Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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Atlassi

Greek mastermind Echonomist represents the true definition of ‘artist’. His prolific output combined with his ability to experiment with a variety of styles and liberated approach, are essential components of his artistic nature. With years of experience already under his belt, Echonomist has gone through a leap in his development recently, with releases on Innervisions, Afterlife, TAU, and Kompakt, among others, establishing his production prowess. Working with such influential labels has not only boosted his profile but, more importantly, demonstrated that his musical ability has reached an impeccable standard, acknowledged by label heads like Dixon, Ame, Tale Of Us, Michael Mayer, and Adana Twins. Both on a solo tip and in collaborative projects Echonomist’s talent shines through and he’s primed for continued success at the very highest level...

Echonomist

Jonas Saalbach

For some time now the combined forces of Mark Caramelli & Paul Hargreaves have been causing quite a stir under their guise, Death on the Balcony. The duos style fuses a range of influences from Disco through to House & Deep Techno depending on the time, space and environment. Years of dedicated musical passion and an appreciation of numerous genres have lead to their sound receiving popularity across the board...

Death on the Balcony’s release schedule is continually active with them releasing & remixing internationally with the likes of All Day I Dream, Kindisch, Anjunadeep, Do Not Sit, Akbal Music & many more...

Whether it’s disco inflected fuel or emotive house & techno rhythms, these eclectically deft producers will juxtapose anything they lay their hands upon, mixing the beat of the drum with the melodic buzz of a hazy brain!

As one of the UK’s more versatile acts Death on the Balcony will be delivering more productions, remixes and playing gigs worldwide as part of the All Day I Dream family and beyond. As their range of musicality continues to evolve they consistently deliver a unique, well-timed narrative of the best sounds around....

Death on the Balcony

Gab Rhome has an innate sense of rhythm, emotion, and groove. Both as a producer

and DJ, the artist sparks an unavoidable connection with the soul, while conveying

exceptional personal style and a sense of fun.

Rhome is known for his eclectic live sets, which are percussion driven and juggle with

tribal, house, techno and disco: Gab strives to always be different, never boring.

His sensual approach to life and music includes all the arts – literature and poetry, textiles

and fashion, visual art, and cooking, for which he sources spices and flavorings on his DJ

Travels. Charting releases on illustrious labels such as Disco Halal, Club Bad, Anjunadeep and

All Day I Dream have helped Gab progress globally while maintaining artistic credibility.

Performances in festivals and venues such as Space Miami, T omorrowland, Burning Man and

the Brooklyn Mirage, have gifted Gab with a rich understanding of how to entertain large

crowds.

With his talent and intense working methods, it’s unlikely that he will run out of worlds to

conquer.

Gab Rhome

Martin Landsky has now been living and breathing underground house and techno for almost three decades. Sure, when he first started out in the early eighties he was mainly playing to school friends, but dance music and DJing had already got him under their spell, and it’s been that way ever since. After experimenting with homemade mixtapes and breakdancing in local crews, house and techno arrived in his Hamburg hometown and he fell immediately in love. Soon graduating to playing ‘proper’ DJ sets in clubs around Germany, Martin was amongst the first to be playing these new electronic sounds and even had his own night at the legendary Front Club, where he became known for his fresh selections. Now, years later, there is barely a club or festival anywhere in the world that he hasn’t headlined.

Largely inspired by black music, it wasn’t long before Martin began crafting his own productions and a debut release came in 1997 on MC Projects London. It was the start of what has turned out to be an illustrious production career that now takes in underground hits like ‘Bloodhound’ (which was remixed by Steve Bug and got re-released as a certified classic in 2009 on an esteemed Decks Records sub label) as well as the huge underground anthem that joined together DJs from all backgrounds, namely the ubiquitous ‘1000 Miles’ on Poker Flat.  A key member of Steve Bug’s Poker Flat family, Martin also released his debut LP, In Between, on the same label in 2001. Other successes that define the slick, sleek and seductive house and tech fusions Martin serves up are ‘The Composer’, also on Poker Flat , ‘Morning Caffeine’ on Mobilee and many more besides. What’s more, as a remixer, Martin’s unique touches have been put on music by everyone from Booka Shade to John Tejada, Miss Kittin to Pan-Pot.

“I like to experiment,” says the Berlin based Martin. “I don’t follow one style. I have no templates at all, but my music has to be deep and has to have balls.” Anyone who has danced to one of the man’s considered and coherent sets around the world will attest to that: they are compelling things that call up a diverse array of genres, not just the latest big hits, and importantly never lose sight of an essential groove.

In the background to all this, Martin has also worked for Container Distribution and later for Word And Sound – one of the world’s largest distributers – since 1995, but has also been boss of his own label. Effortil Records (later renamed Intim Recordings) ran from 1998 until 2002 and was responsible for Phonique’s very first two releases as well as Marco Resmann’s debut and won plenty of acclaim with DJs and dancers alike.

Martin continues to work on new EPs and exciting collaborations and after so long in the game has a truly 360 degree understanding of dance music. It is for that reason that he is such a vital part of house and techno’s underground world.

Martin Landsky

Miyagi has created and developed his very own unique sound during the past years. A mixture between deep house, tech house and techno draws through his tracks, as well as his DJ-sets, producing a deep, hypnotic and melodic atmosphere. His productions are released on labels like Einmusika, Katermukke or his own Lost Diaries. Worldwide bookings are scheduled to take Miyagi across the globe to play gigs everywhere from Chicago, Berlin, London, Copenhagen and Cape Town, to Seoul, San Francisco, New York and Paris.

Miyagi

Cari Golden

JUST FEEL: From electronica, to house, to deep techno, but always with feeling, Just Her is that special kind of artist that holds an innate ability to move your feet and heart in equal measure.

JUST GROW: With one foot firmly in the DJ booth after cutting her teeth spinning vinyl in sweaty back rooms, and the other in her fast developing producer and songwriter career, Just Her has already carved out an impressive back catalogue on world class labels including Anjunadeep, Crosstown Rebels, Global Underground and Armada, achieving a wealth of Beatport chart positions, an Essential New Tune on Radio 1 and high profile press features in the likes of DJ Mag & Mixmag. Also establishing herself as an accomplished remixer, Just Her has deconstructed tracks from key players such as Armin Van Buuren and Lane 8, crafting them skillfully into her signature deep emotive cuts.

JUST COMMIT: A self-confessed multi-tasker, Just Her has not only found the time and skills to study for a Masters Degree in Music, but also to establish her own brand ‘Constant Circles’ - a unique concept in which music & contemporary visual art are combined, with successful label parties across the UK & Europe and art exhibitions in Brighton and London. Alongside the label she also hosts two successful radio shows, self-syndicated to a number of platforms worldwide, including the highly regarded stations Frisky & Proton, as well as heading up a successful music & art blog that is rapidly gaining an underground following.

JUST THRIVE: Despite the restrictions of the pandemic, the last 18 months could have been Just Her's strongest to date, with a string of solid solo releases including stellar debuts on Circus, Culprit and Renaissance, garnering a wealth of support across the industry, from Eli & Fur, to Sasha to Icarus. With this output came huge gains in traction on the gig circuit, with stand out performances at Warm Up Festival and the 10000 capacity Anjunadeep Open Air at Drumsheds in London, plus a bucket list moment of handing over the reins to Sasha and Digweed in her home town of Brighton. Never one to rest on her laurels, Just Her has seen a roaring start to 2022 with her widely acclaimed four track EP on Anjunadeep, soon to be followed by debut releases on fast rising imprint HE.SHE.THEY and Nick Warren's Soundgarden. The start of the year also came with a spectacular touring schedule of shows across the globe including USA, India, Australia, Mexico, with no signs of slowing.

JUST LOVE: With kindness and compassion at the forefront, Just Her is on a mission to make the industry humble again and the world a happier and more peaceful place via those moments of euphoria on the dance floor, through killer hooks, emotive melodies and strong lyrical messages. It's what the world needs more of right now. After all, will we ever learn to just love?

Just Her

Jinadu

Kirill Ki.Mi. started his career in 1999 not with mixing vinyls, unlike many of his colleagues, but with composing music. A few years later, he began to comprehend the art of djing. Since 2003 began to organize their own events.

After 6 years of productive work — in the beginning of 2005 — he has already signed contracts with foreign labels to release several releases including a full album.

2009 was one of the most important in his career. This year, his compositions are beginning to acquire international fame and consistently hit the charts of famous artists. A huge success was the track «Stereokubizm» — it gains the place in the top 10 of Depeche Mode’s favorite compositions, which they played at warm ups on his world tour. The result — signed contracts with many foreign labels.

A few years later, the high musical talent and professionalism of Ki.Mi. allowed him to cooperate with such heavyweights of the electronic music as Moon Harbour Recordings, Danse Club Recordings, Haunt and others, as well as a triple victory in the global competition of remixes.

Ki.Mi. is a multifaceted creative person — it confirms his inalienable part in a unique project Technopoetry, organization of many events with the participation of world stars of electronic music and his own digital & vinyl label called Kashatskikh.

Ki.Mi.

<Sin título>

Título del álbum

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Nombre

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El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Atlassi

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