Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Kenyu

Raul Mezcolanza

Almir Ljusa

Dani Giro

Wyrus is from Zagreb, Croatia. He entered the world of electronic music nine years ago, when he was talked into going to his first party. As Wyrus was interested in all kinds of music, he developed interest in this one too.
After lots of materials listened, he decided to start DJing, and so he began to learn the basics. Not long after his first touch of turntables Wyrus started to play in one of Croatian night clubs where he started his first residency.

The Wyrus style could be described as tribal/driving groovy techno with some electro influences.

He has been playing in all over his home country Croatia in clubs and open air parties such as:

Boogaloo, The Best, Aquarius, Boxer, The Cube, Oxygene, Jamaica, Londoner Club, Luka Club, UFO Festival, Mini Teatar, 402 Street Race, Invazia, Techno Corner (Croatia), Boat Party, The Zoo Club (Belgium) and Club Brod (Serbia).

So far he has shared decks with DJ's like:

Dave Clarke, D.A.V.E. The Drummer, Matt M Maddox, Axel Karakasis, Peppelino, Dj Cristiao, Reaky, Bebetto, BooDale, Mirzinho, Miche, D-Fence, Dj Peers, Carbo, Petar Dundov, Goldfox, Digital Clones, David Gneo, Fer BR, Julien Lejeune, Kees, Riot, Toxica, Havoc, Styks and others.

Besides playing music, Wyrus has also entered the world of producing music.

He gets his first studio a couple of years ago and after experimenting with different styles he has found himself in techno sound. Although his production varies from ambiental sound, through house and techno all the way to underground d’n’b, most of his tracks come out sounding like groovy techno with powerful basslines. Recently he has started a cooperation with Dastin in production and their debut release was on SubCult Records 009, with track Curso de la vida. It was a bomb, featured by artists like Pedro Delgardo, Christian Varela and others, and then become a great breakthrough for both of them into electronic music production scene. Nowdays Wyrus is producing with Prude Polly, and Matija Marinic, and their tracks hit all the top lists around the world.

By now Wyrus has signed several vinyl releases and over 50 digital releases on labels like:

Adult, Relatives, Patterns, Backspin, Sexy Grooves, BeatForm, P-Series, C-Series, Koitus, Undershape, SubCult, Emphatic, Techment, Prozak, Keep on techno, Guilhotina, Valvula and many others.

Wyrus has built himself us as a recognized name among young and talented producers with his originals and remixes. At the beginning of 2008. Wyrus started his own label Keep On Techno Records in cooperation with Dastin and Fer BR which is now one of top selling labels in the world!

Wyrus

Homma Honganji

Efren

Giacomo Stallone

Born in a small town near Barcelona, George Privatti begins to experience his first feelings to electronic rhythms at age of 17. Buying a bit later his first decks, and strongly influenced by the environment of the 90s’ illegal raves in the Catalan scene, soon he began to join and to participate in the world of illegal parties of his region.

The success of the catalan artist it does not go unnoticed, soon takes the step to head a list of important “new comers” artists of the national scene, getting to rub shoulders with the best participants of the international scene. 2009 was a crucial moment of his career, deciding to start in the production world, spending days and days in the studio to translate his ideas on his own productions, following the same techy line, alternating fresh and dance elements of the house with the forcefulness and bass lines most typical bass lines of techno. It is precisely during this time when several of the most important labels on the scene were interested in its characteristic sound and begin to edit their music in the main music shops.

With an admirable sound evolution and an dynamism applied to its sets, during 2012 year he decided to create his own label, La Pera Records, a platform to accommodate and express different range of sounds, as well as the productions of established and emerging artists, and focused primarily on the dance floor submerged between sounds close to techno-house with its different and more evolved aspects. The musical adventures of Privatti continue with firm step, with his signing for the family of the emblematic ElRow of Barcelona and his residences and parties around the world, playing in clubs like Privilege Ibiza in 2013, Space Ibiza ( 2014-2016), Amnesia in 2017, Fabrik (Madrid), Florida 135 and performing at festivals such as Tomorrowland, Park Life (Manchester), Monegros Desert Festival, Dreambeach, LoveBox (London), 18Hrs Festival (Amsterdam), Empire Music Festival ( Guatemala), SoulTech (Mexico), Selenic Soul (Mexico), etc., and touring more than 20 countries that have also been faithful witnesses of its quality and versatility in the cabin.

The success of Privatti at the time of locking himself in the studio has not been overlooked within the sector; Elrow Music, 100% Pure, Formatik, 1605, Toolroom, Deeperfect, FORM, have been just some of the laudable ones that have trusted in their productions. Productions that have had a lot to do in the sets and charts of artists of the likes of Richie Hawtin, UMEK, Joris Voorn, Mark Knight, Stefano Noferini, Sebastien Leger.
In 2018 he get to reach the top of the beatport top of all genres with the theme “What a Bam” in collaboration with his great friend Guille Placencia and released on his own label La Pera Records.

George Privatti

Sergio Pardo

Aitor Ronda’s concrete roots can be traced back to 90’s techno. His personal commitment to the mutant and clubbing techno has been in force since 1996, when he began to play his first vinyl records. In 2001, when he decided to release on that format for the very first time, while he decided to create his own Drakos (where he signed “Trilogy” alongside DJ Rush) and Upfront imprints too. Since then the Barcelona-based DJ/Producer has built a real solid music career -accumulates 20 years of experience- that culminates now with its new brand/project: WHACK

WHACK it's a fantastic two-headed monster. A label and events, a double shelter ideal for his greatest passion ever: techno sounds in its widest range of styles and forms. Important to remember at this point Aitor Ronda's mastery and skills both in the recording studio – in the middle of nowhere and where he spends hours and hours- and the DJ booth. Accurate techniques acquired throughout all these years playing his sounds at massive festivals and venues as Sónar, Monegros, Privilege, Space Ibiza, Florida 135, Egg London and many more. In the same way as critically acclaimed published on record labels such as Terminal M (Monika Kruse’s label), Octopus (Sian’s label), or the mighty Tronic (Christian Smith´s label) without forgetting Pig&Dan’s own Elevate imprint, where he has been piling up a quite good bundle of absolute bangers and fantastic EPs. Including “Tweezer”, this track became #1 of world techno best sellers in 2018.

Aitor Ronda

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Kenyu

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