Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

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{artists:, :1} - {trackTitle} de {recordlabelTitle} en Volumo

Florian Busse

The Aix-en-Provence/Marseille based Rafael Cerato is known for blending emotional and percussive sounds with Rolling and powerful basslines, adding his own vocals and guitar with a touch Of New Wave, Dark Disco synth vibes. Releasing selectively on respected labels such as Systematic Recordings, Diynamic Music and Stil Vor Talent, Rafael Cerato also runs his own label and events Ritual. Rafael finally drops a long awaited debut studio album on Marc Romboy’s Systematic in 2020. Already 8 years of touring around the world to play in most famous clubs from Ibiza to Australia, Brazil to Russia, Asia to South Africa to name a few, Rafael is writing his own story years after years.

Rafael Cerato

Beatamines

Martin Eyerer : DJ / Producer / Mastering Engineer  / Labelwoner of Kling Klong Records & Session Deluxe Recordings

When Martin Eyerer tells a story, everybody listens. Martin reports of his journeys throughout the continents, telling stories of wil..

Martin Eyerer

Hannes Bieger

Arude is the sound of something unfamiliar, mysterious, and conscious. He tries to skip every moment of his life through the prism of his music, because only this way real art is born.

After debuting on Steyeyoki in 2017 with his EP "Existentia", Arude has continued to showcase his vision of electronic music with further releases on Armada, Renaissance, and Radikon. His work is influenced by many genres, mixing moments of sadness, happiness, timidity, and audacity in both his personal productions and his DJ sets.

Arude

DiMO BG’s inspiration comes from the moments he spends in the studio producing his own tracks and traveling around the world exploring diversity of cultures and their music. Every year the name DiMO (BG) is associated with approximately 20 releases, signed by the likes of well-established labels such as: Hurry Up Slowly, Afrodise, Sunset Gathering, Make The Girls Dance, Defected, Redolent, Bercana, Go Deeva, Wired etc. as well as for his very own "Katun Tribe" imprint.

Honed his craft as a DJ performing at Dubai, Ibiza, Bali, Minorca, Toronto, Sonar Barcelona, Ministry of Sound, Cyprus, Egg London, Maidstone, Greece, Romania while being resident more than 14 years in a #1 club in Bulgaria. His strongly distinctive and impactful tracks, full of energy, groove and quite often a memorable message has gained him support from industry heavyweights such as Hugel, Mestiza, Bedouin, Chus, Aaron Sevilla, Hamza, Blondish, Eran Hersh, Stephan Jolk, Adasya, Roger Sanchez, David Penn, Claptone, CASSIMM etc. With over 25 years of experience on the club scene DiMO BG’s talent, dedication and work ethic have seen him grow into an accomplished producer and DJ with over 100 gigs a year.

DiMO (BG)

Althoff

Nihil Young, born Mattia Marotta, is an Italian DJ, producer, and electronic music artist celebrated for his emotionally charged soundscapes that blend the worlds of melodic techno and progressive house. With a distinct style that resonates deeply with listeners, Nihil Young has solidified his place in the global electronic music scene.

Known for his innovative productions, Nihil Young has released music on some of the most respected labels, including Toolroom, Realm, Purified, Odd One Out, Saved, Kittball, Zerothree, and Vandit. His tracks have consistently charted in the Beatport Top 10 and are regularly featured on major curated playlists on Spotify and Apple Music.

In recent years, Nihil Young’s career has reached new heights. His collaboration with Franky Wah on the track "How It Feels," released on Franky Wah's esteemed label Shén Recordings, has been widely acclaimed, further showcasing his ability to connect with listeners on an emotional level. With a rapidly growing fan base, Nihil Young has now reached over 600,000 monthly listeners on Spotify, solidifying his position as one of the most sought-after artists in his genre.

Nihil Young's rework of the iconic track "1998" by Binary & Finary, released on Zerothree, climbed to the number one spot on Beatport’s Progressive House Top 10, earning massive support from industry titans such as Above & Beyond, Armin van Buuren, Tiesto, and Paul van Dyk. His track "Sweet Dreams," released on UV, also topped the charts, reaching number one on Beatport’s Melodic House & Techno Hype.

Looking ahead, Nihil Young continues to push the boundaries of his sound. His forthcoming remix of "Time" by Vintage Culture and Braev, part of Vintage Culture's highly anticipated album "Promised Land," is set to be another standout release, showcasing his ability to reimagine tracks with his signature flair.

Nihil Young’s journey is one of relentless passion, innovation, and dedication to his craft. With a growing list of accolades and an ever-expanding global fan base, he remains at the forefront of the electronic music scene, continuously pushing the envelope with his evocative and powerful productions.

Nihil Young

TYGR TYGR

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

<Sin título>

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El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Florian Busse

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