deas

Electric Rescue

Introversion

Diego Amido, known as Oxygeno, was born in 1995 in northern Spain. Since 2019, he has established himself as a key figure in Spanish techno culture, extending his influence beyond national borders to international stages.

Inspired by the distinctive sound of Spanish techno, Oxygeno has developed a unique style that blends hypnotic textures, relentless rhythms, and introspective atmospheres. His sets take the audience on a sonic journey filled with emotions and rawness, an immersive experience that defines his artistic essence.

With unwavering dedication, he founded his record label, Lost Verses, where he curates his most personal productions. His work has been released by prestigious international labels such as Mord Records, Axis Records, and Soma Records, with standout releases that have positioned him as a reference in today’s scene.

Oxygeno has shared the stage with renowned artists like Jeff Mills, Óscar Mulero, and Ø [Phase], performing in iconic clubs such as Khidi (Tbilisi), Fabrik (Madrid), Melkweg (Amsterdam), Gare (Porto), or Spook (Valencia). His music and presence in these spaces cement his position as an essential artist in the global techno landscape.

Oxygeno

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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