Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Sungdi

Javonntte

It’s been many years, dozens of records, and too many dance floors to count since Ross Kiser arrived at his rich sound signature. Today, the aim is different. What excites Ross most at this point in his career is testing the limits of this instantly recognizable style. Most associate the name Ross Kiser with minimal dance tracks on labels like Bondage Music, Doppel Audio, Sublease Music, and RELIKT. The reality is not so cut and dry. Listen closely and you’ll hear such seemingly disparate influences as jazz, rock and hip-hop between his organic percussion and warm shades of reverb delay. Join him in the studio and you’ll understand why. Nothing is off limits in his repertoire. For all his acumen as a music producer, Ross also holds his own behind.

Ross Kiser

A DJ, producer and label boss firmly in the ascendency, Chris Stussy emerged onto the scene double quick time with a string of head turning house tracks, but what is important is that he has continued to back up that early promise years later. Now very much a key part of today’s house scene with a sound that is all his own, Stussy’s rise has taken him firmly into the spotlight as one of the scene’s most exciting names, and the Dutch wonderkid is only just getting started…

A long-standing love of early house music, but also raw production aesthetics and an understanding of jazz, disco and Chicago styles feed into his own unique take on the genre. As such, his sublime late-night cuts via the likes of Djebali, Moscow, Eastenderz, LOCUS, and PIV, where he is also charged with spotting new talent as the in-house A&R, often come with bumping drums and a bassline that is superbly slick and supple, whilst remixes for artists including the one and only Kerri Chandler welcome smart vocal samples and lush synth colours which add to the allure of his most seductive and warm house grooves.

As a DJ, Stussy is just as widely informed and draws on styles to suit the many different settings in which he plays. Main stages at Awakenings through to cult underground clubs such as Watergate (Berlin), fabric (London), Fuse (Brussels) and Elrow (Barcelona) all come under his spell in equally memorable ways, with tours of Australia, New Zealand, Asia and South America already in the books, plus regular appearances across Amsterdam’s finest venues. From long, slow, deep and tension building mixes to more high impact, quick chops and high energy cuts, he is a versatile selector who is always on the move.

And yet, after countless #1’s Stussy still continues to serve up heat at an alarming rate. Add to the mix the highly-anticipated launch of his own label ‘Up The Stuss’ - a vinyl-driven outlet for both Stussy and close friends and colleagues to release forward thinking, timeless club-driven productions from across the electronic sphere - and you begin to gain an understanding of just how well-rounded he is not only as an artist, but also as an A&R and a label owner. Yet despite being so prolific, the quality levels remain high, and while each new production shows a subtle evolution, they continue to feed into the singular Stussy sound that DJs and dancers have come to know and love.

Chris Stussy

For bookings, remix & information:
mariana@suenaagency.com
co-founder @obliviumrecords

Nicola Brusegan

DAT is a 1993 Italy based DJ producer known for his fresh and unique sound with an irrefutable style rooted in disco and classic house, relying on minimal arrangements combining deep grooves with mesmerizing sounds to create the right mood for every occasion. From warm-up, rush hour, clubs and after party, he played in special venue as 𝗜𝗯𝗶𝘇𝗮 Sankeys Basement / Veto Social club / Guarana, 𝗦𝗼𝘂𝘁𝗵 𝗔𝗳𝗿𝗶𝗰𝗮 Trio Nova Event / Holi One fest & BillionBar (Cape Town) / SundayFunk (Johannesburg) / Park Acoustics (Pretoria), 𝗠𝗶𝗹𝗮𝗻 Too Long / Villa Scheibler (Rho), 𝗝𝗲𝗱𝗱𝗮𝗵 (S.A) Brand.X, 𝗖𝗲𝗰𝗶𝗻𝗮 Tinì Soundgarden, 𝗣𝗲𝗿𝘂𝗴𝗶𝗮 Unoise to name a few. Currently he is Residents of 'Vision Relation', a project that has a constant following and support in the surrounding Tuscan areas.

Grown up and influenced by the underground scene in 2022 he release his own 'Vinyl Album' and his debut on M-Tone wax. A solid, bouncy 4 track EP crafted for club use.

Today what he presents in his sets get more placement in the English, Dutch, German, Spanish, Romanian (FUSE, PIV, ADE, Hide & Seek, S.A.S.H. & similar) parties. In fact, the artists who best represent his musical selection are Enzo Siragusa, Laidlaw, Vitess, Archie Hamilton, Quest, The Ghost, Gene On Earth, Rossi., Chris Stussy, Kolter.

DAT (Italy)

Nadia Popoff, a DJ and producer born in Argentina, was deeply inspired by the vibrant music of her surroundings from an early age. Driven by an unwavering passion, she explored innovative musical styles, immersing herself in genres such as Minimal, Techno Dub, Trip Hop, Drum & Bass. These influences paved the way for her journey into DJing and music production. Popoff also drew inspiration from underground electronic artists, including Richard Davis, Luomo, Swayzak, The Timewriter, Trentemøller, Patrick Chardronnet, and Matthew Jonson, as well as the sophisticated sounds of contemporary European house and techno.As music production technology evolved, Popoff began crafting her own tracks, blending technical precision with creative flair. She has since released a series of acclaimed tracks for labels all over the world.  Renowned for her refined sound and dynamic DJ performances, Popoff captivates audiences with her signature techno-dub infusions, delivering high-energy sets and productions that resonate with a distinctive, immersive atmosphere.

Nadia Popoff

DJ/Producer based in Buenos Aires, Argentina

Matichap

Enrico Mantini

Phill Prince represent a key figure in Italy's underground house music scene for over five years. After making his mark in Venice at renowned venues like "Il Muretto" and "After Caposile," his unique DJ sets gained recognition both nationally and internationally. Drawing inspiration from '80s/'90s house-pop/disco and fusing digital sounds with analog techniques, Phill has released tracks on esteemed labels such as Nervous Records, OGE, Inermu, and Badum Tish, earning support from icons like Gene On Earth, Marco Carola, Arapu, Luciano and Traumer to name a few.
In 2019, he co-founded Plgrn Milano, an innovative event series bringing global talents to Milan and hosting showcases at iconic venues like Fabric London, Club der Visionaere Berlin, and Jaeger Oslo. Phill also launched Peletrax, a Bandcamp-based label spotlighting his music alongside emerging and established artists.

Phill Prince

Martin Bellomo is a baroque beatmaker from the good old republic of Argentina, Downtown Cordoba.
After approaching and exploring many faces of music he finally grasped his own musical imprint.
His sound is immediately distinguishable, deep, spacey, and pulsating tracks have a unique quality that delights and entrance the listener
while his DJ sets reflect his broader approach to music.
Headmaster at Rationalism Records and A&R at MyHouse YourHouse.

Martin Bellomo

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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