Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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MiNDTRiX

Zeeba

DJ Jurgen’s musical journey began in the charming town of Delft, where he delved into the world of music, eventually landing a gig as a radio jock for CITY Radio The Hague. With his passion for music ignited, he soon found himself as a regular DJ at a prominent Dutch public radio station, earning his well-deserved credits in the radio industry.

As the 80’s drew to a close, DJ Jurgen embraced the vibrant Amsterdam dance scene, immersing himself in House Music and experimenting with his unique sound. His talent quickly caught the attention of various clubs, leading him to become a resident DJ at renowned venues like HOUR POWER in Escape at Rembrandt Square, Amsterdam, and ASTA in The Hague. At ASTA, he introduced his own concept ID, providing a platform for upcoming DJs to showcase their skills.

In the mid-’90s, DJ Jurgen’s passion extended to music production, setting up his own modest studio. His first release, “SHAKRA’S FEELINGS,” gained popularity in the underground scene and found its way onto numerous compilation CDs. However, it was in 1998 that he achieved a major breakthrough with his chart-topping hit “BETTER OFF ALONE,” propelling him to international fame.

 

His success opened doors to performances across the globe, from Japan and Hawaii to Dubai, South Africa, and the USA. Notably, DJ Jurgen was the first DJ/producer to receive a nomination for the IDMA award in Miami, further cementing his position in the industry with the follow-up hit “Higher Higher.”

In July 2005, DJ Jurgen continued to make waves with the release of “Wicked Waves” on the new Yakuza Label, followed by “Boyzz” on Spinnin Records in March 2007. Over the years, he has consistently released captivating tracks, including “Higher Love” in June 2008 and “Crazy Sexy Cool” in 2009.

Beyond his exceptional DJing and production skills, DJ Jurgen ventured into the world of radio. In 2005, he launched his daily morning radio show on Radio Fresh FM, hosting the popular show “ID” every Saturday night, featuring the latest club tracks and news. The show’s widespread appeal has attracted listeners from around the world, who tune in online to catch DJ Jurgen’s electrifying mixes on Wild FM ID.

As the journey continues, DJ Jurgen remains unstoppable,he continues to captivate dance floors with his infectious and energetic Tech House tunes.

DJ Jurgen

Patrice Bäumel has carved a unique path through the European and global techno world. He's the Beatport chart topping producer and international top flight DJ, who can comfortably fit in with the stellar cast of Global Underground compilers/mixers. He's a hero in his adopted hometown of Amsterdam for the residency at the musch beloved Trouw club where he made his name. His releases on lynchpin labels like Afterlife, Kompakt, Get Physical and Watergate consistently soundtrack wild scenes from Ipanema to Ibiza. But he is no generic DJ/producer, not by a long shot.

Patrice Bäumel

Damian Lazarus

As DJ Awards’ 2016 Electronic Live Performer, Matador is a revolutionary live artist with a shining reputation for versatility, whilst never compromising on quality. Accolades have been showered on the Dublin-born producer, from proud ambassador of the NEVE 5088 Console, and Richie Hawtin’s PLAYDifferently MODEL1 mixer, his tenure as an ENTER resident at their worldwide events, to his consistent spot in RA’s Live Artist poll, bringing him rapid worldwide acclaim and a devoted worldwide fan base of clubbers and peers alike. Still thirsty for new worlds to conquer, Matador, aka Gavin Lynch, recently took on a new role as label boss for his RUKUS imprint. Matador’s breath-taking explosive live shows result in packed crowds and an equally packed touring schedule including key bookings at top clubs and festivals such as Awakenings, Tomorrowland, Sonus Croatia, Ultra, and Output, DC-10, Space Ibiza, Stereo Montreal. Playing to ecstatic thousands at sold out shows worldwide is a far cry from his early years. Raised on Motown, Matador then grew up with Guns N Roses, Pink Floyd, Orbital, Kasabian… As a teenager inspired by electronic giants Richie Hawtin, Adam Beyer and Jeff Mills, he listened faithfully to the Essential Mix, collecting records and learning to DJ on any pieces of equipment he could afford. His drive to learn more led him to a sound engineering course at Dublin’s Sound Training Centre, with an emphasis on electronic music production, and an obsession was born. ‘Whilst electronic production is my first love, it has been incredibly important to have knowledge of instruments in their purest form both in a studio and in a live environment.’ Along with early interest from Cocoon and Perc Trax, an encounter with Richie Hawtin boosted him from aspiring DJ on the Dublin underground club circuit to a key component of Hawtin’s Minus imprint. His success was assured by his string of successful releases there such as ‘Kingswing’ and his ‘Spooks’ EP, and by his innovative, ever-evolving live shows. His relationship with Hawtin continues to be a fruitful one, having been enlisted as an ambassador for his PLAYDifferently Model 1 analog DJ mixer in 2016. Last year also saw Matador founding his RUKUS label. ‘I’ve always loved the idea of taking my tracks from conception in the studio all the way through to release,’ he says. Initially creating an outlet for his own music, this year he invites exciting new and established talent to the imprint, as he extends his range as label boss. In 2016 he unveiled his newest live show at Loveland (ADE 2016), and he promises to add more new elements into an already complex and acclaimed performance in 2017. Unusually multi-talented outside music, Matador’s many interests and skills have fed back into his DJ career. His early twenties were spent training as a chef to the point of a promising career in Dublin’s Michelin starred restaurants. Following his Dad’s advice of ‘find something you love doing and you’ll never work a day in your life’, he split his time between the kitchen and the decks, before cooking became a much loved hobby and music his life’s work.

Matador

Eli & Fur

Part of the jet-setting DJ elite, John Digweed paid his dues to reach the top of the house music world. After staging his own successful "Bedrock" nights in Hastings, Digweed was booked by the London club, Renaissance, in 1992, where he pioneered an edgier sound dubbed "epic house." The first Renaissance compilation album, mixed by Sasha and Digweed, was something of a dance music milestone, critically acclaimed and bringing new credibility (and new audiences) to house music. He also released his own material under the Bedrock banner, notably 1995’s "For What You Dream Of," used as backdrop on the cult hit, TRAINSPOTTING, adding to the film's frenetically spooky aura. In early 1999, Digweed enjoyed a huge club hit with "Heaven Scent," and in the early-'00s released several acclaimed mix albums for the Boxed, Fabric and Renaissance labels.

John Digweed

Nick Muir best known through his association with John Digweed and the Bedrock label, has produced countless tracks and remixes over the years and continues to do so. He also DJs in various corners of the globe as time allows.

Nick Muir

Miyagi has created and developed his very own unique sound during the past years. A mixture between deep house, tech house and techno draws through his tracks, as well as his DJ-sets, producing a deep, hypnotic and melodic atmosphere. His productions are released on labels like Einmusika, Katermukke or his own Lost Diaries. Worldwide bookings are scheduled to take Miyagi across the globe to play gigs everywhere from Chicago, Berlin, London, Copenhagen and Cape Town, to Seoul, San Francisco, New York and Paris.

Miyagi

Goom Gum

<Sin título>

Título del álbum

Álbum {title}

El álbum {title} ha sido retirado del envío

Portada para {title}

Título del chart

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Editar álbum {title}

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Error al obtener {title}

Cada track se evalúa únicamente por su valor musical, originalidad, calidad de producción y cómo se siente en un contexto real de DJ. Si el sonido es fuerte, pertenece aquí, tanto si viene de un artista conocido como de un nombre completamente nuevo. Los Focus Charts están diseñados para DJs y buscadores de música que confían en sus oídos por encima de las reputaciones.

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Si eres proveedor de contenido, también perderás todos tus artistas y labels verificados, y todo el contenido generado por usuarios (álbumes, etc.) se eliminará de la tienda. Todas las ganancias no pagadas también se perderán.

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Nombre

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Una vez que tu playlist esté completa, ve a "Mis playlists". Aquí puedes subir una portada, renombrar tu chart y agregar una descripción sobre ti, tu sonido o la vibra que quieres transmitir. También puedes reordenar los tracks.

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Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo'. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

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No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

MiNDTRiX

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