Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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Pablo Bozzi

Mark Broom's Upcoming Gigs
Sun 22 Nov, 20
10 Years of Natural Selection (pt. 1) - FOLD (Live Stream) w/ The Advent, The Fear Ratio, 96 Back & more, FOLD, London E16 4SA, England

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A truly prolific artist, Mark Broom has a myriad of production credits to his name having worked with world renowned labels such as Blueprint Records, Rekids, M-plant, EPM, Cocoon, Bpitch Control, Warp Records and the legendary Ifach with Baby Ford.

It all started in the summer of ‘89 when he landed in Tenerife on vacation and stumbled across the delights of the emerging sounds of Chicago and Acid House. Returning to the UK, he immediately went in search of this new found music, a pair of turntables were bought and with it a musical career was born. He has also had the pleasure of reworking material from artists such as Robert Hood, Floorplan, Alan Fitzpatrick and Gary Beck.

Mark Broom

There are few artists carving out a legacy for themselves like Dax J is right now. The British DJ and producer from London has gone from pirate radio to magazine covers; from the backroom parties to headlining raves at every major techno institution the world over, all whilst staying true to the underground with an individual style all of his own. His technical skill, pure selection as a DJ and attention to high-end sound production has placed him at the forefront of a global scene, and established him as a singular presence within modern dance music.

Recent accolades for his unswerving devotion to his sound have included places in the top 100 DJs polls published by Resident Advisor, DJ Mag and Groove Magazine. Over the years, he’s also received nominations as Best Techno DJ, Best Breakthrough DJ and Best British DJ from Mixmag, DJ Mag and the DJ Awards. He's renowned for playing mammoth closing sets at monumental parties including 10-hour marathon sets in the world’s most notorious techno clubs, Berghain and Bassiani.

Also known as a prolific producer and successful record label boss, his trademark sound remains in constant rotation among the most respected DJs in dance music. It’s a style that has evolved over many years, but which was first fully recognised on his highly acclaimed 2015 album, "Shades of Black". Upon its initial release on his own Monnom Black label, Mixmag named it "Album of the Month", Hardwax described it as “brilliantly banging” and it also took the coveted No.1 spot on Juno Records. 2018 saw Dax release his multi-faceted second solo album “Offending Public Morality”. The record won support across the board, including that of BBC Radio 1 who picked it as their “Biggest Record of the Week”. By the end of 2018, “Offending Public Morality” also featured in the “Top 50 Albums of the Year” lists for DJ Mag, Tsugi and Apocalypse Mag. Two more events that crowned a year of great success were his enrolment into the BBC hall of fame with the release of his debut Radio 1 Essential Mix, and Be.At.TV’s choice of his 4-hour closing set at NeoPop Festival for their “Best DJ set of the year”.

Dax J

Oscar Mulero's DJ career has been as prolific and long lasting as the evolution of dance music. As a key figure in its development, Oscar has always absorbed new trends and kept his finger on the pulse of electronic dance music, from the end of the 80’s right up to the present day. It is impossible to understand his genius without taking into account the tireless work he has carried out behind the decks for over two decades. Production-wise he's been releasing records since the late 90’s, with countless 12" vinyls and several studio albums, as well as many remixes for the best players in the scene.

He runs Warm Up, his very own imprint, since 2000 as well as the label PoleGroup Records since 2004, both of which have reached the 50 releases mark. On 2013 he started a series of live A/V performances under several project names like Light and Dark, Biolive and Monochrome AV.

In 2019 he will celebrate his thirty-year career with a very special secret lineup party in Madrid that will be much talked about because of its concept and the quality of the guests.

Oscar Mulero

Setaoc Mass is an essential voice in techno and electronic music today. As a DJ, producer and label curator, his vision is bold and clear, rooted as much in techno as it is in IDM and experimental music.

Setaoc Mass

DJ and producer Marcel Dettmann is recognised as one of the most influential proponents of contemporary Techno. Widely associated with Berlin and institutions Berghain and Hard Wax, Dettmann has remained true to his roots by consistently seeking to innovate electronic music, particularly in regards to integrating visual art and techno. Raised in the former GDR, Dettmann developed his passion for electronic music early, counting new wave, post-punk and industrial music as his strongest influences – long before discovering techno and eventually immersing himself in it. Since the early 90s he has been a fixture in Berlin as both an artist and DJ, becoming a resident at OstGut in 1999. He has also held a residency at OstGut's successor Berghain since its opening in 2004 until today.

Dettmann’s productions for his own MDR imprint and Ostgut Ton, as well as his compilations and mixes for fabric, Music Man, !K7 and Dekmantel sit between contemporary techno and pre-techno, providing a unique aesthetic at once reduced and rough, emotional and unpredictable.

Marcel Dettmann

Ben Sims

Obscure Shape

Tensal

Berlin-based Musician/DJ riding the next wave acid halo into the sun-shattered dusk.

On albums, Dame Bonnet joins on Bass as well as the Curses (live) tours and concerts.

With 2 albums released on Dischi Autunno and an LP with fashion house, Saint Laurent, the new LP, ‘Another Heaven’ out 2024 with legendary Synth-wave label, Italians Do It Better. Curses has brought his unique sound to iconic venues such at DC-10 and festivals like Nuits Sonores and Grauzone, as well his residency at Berlin’s infamous Pornceptual party alongside his monthly radio show on RinseFM France.

Curses is responsible for curating the acclaimed vinyl compilation series and party, Next Wave Acid Punx, showcasing a passion for New Beat, Early E.B.M, Post-punk and obscure Italo, which continues to gain a passionate cult following worldwide.

Curses continues to bring a romantic and punk energy to the club, threading the ethereal nostalgia of the 80s and 90s into the future of now.

Curses

Croydon-born producer and DJ James Ruskin is one of the most respected figures in British techno, both for his Blueprint label and his own recordings, which are equally informed by the no-nonsense drive of the Birmingham sound as well as the adventurous sound design of Autechre. Consistently releasing quality material through Blueprint since the label's mid-'90s foundation, he's also issued several full-lengths and EPs through German institution Tresor, including 2001's Into Submission. In addition to releasing collaborations with Surgeon and Oliver Ho, Ruskin has also worked with Regis (Karl O'Connor) as O/V/R, and produced more experimental, IDM-leaning material with Mark Broom as the Fear Ratio.

Point 2
Ruskin began to DJ in 1991, and started producing in 1994, initially with studio partner Richard Polson. First releasing a 12" under the name Void in 1995, the two founded Blueprint in 1996, and started issuing records as Outline, quickly establishing the label's hard, uncompromising techno sound. Ruskin began releasing material under his own name in 1997, and his debut full-length, Further Design, arrived on Blueprint in 1998. Tresor released his next two albums, Point 2 (2000) and Into Submission (2001), and Ruskin continued issuing EPs on Blueprint and Coda. Ruskin and Blueprint went on a brief hiatus in 2006, following Polson's death due to natural causes, but Ruskin returned in 2008, issuing fourth full-length The Dash through Tresor. He formed O/V/R with Sandwell District/Downwards co-founder Karl O'Connor, debuting with Interior in 2009. This was followed by 2010's Post-Traumatic Son; the EP's title track was subsequently remixed by Robert Hood, Marcel Dettmann, and others.

Refuge of a Twisted Soul
Starting in 2010, Ruskin released several techno EPs with Mark Broom, and the two formed a more abstract, fractured project called the Fear Ratio, issuing debut album Light Box in 2011. The pair's second album, Refuge of a Twisted Soul, appeared on Skam in 2015, and Live E.P. surfaced in 2018. After going five years without a solo release, Ruskin returned in 2019 with Reality Broadcast Off (Blueprint) and Siklikal (Tresor). He kicked off 2020 with the Blueprint-issued Consumer Patterns.

James Ruskin

<Sin título>

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Nombre

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El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Pablo Bozzi

Resumen

Tracks destacados

Últimos releases

The World Of Monnom Black III

РАЗОМ ЗА УКРАЇНУ / TOGETHER FOR UKRAINE

Deltoid

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