Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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D.C. LaRue

Mason

Seamus Haji

Liv East

Dr Packer

Over the last few years, Purple Disco Machine has emerged as one of the leading electronic producers of a generation. With over 650 million streams across his catalogue to date he continues to live up to the hype of #2 Beatport Artist of All Time. 2020 proved to be a stand out year. His single ‘Hypnotized’ has been an anthem the world over, accredited triple platinum in Italy, further gold accreditations across Germany, Poland, Switzerland and Austria, and making #2 European Airplay Chart. 2021 will see the release of his sophomore album which follows on from 2017 debut "Soulmatic". This album spawned the Europe-wide radio hit “Devil In Me” and the global club anthem “Body Funk” a feat he continued with "Dished(Male Stripper)" in 2018. Purple Disco Machine is also one of the most in-demand remixers and has worked with high-profile artists Lady Gaga & Ariana Grande, Calvin Harris, Mark Ronson, Dua Lipa, Royal Blood, Sir Elton John, Foals, RÜFÜS DU SOL, Jax Jones, Gorillaz, Fatboy Slim, Two Door Cinema Club, New Order and Claptone among many others.

Purple Disco Machine

Art Of Tones is Ludovic Llorca's more edgy and electronic project. Focused on House and Disco music, started as a side project in 2006 with a serie of EP's on UK iconic 2020 vision label, it quickly became Ludovic's highly regarded moniker. After a couple of EP's on “Room With A view”, followed by “Too Much” gaining significant critical acclaim, Art Of Tones EP's on We Play House and DFTD records received massive support across the global electronic music scene. Ludovic then started a faithful collaboration with Fred Everything's Lazy Days label and Local Talk Records, with a bunch of successful EP's. Among them, "The Rainbow Song" was a massive House-music anthem, playlisted everywhere and becoming one of Local Talk Records' most recognizable releases, while "Art Of Tones Collection" was the perfect summary of Ludovic's work on Lazy Days. Following a long list of EP's and remixes on various labels (Toytonics, Monoside, Papa Records, Wonderwheel, Shadeleaf, House Of Disco, Glitterbox...), Ludovic released his first Art Of Tones album "Unbalanced" in December 2018. Since then, he has been remixing for many labels (Toytonics, Jalapeno, MoodFunk, AtJazz Record Company, Dirtcrew...) and artists (Izo Fitzroy, Da Lata, Sebb Junior, Flevans, S3A, Kapote, Reel People...).

Art Of Tones

В тексте про Gerd Janson есть одно небольшое нарушение.

Что нужно исправить:

Авторство: В самом конце указано имя автора текста (~ Paul Simpson). Согласно правилам формирования чистых биографий, сторонние подписи и указания авторства лучше удалять, чтобы текст выглядел как часть единой базы данных.

Отредактированный текст:

Gerd Janson is a highly respected, well-connected DJ and producer who runs the lauded house label Running Back, which he co-founded in 2002. His eclectic DJ sets, which encompass several shades of techno, house, and disco, seamlessly blend classics and forgotten obscurities with fresh tracks, often months or even years before they catch on with other DJs. A longtime resident at Frankfurt club Robert Johnson and Berlin's Panorama Bar, Janson typically plays over 100 gigs per year at clubs and festivals across the globe. He's also released acclaimed mix CDs as part of the Live at Robert Johnson and Fabric series, as well as compilations on Sonar Kollektiv and Rush Hour. As a producer, he is best known for his remixes and edits, both solo and as part of Tuff City Kids, his duo with Phillip Lauer, who have been active since 2009.

Janson grew up close to Frankfurt, Germany, and began listening to dance music as a youth during the early '90s. As soon as he was old enough to go clubbing, he traveled around the country in order to see as many DJs as he could, regardless of genre. Along with DJ partner Thomas Hammann, he became a resident at Robert Johnson in 2000, and brought DJs such as Theo Parrish and Maurice Fulton to the club. Along with Thorsten Scheu, Janson launched Running Back in 2002. The label gradually racked up a busy release schedule, with records by Todd Osborn, Move D, Radio Slave, Tensnake, and others appearing by the end of the decade. In 2008, Janson compiled Computer Incarnations for World Peace II, an album of "topical disco and new age boogie," for the Sonar Kollektiv label. Janson and Lauer began Tuff City Kids as a remix project in 2009, primarily using hardware to reconstruct tracks by artists like Azari & III and Roland Appel; the duo began issuing original material a few years later.

In 2010, Janson and Hammann released their acclaimed Live at Robert Johnson mix CD, which fluidly blended house tracks from the previous two decades. The success of the mix, as well as the Running Back label, led to a busier gig schedule, a residency at Berlin's Panorama Bar, and high rankings on several industry polls. He curated Musik for Autobahns, a compilation of downtempo and ambient tracks, for Rush Hour in 2012; Vol. 2 followed in 2015. The mix-CD Fabric 89 appeared in 2016, and Tuff City Kids' debut album, Adoldesscent, was released by Permanent Vacation the same year. Janson and Lauer also collaborated with Mark Barrott as Talamanca System, releasing an Ibiza-inspired self-titled full-length on International Feel Recordings in 2017.

Gerd Janson

Since early 2000s, Pierre-Alexandre Busson, aka Yuksek, has never stopped experimenting, finally becoming one of the most important producers in electronic mu- sic scene. At once a DJ, world renowned for his energetic disco/house mixes, a prolific remixer (Gorillaz, Lana Del Rey, Breakbot, etc.), a producer, a label founder, a composer of film soundtracks, and radio host, Yuksek jumps between projects with an enthusiasm that betrays his deep love of music and his jack-of-all-trades approach. After his formative years spent in the wild rave scenes of the 90s, Yuksek has gone on to impose himself as one of the most brilliant inventive forces in the turbulent music scene in Reims, France (The Shoes, Brodinski), giving a new lease of life to the French Touch.

Dance’O’Drome, Yuksek’s fifth album due spring 2023, expands the universe created with Nosso Ritmo. Carrying on his love affair with Brazil, playing with percussions, putting the finishing touch on a powerful dance mix combining flights of disco, explosions of punk-funk, and feverish italo-disco sounds, this homage to the filtered house label Roulé is full of malicious acid loops and nods to Metro Area or languidly Balearic beats. An album that echoes, through its eclecticism, the inspirations drawn from his radio program Dance’O’Drome at Nova Radio Station.

Yuksek

Dimitri From Paris

Mirco Berti a.k.a. BABERT was born on 26th August 1982 in Desenzano del Garda on the shores of the beautiful Lake Garda.

When he was 14, his older brother gave him a present that changed his life: a record player. From that moment on he developed a deep love and passion for music and especially House music which he was hearing in the night clubs clustered around the lake.

His passion for House music led him to learn the art of DJ-ing and In the 1990 after entering and winning a nationally famous Italian radio DJ competition, he met one of the most important DJ's in northern Italy, who took him under his wing and introduced him to the most important clubs and promoters in the region.

At just 19 years old Mirco became the youngest resident DJ at Queen Club in Verona, at that time one of the most famous clubs in Italy.

As a fanatic record buyer and DJ, Mirco was just dedicated to only the most recent House music until at the age of 21, he made his first trip to New York, when he fell completely in love with the music at the roots of House ; the sound of Disco. He lived in the city for a year and was able to hang out in the wider club scene and meet with the world famous Disco and House DJ's who inspired him.

Returning to Italy he resumed his career as a DJ, working throughout the Italian scene playing at world renowned venues such as Le Plaisir and Coco Beach where he was also for 4 years the Head Talent Booker.

It was during this time that Mirco made the jump to start producing his own music for labels such as Mazoom Lab, Flashmob and his own joint venture first label Solid State Disco, which he used to release his first disco edits.

As his edits became more and more famous and supported by the likes of fellow editors Dr. Packer, Late Nite Tuff Guy and Discotron, he decided to move on from Solid Sate Disco and founded Disco Revenge with likeminded local editors Ivan Jack and Dinero.
65 releases in, Disco Revenge is widely recognized as one of the leading disco edits label in the scene. Babert edits are much in demand and June will see his debut release on uber cool tastemaker London edits label, Midnight Riot.

Going forward, Babert is determined to spread his production wings beyond just edits and in 2018 has moved into producing original, sample tracks and remixes for the likes of Defected, Sleazy Deep, Club Sweat, Soulfuric, Nervous and Mood Funk.

Babert

<Sin título>

Título del álbum

Álbum {title}

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Título del chart

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Editar álbum {title}

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Error al obtener {title}

Cada track se evalúa únicamente por su valor musical, originalidad, calidad de producción y cómo se siente en un contexto real de DJ. Si el sonido es fuerte, pertenece aquí, tanto si viene de un artista conocido como de un nombre completamente nuevo. Los Focus Charts están diseñados para DJs y buscadores de música que confían en sus oídos por encima de las reputaciones.

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Si eres proveedor de contenido, también perderás todos tus artistas y labels verificados, y todo el contenido generado por usuarios (álbumes, etc.) se eliminará de la tienda. Todas las ganancias no pagadas también se perderán.

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Nombre

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Una vez que tu playlist esté completa, ve a "Mis playlists". Aquí puedes subir una portada, renombrar tu chart y agregar una descripción sobre ti, tu sonido o la vibra que quieres transmitir. También puedes reordenar los tracks.

Pausar {title}

Reproducir {title}

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Selecciona el nombre del artista o el título del label que se mostrará en el campo de autor del chart

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Detener {title}

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Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo'. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

Track {title}

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No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

D.C. LaRue

Resumen

Tracks destacados

Últimos releases

Glitterbox Archives, Vol. 2

Defected presents Most Rated Summer 2021

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