Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Clercq

Sterac

David Schwarz

Born and raised in Israel, Shlomi’s personal approach, married with 15 years of production experience and over 20 years of djing, takes influence from Jazz, Funk, Minimal, Acid, and in particular the old Techno movement.

Aber has created some of the most recognizable and Highlighted underground dance music tracks of the modern times for the world’s most prestigious labels on his ever-expanding CV: Cocoon, Ovum, R&S, Nonplus +, Figure, Renaissance and his own "Be As One Imprint”, one of the most established and leading labels of the underground dance music scene, with its broad range of quality and forward - thinking underground house and techno.

Tracks such as "Sea Of Sand", "Tel Aviv Garden" and "Groove Mechanism" have become engraved as Modern Anthems, whilst his  "Sketches “ release has already been described by every aspects as ‘…a classy piece of Underground fodder’, not to mention his  Ovum Recordings "Freakside” release which became his trademark as "the biggest club track of 2007" and one of the most played techno tracks of the recent years.

Shlomi's worldwide success granted some prestigious rewards and Nominations as “best newcomer” in 2005, “producer and track of the year” in 2007, "Beatport's artists of the year” in 2008, Worldwide " DJ Awards nomination” and a well respected recent “Best Techno Dj 2014 & 2015” award winning at the “ Sankeys Ibiza “ Dj Awards.
These and more placed Shlomi in the first tier of electronic music artists, headlining every prestigious club, festival or venue worldwide.

Shlomi Aber

Marco Bailey is somewhat considered an icon when it comes to techno and the dance music industry as a whole. It starts with a beat, and for Marco that as in the late 80’s. In 2014 he celebrated 25 years of Marco Bailey, a true achievement for someone who is an ambassador for the scene as well as an amazing DJ and producer.

He grew up in Belgium, and it all started out when he went to a small local club in his nearby city. At this point, he knew little and didn't have any musical heroes, but soon released that he would rather be behind the decks than on the dance floor.

His break came in 2000 with his first EP on Carl Cox’s Intec imprint with “Play It Back”. Over the next couple of years he worked on his own imprint, launching MB Elektronics, with the first release in 2002 with “Caprioska”. The releases came flowing over the next few years, which saw the release of his critically acclaimed “Rube Boy” album back in 2004, soon followed by “Dragon Man” LP on John Digweed’s Bedrock in 2011.

His most recent album was with 12 track “High Volume” released back in 2013 on MB Elektronics, dubbed by some techno aficionados as a masterpiece. It was at this time, he also released an up close and personal documentary “Marco Bailey”.

His Electronic Force radio show has been a huge success from the get-go, with almost 300 episodes to date, he has had every artist on board from Carl Cox, Alan Fitzpatrick, Umek, Joseph Capriati, Sam Paganini and Carlo Lio. It’s heard by millions of listeners in more than 50 countries.

Marco has been touring relentlessly throughout his career, he’s an artist who can say he has probably played at almost every club in the world, and been listed at the top of major festivals. He hasn't stopped, and this summer was no exception his MATERIA brand taking a new home at Vista Club, Ibiza. Every Sunday, he offered artists including Sam Paganini, Carlo Lio, Julian Jewell, and Paul Ritch for the closing on the 28th August all came out to party with Marco and the crowd.

You can expect to see the MATERIA brand reach far and wide this year, with parties in London, Vienna, Amsterdam and Tokyo planned this winter. Mid October will see the release of the MATERIA compilation mix, a collection of tracks selected personally by Marco, of both his own releases and all the artists which played at MATERIA in Ibiza this summer.

2017 continues to be another landmark year for Marco, with his first MATERIA residency considered a huge success, the brand looks to move worldwide, becoming a high-profile label and radio show as well and continuing to grow. He is a true pioneer of Techno, and has no plans to put on the brakes anytime soon.

What is MATERIA?

A party where the want, need & desire to feel the love and vibrations on the dance floor is understood. Where music lovers can digest the passion in the percussion, the energy of the crowd coming together, experience the sensation of letting go - elements that constitute the foundation for what some may never get to fully experience... a pure musical journey. Embark on a global movement, as Belgium's Marco Bailey sets the mood for one unforgettable evening. Welcome MATERIA - where techno is valued as a religion, the dance floor has no limits, the crowd is united and melted together by sound - where the rules require two things: listen and live.

Marco Bailey

Samuel L Session

30 years originally gaining en extremely respected DJ fame for playing standout techno sets on four vinyl turntables, many do not realise Cristian Varela is also a successful composer scoring soundtracks for film, theatre and television. Being one of the most awarded artists in the electronic scene, winning more than 40 Awards along his career, he has even recorded a symphonic album at the legendary Abbey Road Studios in London.
When talking about Cristian Varela's roots, longstanding fans of the Techno genre will need little introduction for his seminal remixes of artists such as Ben Sims, Speedy J,… and although leaving in London for many years, he has never forgotten his humble roots. Often returning to Spain to give guest talks at many of the country's leading music schools and colleges.

In 2018 he plans to relaunch his "Black Codes Experiments" project, which originally started in 2001 is a return to his roots with a series of gigs and vinyl only releases featuring artists such as Regis, Mark Broom, Shufflemaster, Tensal, Abstract Division, Exium and Arnaud Le Texier, amongst others.
More than just a remix artist, Cristian Varela has released numerous solo EP's on labels ranging from Carl Cox's Intec to his own Pornographic Recordings, and although the relaunch of his Black Codes Experiments imprint will draw some of attention from Pornographic Recordings, it will not stop the label from continuing to feature new music from the likes of The Advent, Ken Ishii, Gary Beck, Marco Bailey, UMEK, and many more.
Also released the premiere of a special documentary film celebrating Cristian Varela's 25 year career in music, which features testimonials and commentary from friends and colleagues including Carl Cox, Chris Liebing and Joseph Capriati, plus numerous others who have been instrumental in his career. Now is Cristian 30th ANniversary in the Industry and just launched his track EIGHTH in one of the most prestigious Techno Labels MORD owned by Bas Mooy and MATERIA with his brother Marco Bailey.

With a gig schedule that takes him all over the world, for those who are patient, you should be able to catch Cristian in your home city or country. For those who need a more regular dose of his music selections, you can catch his weekly radio show at BloopRadio- London and all his shows that's syndicated in Europe, USA, South America and Asia via more than 100 specialised techno stations in more than 50 countries.
Cristian Varela is acknowledged as one of Spain's pioneering techno producers and promoters. When he started his career over three decades ago, he was one of the first Spanish DJ's to receive international bookings.

Cristian Varela

Nuke

Lex Gorrie

Frank Biazzi is a techno dj and producer.

He gradually became a respected dj and a well known name in the techno scene.

He has released huge techno productions which have been charted and played by a lot of key producers. Right from the first track “Turbulence”, which was released by Lupp records.

Carl Cox, Dave Clarke, Monika Kruse, Tim Taylor, Christian Smith, Marco Bailey, Dj Rush,... they all put “Turbulence” in their top 10 playlist.

Beginning 2013, Frank Biazzi started his own label "Trauma records".

This imprint which focuses on the same hypnotic and energetic techno that you'll find in his dj sets.

A Stalwart of Belgium’s techno scene, Frank is a regular booking at many of the country’s clubs and festivals, and often plays gigs in other parts of Europe.

He has also featured music on various international respected labels such like Tronic, Intec, Kombination Research, Matter +, Driving Forces, Transmit, MB Elektronics,.... and has remixed tracks by the likes of Ken Ishii, Torsten Kanzler and Mauro Picotto.  His tracks are often supported by other club spinners such as Chris Liebing, Sam Paganini and Adam Beyer.

Frank Biazzi is without doubt one of the most qualitative exports of the very rich Belgian techno scene. His name is synonym to Belgian techno by being important part of the greatest achievements of his country's techno industry

Frank Biazzi

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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