Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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Larry J

Miguel Bastida’s (1984, Granada, Spain) career has been steadily going up since he started DJing with only 14 years old, in the local radio station of his hometown, Alhama de Granada.
Nowadays living in Barcelona, Miguel has become one of the most in-demand Spanish artists worldwide, due to his versatility, great musical selection and charisma dominating the dancefloor.

Miguel’s influences initially came from bands as The Prodigy or The Chemical Brothers, and also from harder styles, like hardtechno and breakbeats. Besides, he had one of South Spain’s electronic music strongholds close to home: Industrial Copera. There, DJs as Ben Sims or Cristian Varela left a huge impression on Bastida, who also looked up to artists such as Nathan Fake, James Holden or Alex Under, during the golden years of minimal techno.

Miguel already dominated the mixing craft when he turned 16. After his first nights out, the idea of music production started to come to his mind. Picturing sounds with each song he listened to, Bastida started gathering with friends with the same ideas and taste for music, setting up his first live sets, which finally led to the foundation of his first group: the electronic music band Raíz Electrónica (Electronic Roots). After that, and thanks to his self-taught practice, he managed to dominate his first production software, Reason, changing to Logic afterwards. Today, being his weapon of choice when creating beats. His love for machines is also well known, especially for Moog’s creations and MIDI controllers.

With his family support as mainstay, helping at the family’s business in the morning and focusing on the studio sessions during the afternoon, Miguel was able to dedicate himself to his great passion: the creation of tunes. Music production has been, without a question, what has taken Miguel Bastida where he is today. After years and years of being locked up in the studio, he managed to create his own, exclusive and uncompromised sound, whose turning point came in 2015, with the release of ‘Moudness’, a track that managed to stay up in the Top charts of platforms such as Beatport. Before that, he already managed to knock on the doors of heavyweights as Umek and his 1605 platform. Then Sébastien Leger’s Mistakes Music came, followed by Mark Knight’s Toolroom; Deeperfect; Trapez, elrow Music; Marc Marzenit’s Paradigma Music; Dubfire’s Sci-Tec; and most recently, Suara, demonstrating all the styles he dominates. Today his productions can be found in the selections of artists such as Richie Hawtin, Paco Osuna, Luciano, John Acquaviva or Leger, Dubfire or Umek themselves.

As DJ, Miguel Bastida belongs to the exclusive group of Spanish DJs that has had the chance of touring around the world, presenting his repertoire in almost every country in the planet, from Australia and New Zealand to electronic music strongholds as New York and Chicago. His name can also be found on the line-ups of the world’s best clubs and festivals, managing to convince even the most demanding dancefloors of the scene.

Self-taught and entrepreneur, Bastida’s projects ended up naturally in the creation of his own label, Be One Records, that he manages along two of his childhood friends. Bastida is in charge of the A&R, while his buddies in Berlin and Granada manage design and social networks duties. Recently they created a sub-label, dedicated to support and give a chance to young and upcoming talents of the electronic music scene.

Be it as groove creator, selector or supporter of new talents with his label, Miguel Bastida is a safe bet for any record label, festival or venue that seeks to tear up their dancefloors.

Miguel Bastida

Enzo Siffredi

It is not frequent to see an artist who emerges from nowhere and becomes someone capable of revolutionizing the market. Wade, who was born in a small town in Spain, evolved with giant steps in a few years. He grew up in a humble neighborhood where it was usual to hear flamenco music and drum rhythms everywhere; gypsies tapping, guitars coloring summer nights and palms to the rhythm of southern Spain. From a very young age he was passionate about music, not just electronic but any song that had harmony and rhythm made him float. Wade did not stop until achieving his goals, having produced music for labels such as Universal Music, Atlantic Records or Black Book Records. If you've ever heard him as a DJ or producer you'll know what I'm talking about. When it comes about his style, we can admit that its quite unique, mixing convincing rhythms along with hip hop details, such as vocals, percussions, etc. He has worked on tracks together with great artists like David Guetta, Joel Corry, Solardo or Cloonee. Wade gained the visibility not only because of his top positions on the Beatport charts in the last years, but also thanks to the high numbers on streaming platforms such as Spotify. His sets, from distant Australia to any club in southern Argentina, are loaded with a lot of energy and passion. Wade's mission is to enjoy with his audience the music he loves, transmitting a state of fury from the very beginning till the end, creating a steady beat alongside electric rises that blow up the dance floor every time. In 2020 he created his own brand Criterio throwing a Sold Out All Night Long event at Fabrik Madrid. One year after, in 2021 and with the collaboration of Universal Music, Criterio became a record label releasing to the market the music that Wade loves the most. On this platform you will find high-quality electronic music songs produced by the most powerful artists of the moment. Innovation is a daily and essential mission for Wade, without leaving behind his constant work. Listen carefully to Wade, in a club, festival or just from your sofa at home, the party will be guaranteed.

Wade

Sabb

☆Creator of the organic groove and iconic artist in the Iberican sound.

David Herrero

Sante Sansone

Piemont

Born in Auch (southwest of France), Remcord has been making his own contribution for years, with great attention and dedication to the groove and the elements that create its musical difference.

Reflective and emotional, Remcord's sound is organic and analog with a balanced perfect between the two. Until today he released on some of the Dance labels known underground music such as Suara, Siamese, Bedrock, Monaberry, Habitat ...

September 2019 marks a turning point in Rémi's career and the accomplishment of his passion since he decided to create his label: REBA. A way for him to bring friends together, present his own vision and be free to release what he really wants.

From the first EP "YAMA", he received unprecedented support from important players in the scene. Mind Against, Black Coffee or Adriatique frequently retain the songs from the REBA catalog for their sets. During covid periods Tales Of Us, which has been playing Remcord productions since a few years, will choose “Empty Supply” for their unique Afterlife UNITY show.

In 2021 Rémi released the title “Gardens” on his own label and produced an ambitious music video, he is for the occasion the guest of the legendary show John Digweed Weekly: Transition.

In a DJ set or with his powerful live performance, he has shared his vibes all over the world in prestigious clubs like the REX club , Privilege, About Blank, KaterBlau, Bolivar beach...

All tracks are made with a lot of love and a bit of grass.

Remcord

Coming from completely different musical backgrounds, Robert as beat producer and composer in electronic projects and Sam as a guitarist, singer, and songwriter in rock- and jazz bands, they work together as umami. The project was founded to merge all their influences into one unique train of thought. Always chasing that mind-altering intensity of a new melody that feels like something you have never heard before.

They have had a long journey finding their true sound, with many detours and experiments along the way. Their first full length album „In Exchange For Everything“ came out early 2019 on trueColors and it marked a new chapter of the project - more mature and honest than anything they had done before. It included the single „Terra Mount“, a collaboration with the singer- songwriter-producer Monolink, that became their most played track in 2019.

Later that year the „Das Horn“-EP was released on Bar 25 Music, further outlining the patterns of their upcoming work with deep tribal percussions, analog synths and Sams vocals.

Now, in June 2020, they will release their EP „Soltornet“ on „Human by default“ - the new imprint of Bedouin. The title track „Soltornet“ is a deep dive into a mystical melody that embodies umamis vision for a special kind of music. The track was supported by Bedouin in their „Live at Mayan Warrior“-Set at Burning Man 2019.

Umami

Raul Facio

<Sin título>

Título del álbum

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El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Larry J

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