Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Fabio Mc

The Advent

Traversing the winding passages of his own cavernous capabilities, prolific Italian DJ, producer and label owner Frankyeffe – real name Francesco Fava – is well on his way to reaching the peak of his towering potential. Since his career’s 2001 inception, he’s wandered some of the darkest corners of melodic techno, injecting innovation and amplitude and gradually cementing himself as a true master within his own class.
Initially rising to prominence behind the decks of Rome’s renowned Rashomon Club, for three consecutive seasons, the venue’s intimate interior provided a vast canvas for Frankyeffe to draw upon. Soon sparking the interests of a wider audience, he’s since reached international recognition playing at various Mutate events in Naples, the Audio Club in Geneva, Germany’s Audiogate festival in 2017 and a monster slot on the Pryda stage at 2018’s instalment of Tomorrowland in Belgium. Stretching his reach further to high profile gigs in the UK, Holland, Portugal, Spain, Columbia and China his music is fast becoming a global force to be reckoned with.  
Helping to inspire other artist’s talent and creativity, Frankyeffe’s fierce DIY ethos is embodied by his own Riot Recordings label where he’s simultaneously put out a number of his own releases including his name making 2015 debut album, Trenta along with a handful of other flourishing and deserved artists – Teenage Mutants, Maksim Dark, Heerhorst and Spartaque to name a few. He’s worked alongside the likes of Enrico Sangiuliano – winner of ‘Best Producer’ at the 2019 DJ Awards – as well as been featured on established imprints that span Noir, Kraftek, We Are The Brave, Senso Sounds and Terminal M. 
With an exciting schedule already underway, Frankyeffe has a busy year ahead with a string of tour dates and releases on Senso Sounds and his own Riot Recordings ready to drop in early 2020. Well set on the highroad to stardom, 2020 will be a crucial year for this buzzing techno talent. 

Frankyeffe

Aitor Ronda’s concrete roots can be traced back to 90’s techno. His personal commitment to the mutant and clubbing techno has been in force since 1996, when he began to play his first vinyl records. In 2001, when he decided to release on that format for the very first time, while he decided to create his own Drakos (where he signed “Trilogy” alongside DJ Rush) and Upfront imprints too. Since then the Barcelona-based DJ/Producer has built a real solid music career -accumulates 20 years of experience- that culminates now with its new brand/project: WHACK

WHACK it's a fantastic two-headed monster. A label and events, a double shelter ideal for his greatest passion ever: techno sounds in its widest range of styles and forms. Important to remember at this point Aitor Ronda's mastery and skills both in the recording studio – in the middle of nowhere and where he spends hours and hours- and the DJ booth. Accurate techniques acquired throughout all these years playing his sounds at massive festivals and venues as Sónar, Monegros, Privilege, Space Ibiza, Florida 135, Egg London and many more. In the same way as critically acclaimed published on record labels such as Terminal M (Monika Kruse’s label), Octopus (Sian’s label), or the mighty Tronic (Christian Smith´s label) without forgetting Pig&Dan’s own Elevate imprint, where he has been piling up a quite good bundle of absolute bangers and fantastic EPs. Including “Tweezer”, this track became #1 of world techno best sellers in 2018.

Aitor Ronda

Techno DJ & Producer from germany
- owner and founder of Sound Kleckse Records
Jens Mueller comes from Essen, the heart of Germany’s Ruhr region and in true German fashion Jens Mueller is the master of all things Techno. Jens has been behind the decks lighting up dance floors since 1994 and has played set’s at some of the Europe’s most prestigious events such as Love Parade and USB Festival. 

Jens Mueller

Mattia Trani

Frank Savio

Soren Aalberg

Teenage Mutants

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production.
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm.
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby.
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno.
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor.
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration.

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

Reinier Zonneveld

Loco & Jam

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

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Riot Rebels, Vol. 5

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