Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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DJ Lion

Nick Curly

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

It is not frequent to see an artist who emerges from nowhere and becomes someone capable of revolutionizing the market. Wade, who was born in a small town in Spain, evolved with giant steps in a few years. He grew up in a humble neighborhood where it was usual to hear flamenco music and drum rhythms everywhere; gypsies tapping, guitars coloring summer nights and palms to the rhythm of southern Spain. From a very young age he was passionate about music, not just electronic but any song that had harmony and rhythm made him float. Wade did not stop until achieving his goals, having produced music for labels such as Universal Music, Atlantic Records or Black Book Records. If you've ever heard him as a DJ or producer you'll know what I'm talking about. When it comes about his style, we can admit that its quite unique, mixing convincing rhythms along with hip hop details, such as vocals, percussions, etc. He has worked on tracks together with great artists like David Guetta, Joel Corry, Solardo or Cloonee. Wade gained the visibility not only because of his top positions on the Beatport charts in the last years, but also thanks to the high numbers on streaming platforms such as Spotify. His sets, from distant Australia to any club in southern Argentina, are loaded with a lot of energy and passion. Wade's mission is to enjoy with his audience the music he loves, transmitting a state of fury from the very beginning till the end, creating a steady beat alongside electric rises that blow up the dance floor every time. In 2020 he created his own brand Criterio throwing a Sold Out All Night Long event at Fabrik Madrid. One year after, in 2021 and with the collaboration of Universal Music, Criterio became a record label releasing to the market the music that Wade loves the most. On this platform you will find high-quality electronic music songs produced by the most powerful artists of the moment. Innovation is a daily and essential mission for Wade, without leaving behind his constant work. Listen carefully to Wade, in a club, festival or just from your sofa at home, the party will be guaranteed.

Wade

Boris Brejcha was born in Ludwigshafen (Germany) in 1981 and already had to experience some strokes of fate in his childhood. At the age of six, he was seriously injured in the Ramstein air disaster and spent months in hospital. Today, he still bears extensive scars from the severe burns. Because of teasing from classmates, Boris withdrew and discovered his interest in music. After a classmate of his brought a "Thunderdome" CD in middle school, he was hooked. He was dying to know how to make this new kind of electronic music. So at the age of twelve, he started producing electronic music himself as a hobby.

He made his first releases in 2006, the same year he had the first performance of his entire career. At the Universo Paralello Festival in Brazil. Since then, his mask is also indispensable. Inspired by the Brazilian Carnival, Boris chose the Joker mask as his trademark. In the international foreign countries his music found fast approval. Numerous gigs, for example South America and Russia, followed. 

Since then, Boris has made a full-time living from music and has continued to develop as an artist. With the specially created genre "High-Tech-Minimal" Boris gave his extraordinary music a name. He went on to release on Autist Records and later on Harthouse. Through the music magazine "Raveline" he was named "exceptional talent 2007".

Boris Brejcha

Drunken Kong

Dole & Kom met in Berlin’s Delirium record store, where both work as vinyl dealers. Complementary music taste and an evolving friendship are the basis for numerous mutual DJ gigs at all the mayor clubs around, like Tresor, E-Werk or WMF. Producing under the moniker Clubheroes, their first single ‘Dum Dum’ is released on Chicago’s prestigious Relief Records. Also, they join the artist roster of legendary Formaldehyd Records.
The own label BCC Music is the next step in their artistic career. Founded in 1996, it is the creative launching pad for a massive output. The duo’s probably most famous project is Studio 45 with tracks being released on Azuli, Nervous Records and David Morales’ Definity Records. The title ‘Freak It’ even hits the Top 40 in the UK.
With their unique and independent style Dole & Kom match the musical ideal of Acker Records perfectly. There, they release their EP ’Trompetenkrähe’ incl. the Club Hit ́Quetschkommode!’. 2012 they become an inherent part of the 3000° ensemble, perform at the legendary Wanderzirkus, Fusion, the 3000°Festival and SOS U.Ground. Furthermore the guys are touring worldwide with gigs in Hong Kong, Dubai, Turkey, Romania and Mexico. They release EPs on Voltage Musique Records, Bondage Music, Material, Formatik and their worldwide club hit ’Phara - Oh’ on 3000° Records (22 mio. plays on Youtube and 16 mio. on Spotify). Dole & Kom are also popular remixers. Highlights are their Reworks for Seth Schwarz or J.Patterson on Acker Records and Acid Pauli & Monolink on 3000Grad.
In 2019 the duo came up with their much noticed first album called 'Twenty Five' on 3000Grad Records. Followed by their smasher EP called 'Together Onetime' via Bar25 Music (hits the Beatport Charts for 6 month, listed in the main Spotify playlists).
After some long and productive studio sessions during the 2020 lockdown, new EP’s on Bar 25 Music, 3000 Grad Records, Sirin Music, Acker Records, Yion Music and several remixes was released in 2021/22.
While ‚Phara-Oh’ is still performing double digit millions, this summer brought back another well-known track from Dole & Kom. After this years festival seasons massive support from major league DJ's like Solomun, Hot Since 82, Bedouin, YokoO, Acid Pauli or Butch, who also delivered a fantastic Remix, their Bar 25 classic „Together Onetime" climbed back to the Beatport Top 50 and hits 6 million plays on Spotify. 2023 sees Dole & Kom launching their new home base ‚Smoking Hot Records

Dole & Kom

De la swing, is a Spanish artist dedicated to music production and deejaying. He is one of the Resident DJ at ElRow and Monegros Desert Festival. Domingo Bellot was born in Madrid in the 80´s and started his musical career at the age of 16. He is influenced by techno as well as Drum&bass and Dubstep. His technical skills, ability to connect with the public and diverse musical style has made him one of the most versatile DJs in Spain. Over the past 3 years he has shared the turntables with A class djs such as: Paco Osuna, Dubfire, Richy Hawtin, Marco Carola, Loco Dice , Luciano , Carl Cox , Tiga , Vitalic ,Ben Klock , Marcel Dettmann , Laurent Garnier etc .. and he is quickly becoming a well-known and familiar Dj name in Barcelona and Spain in general.

De La Swing

Mario Ochoa

When word comes to electronic music, Stanny Abram is full od spectacular stories. Not only that, we talk about musical genious, who has currently more than 1100 released tracks out there, including 6 studio albums on more that 100 international labels...

Stanny Abram

Pacho

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

DJ Lion

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Look at Me I'm a Monster

TEN: The Archive Series, Pt. 1

Show Me What You Got

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