Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Kepler.

NTFO

2017 was a big year for Michael James with his many releases on Constant Sound and their vinyl only sub label Constant Black gaining support from artists ranging from the likes of iO (Mulen), Apollonia’s Dyed Soundorom, Dan Ghenacia, and Shonky, Barac, Dubsons, Dana Ruh, Enzo Siragusa and Thomas Melchior. Every release Michael has done has sold out, and sold quickly with each of his Constant Sound/Black releases hitting the top spot on the bestsellers charts.

Taking inspiration from the likes of Perlon artists, Ricardo Villalobos and Zip, and, in more recent times, artists from the Romanian revolution such as Raresh, Rhadoo, and Barac, Michael has amassed an enviable vinyl collection, and has forged an underground sound of his own fusing elements of dub minimal, house, and techno. Regular 5+ hours sets at Ibiza’s infamously selective spot – Ibiza Underground have been supplemented by performances at Ibiza’s super clubs such as Privilege and Space, alongside his long term Ibiza residency at The Zoo Project.

With more releases lined up for 2018, you’ll be hearing a lot more from Michael.

Michael James

Okain is part of a wave of artists that began spinning records and producing music two decades ago in Paris shaping the bubbling French electronic music scene we know today.

After spending his early years playing in clubs around Paris, his first releases came out in 2007 and launched his international career. Since then, he has played at key venues around the world and visited all 5 continents, including Fabric London, Awakenings Amsterdam, Fuse London, Tresor Berlin, Panorama Bar Berlin, Space Ibiza, and SASH Sidney, to name a few. His busy touring schedule hasn't stopped him from continuously releasing music on celebrated underground imprints such as Constant Sound, Infuse, Locus, Pleasure Zone, Tsuba, Bpitch Control, PIV, and, of course, his own label.

After relocating to Berlin in 2012, he established his musical imprint, Talman Records. There, he can freely release his music and provide a new platform for like-minded artists such as Silverlining, Kolter, Harrison BDP, and Chris Stussy, to name a few.

With a discography boasting over 40 records on underground favorites, Okain has solidified his position as a key player in shaping the contemporary electronic music landscape.

Okain

Per Hammar

Their faultless back catalogue boasts a dominance of vinyl releases on the likes of Visionquest, Drumma Records, Pressure Traxx, Jesus Loved You and Bodyparts, and continues to draw support from industry genii such as Ricardo Villalobos, Rhadoo,Pedro, Raresh [a:rpia:r], Barac, Luciano, Ryan Crosson and Valentino Kanzyani, to name but a few.As demonstrated by their choice of pseudonym, the pair are vinyl aficionados, with both of their labels pushing out nothing short of sheer quality underground wax. Their Crystal Structures imprint focuses more on old school caliber artists, with releases to date featuring the likes of Mark Ambrose, Aubrey, Thor, Exos, C- Rock/ Dubstar and Anonym.Their second imprint, self-titled as VSA Records, debuted in late 2015, and promises to curate an eclectic schedule of releases, both from the boys themselves, alongside a medley of new era artists, each showcasing their respective imaginative sound.Through their consummate work ethic and refreshing productions, the duo has unsurprisingly caught the ear of some of the industry’s leading and most illustrious figures, and with every one of their releases fast becoming a commodity for some of the finest A&R tastemakers on the circuit, Vinyl Speed Adjust are unquestionably two of Romania's most inventive and promising talents.

Vinyl Speed Adjust

Kepler

Burnski is by no means the fresh faced new comer he looks. Despite still being relatively young, he has actually been toiling away, building up an enviable discography and laying down fierce DJ sets for a whole decade and a half. Right from the off he began making a big impact with early releases and has continued to quietly but competently build up momentum ever since. The upshot of this is that he is now at the point where he is a mainstay on the underground scene around Europe and beyond.

The reason he has always stayed in favour is because the music he makes is of an effortlessly timeless nature. He doesn’t follow trends or tropes of the day, but rather he focusses on distilling the Detroit and Chicago heritage he so admires into his own house and techno sounds. Sometimes they are deep, sometimes they are rough, sometimes they are more direct, but always are they characterful things that stand proud of the crowd. As such, whether solo or in collaboration with likeminded producers, he only releases on the most assured labels of the day and has continued to evolve his sound, just like an true musician should. 

As a DJ, Burnski aims to mix the old with the new, is still a passionate vinyl hoarder and spends plenty of time digging deep for sounds and styles a mile away from the ordinary: if he didn’t, he wouldn’t be able to boast regular gigs at places like DC10 in Ibiza, fabric in London, Rex Club in Paris and Watergate in Berlin, all of which find him weaving together tracks that make you want to dance as well as making you feel something deep down inside. 

In the wake of early, standout career hits (all of which sat pretty atop various charts including RA’s Most Charted for several consecutive months) Burnski is now crafting more stripped back and rawer output. Most of these will be on his own new label project alongside old friend and fellow former Back to Basics resident, Jon Woodall. Entitled Constant Sound, the label has gotten off to an enviable start with the first releases coming backed with powerful remixes from Trus’me of Prime Numbers, Steve O’Sullivan of the Mosaic label, Deadbeat, Nail, Kris Wadsworth and S.A.M.


Burnski

Casey Spillman

Josh Baker is a UK based producer and DJ that represents the new younger generations of emerging artists. It wasn’t until his teenage years when he found his love for electronic music. At first, DnB captured his attention however once being exposed to house music at 16 and then going to his first rave at Sankeys at 17 he was hooked. Since then, Josh played some spectacular gigs, including Parklike, Warehouse Project, Pikes Ibiza, Mint Club and many more. In 2015 he curated his first and very successful event brand You&Me, which soon became one of Manchester’s strongest underground parties. You&Me has expanded into other locations such as Leeds, Newcastle & Ibiza with many more parties to come.

Over the past 12 months, Josh has worked on developing his productional skills which resulted in his recent release on the What NxT label with his track “Frustrated” that was premiered by Mixmag and played by Apollonia. His music was played by various successful DJ’s such as Enzo Siragusa, Barac, Yaya, Ben Rau, Rich NxT and Richy Ahmed to name a few. In the next year expect to see releases on the likes of See Double, META, Dighop, Hedzup and Adult Only.

Josh Baker

Lee Burton

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Kepler.

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Recall

Dub House

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