Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Pvt. Vasquez

Per Hammar

Frank Heinrich, known as Reboot, began crafting tracks on studio equipment with his savings while most kids his age were just discovering video games and
girls. Growing up in Frankfurt, Germany, he was deeply influenced by Sven Väth’s Omen club. Reboot’s production style is a blend of various musical genres including 
latin, dub, reggae, world music, jazz, funk, and R&B, making his music a unique mix of club-oriented house and minimal sounds. His tracks, often described as 'complex polyrhythmic architecture,' captivate dance floors worldwide. Reboot’s debut album 'Shunyata' (2010) showcased his command over intelligent and exotic sound structures. This was followed by 'Deep_V' (2014) and 'aLive' (2016), with contributions from renowned artists like Ricardo Villalobos and Kölsch. His extensive discography includes releases on labels like Cécille, Cadenza, Cocoon and Defected, spanning over 300 releases and remixes. He has successfully toured major global events, including Awakenings, Ultra
Music Festival, Tomorrowland, and renowned clubs like Hi Ibiza, Womb Tokyo and Fabric London. After a deliberate phase of retreat in recent years—marked
by personal reflection and transformation, Reboot returns with renewed energy, creative clarity, and a bold vision for the future

the journey continues

Reboot

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

NTFO

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

S.A.M.

2017 was a big year for Michael James with his many releases on Constant Sound and their vinyl only sub label Constant Black gaining support from artists ranging from the likes of iO (Mulen), Apollonia’s Dyed Soundorom, Dan Ghenacia, and Shonky, Barac, Dubsons, Dana Ruh, Enzo Siragusa and Thomas Melchior. Every release Michael has done has sold out, and sold quickly with each of his Constant Sound/Black releases hitting the top spot on the bestsellers charts.

Taking inspiration from the likes of Perlon artists, Ricardo Villalobos and Zip, and, in more recent times, artists from the Romanian revolution such as Raresh, Rhadoo, and Barac, Michael has amassed an enviable vinyl collection, and has forged an underground sound of his own fusing elements of dub minimal, house, and techno. Regular 5+ hours sets at Ibiza’s infamously selective spot – Ibiza Underground have been supplemented by performances at Ibiza’s super clubs such as Privilege and Space, alongside his long term Ibiza residency at The Zoo Project.

With more releases lined up for 2018, you’ll be hearing a lot more from Michael.

Michael James

Okain is part of a wave of artists that began spinning records and producing music two decades ago in Paris shaping the bubbling French electronic music scene we know today.

After spending his early years playing in clubs around Paris, his first releases came out in 2007 and launched his international career. Since then, he has played at key venues around the world and visited all 5 continents, including Fabric London, Awakenings Amsterdam, Fuse London, Tresor Berlin, Panorama Bar Berlin, Space Ibiza, and SASH Sidney, to name a few. His busy touring schedule hasn't stopped him from continuously releasing music on celebrated underground imprints such as Constant Sound, Infuse, Locus, Pleasure Zone, Tsuba, Bpitch Control, PIV, and, of course, his own label.

After relocating to Berlin in 2012, he established his musical imprint, Talman Records. There, he can freely release his music and provide a new platform for like-minded artists such as Silverlining, Kolter, Harrison BDP, and Chris Stussy, to name a few.

With a discography boasting over 40 records on underground favorites, Okain has solidified his position as a key player in shaping the contemporary electronic music landscape.

Okain

Bursting onto the underground house scene in 2011, Max Chapman was just 23 years old when he released his first record. Since then the Essex based DJ and producer has taken on a journey of energy, creativity and unconditional passion and even bagged himself an overall number one on Beatport. It’s this passion that has been the drive and motivation behind Max’s flawless production, extensive versatility and limitless capabilities.

Just 8 months into his DJing career Max started up his own label, Resonance Records. To this day he still maintains his imprint, placing himself at the helm of showcasing exciting new talent from every corner of the globe. Utilising his resources, the label has since blossomed into a monumental platform for the finest underground tech-house music, and as a result, some of the artists involved are playing at the biggest parties in the world, week in, week out.

Storming through Continents such as North and South America, Australasia and Europe is now the norm. On a weekly basis he’s ploughing through set after set and pleasing all his fans. Space, Sankeys and Privilege are just some of the venues amongst the plethora of places Max has performed at and with lots planned for this year the sky is the limit.

Max's track 'Body Jack' climbed the Beatport Tech House chart pretty quickly and once into the top 100 it was unstoppable, reaching the top spot after 10 days of being released. It then went n to claim the overall number 1 across all genres a a few days later.

Releasing tracks and EPs on WOW!, Hot Creations, Snatch, Elrow, Lost, Madtech, Resonance and VIVa is now becoming a regular occurrence; earlier in 2016, Max was the only producer to have two tracks featured on VIVa’s compilation album, with ‘Freaks Come Out’ charting the highest out of the whole record. Not content with that, his debut album ‘Catch Me If You Can’ was given a 9/10 from Mixmag and DJ Mag, as well as hitting number 10 in the Beatport chart. Not only has he taken his sound to the airwaves with a residency on Pioneer Radio, he ticked a huge industry box with a set at Lost Beach club in Ecuador, as part of the Boiler Room network, which was the first ever Boiler Room in Ecuador and was streamed worldwide to thousands of people.

It’s easy to see why Adam Beyer, Riva Starr, Steve Lawler, Jamie Jones, Richy Ahmed, Hot Since 82, Loco Dice, Matthias Tanzmann, Pete Tong, Nic Fanculli and many more of the biggest names in the business are giving these tunes a spin on a weekly basis

Max Chapman

Cab Drivers

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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Pvt. Vasquez

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Twisted Artists 2020

No Quarter

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