Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Buddah

After being exposed to House music of the 90's and early 2000's, Barcelona based Piem was destined to journey into the world of underground music. These early musical experiences helped to shape Piem into a firm favourite on the Barcelona club scene with a residency at W Barcelona and playing in venues like Pacha and Barcelona's biggest festival, Sonar.

Meanwhile, locking himself away in his studio honing his sound, Piem's dedication continues to pay off with releases on well revered labels: DFTD, Knee Deep in Sound, Relief, Crosstown Rebels, Sola and Moon Harbour. Piem has established himself across the world and is gaining recognition among fans, DJ peers and promoters. Piem has seen his music played by and performed on the same line ups as many renowned names such as Black Coffee, Carl Cox, Hot Since 82, Maya Jane Coles, MK, Nic Fanciulli, Pete Tong, Solardo and Camelphat.

Playing at some of the world's most iconic clubs: Club Space (Miami), Heart Nightclub (Miami), Space (Ibiza), Pacha (Ibiza), Amnesia (Ibiza), Club Room (Chile), Cavo Paradiso (Mykonos), and with over 3 million Spotify global streams to his name, Piem is reiterating why he is one to watch

Piem

Grammy Nominate & Los Angeles based artist Eddie Amador is best known as an international house music DJ. Eddie exploded onto the scene in 1998 by penning the infamous lyrics...'not everyone understands house music, it's a spiritual thing, a body thing, a soul thing.’ He set them to a hypnotic pulsating beat and the seminal dance classic House Music - Message Mix was born. 'House Music' went on to become a global hit and secured Eddie an album deal with Deep Dish's Yoshitoshi label. However, it was his next single 'RISE' which proved that Eddie was no one hit wonder. Catapulting into the top 20 of the UK national chart, Rise - Robosonic Remix propelled Eddie to the status of a world class dj and he was now performing at such super clubs as Ministry of Sound,The Queen, Centro Fly, Crobar, Stereo as well as Pacha & Space in Ibiza.

By 2007, Eddie was remixing platinum recording artists Leela James, Michael Buble, and Seal for Warner Bros. Records. He became par t of the exclusive group to remix Madonna and his mix of “GIVE IT TO ME” Give It 2 Me - Eddie Amador House Lovers Edit from Hard Candy became #1 on Billboards Hot Dance Club Play Chart. Eddie’s gone on to remix Yoko Ono (#1),The Veronicas, Alanis Morissette, Donna Summer (#1), Chris Willis (#1), Jason Derulo, Kerli (#1), Blush (#1),Taryn Manning (#1), and many many more. In 2013, Eddie remixed Madonna’s “Super Star” for Interscope Records.
Links:


Eddie Amador

Rio Dela Duna

Tom Novy

Along with Masters at Work partner "Little" Louie Vega, Kenny "Dope" Gonzalez was one of the biggest figures in house music, and one of the prime connections between the underground and the mainstream. Together, Gonzalez and Vega produced and remixed an endless list of tracks that made an indelible impact upon dance music. With salsa, disco, and house acting as the primary common specialties the two shared, Gonzalez brought his immersion in rap music to the table, while Vega came from a freestyle angle. The duo helmed full-length albums, including some under the Masters at Work name, in addition to one with their ambitious Nuyorican Soul project. Apart from MAW, Gonzalez scored a huge crossover hit with the 1995 single "The Bomb! (These Sounds Fall Into My Mind)," released under his disco-house alias the Bucketheads. He's released numerous 12"s of breakbeats and rhythm tracks, as well as compilations and mix CDs dedicated to all of his myriad influences, particularly hip-hop (1998's Hip Hop Forever), disco (1992's Disco Heat), and '80s boogie (Roller Boogie 80's, 2004).

Like Vega, the Brooklyn-born Gonzalez was prolific on his own before and during the partnership, and started out as a DJ. In the '80s, Gonzalez founded the Dope Wax label while doing production for several New York dance labels, including Big Beat, Cutting, Nervous, and Strictly Rhythm (home to his releases as the Untouchables). Masters at Work actually began around this time, originating as a partnership between Gonzalez and Mike Delgado; the two organized parties under the name. A few years after Gonzalez aligned himself with Vega, he established the Bucketheads, a studio project that released a string of extremely successful singles and a full-length. Both "The Bomb" and "Got Myself Together" topped Billboard's U.S. club chart, and appeared on 1995's All in the Mind full-length.

Gonzalez released several solo productions under his own name throughout the early 2000s, through the Tu Chicks, Freeze, and TNT labels. His skills as a DJ were demonstrated with a pair of impressive releases for the U.K.'s BBE label, too: 1998's Hip Hop Forever was a triple-disc set, including an early-'90s-centric mix on one disc and the selections in full on the other two. The similarly formatted Disco Heat came four years later, and focused on underground disco and house classics from the late '70s. Throughout the remainder of the decade, he was a go-to DJ for quality mix albums. His highlights included Roller Boogie 80's (Traffic, 2004), Life:Styles (Harmless, 2004), Randy Muller's Best (Plaza, 2005), Choice: A Collection of Classics (Azuli, 2006), and Mixes P&P Records (P&P, 2007).

Along with Terry Hunter, Gonzalez formed Mass Destruction; their eponymous 2009 full-length included guest vocals by Byron Stingily and Lidell Townsell. 2010 compilation House Masters compiled two discs' worth of production and remix highlights from throughout Gonzalez's career. In 2011, he produced rapper Rasheed Chappell's album Future Before Nostalgia, released by Kay-Dee Records, the label Gonzalez co-founded with fellow cratedigger Keb Darge. The label also released Wild Style Breakbeats, a 2014 set consisting of Gonzalez' edits of breakbeats featured in the classic old-school hip-hop film Wild Style, spread across seven 7" singles. The producer continued releasing house singles on his own Dope Wax imprint, and returned to Strictly Rhythm with 2017 single "Talk Dirty," featuring vocalist Roland Clark. ~ Andy Kellman

Kenny Dope

Josh Butler

"I make music for children. Google me." Dennis Ferrer has been on the forefront of electronic dance music for well over 15 years now, transitioning between styles and influences and keeping it interesting for club-goers and “heads” alike. Making techno & ambient in the 90’s, melodic house in the early 2000’s and reinventing himself again over the past few years, Ferrer has been focusing on a somewhat darker, more techno-influenced sound lately.  The year 2018 marks the return of Dennis Ferrer and his legendary Sunday parties to Blue Marlin Ibiza. The name of the night, ‘Misfits Society’, suits Ferrer perfectly as he’s not big on trying to fit in. Guests include Ferrer’s label mates and artists he’s most inspired by at the moment. Like always, with Dennis Ferrer the best is yet to come, as he shows no signs of slowing down.

Dennis Ferrer

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

Darius Syrossian

Hector Couto

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Buddah

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Pleasure 31

Walking (feat. Lisa Pure)

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