Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga los lanzamientos más recientes de Electronic, Dance y House en MP3, WAV, AIFF y FLAC.

Sobre nosotros — Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} · Precio: {price} · Catálogo n.º {catalogNumber} · MP3, WAV, AIFF y FLAC · Re-descargas ilimitadas

{albumTitle} de {recordlabelTitle} en Volumo

{artists:, :2} - {albumTitle} de {recordlabelTitle} en Volumo

Mejores pistas, lanzamientos y álbumes de {contributorTitle}. Volumo - Tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música de {contributorTitle} en Volumo

Best {currentYear} {genres: :1} Artists Tracks & Releases {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Mejores artistas, pistas, lanzamientos y álbumes de {genres: :1} en {currentYear} en Volumo — {paginationText}

{chartName} por {author} - Volumo · MP3, WAV, AIFF y FLAC · Descargas ilimitadas

{chartName} por {author}

{chartName} por {author} - Volumo

Música {genreTitle} {genreDescription}: canciones, lanzamientos y álbumes {currentYear}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga de música {genreTitle} {currentYear} en Volumo

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Top {genreTitle} {currentYear}: Best Releases & Albums at Volumo {paginationText}

Música exclusiva de {genreTitle}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Descarga exclusiva de música {genreTitle} en Volumo {paginationText}

Lo mejor de {genreTitle} {currentYear}. Principales lanzamientos y álbumes destacados {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga lo mejor de {genreTitle} {currentYear}: lanzamientos y álbumes destacados en Volumo {paginationText}

Música de {contributorTitle} · Descarga en MP3, WAV, AIFF y FLAC · Volumo — tienda de música electrónica de nueva generación para DJs profesionales

Compra y descarga música de {contributorTitle} en Volumo

Compra y descarga música de los mejores sellos de {genres: :1} en {currentYear}: canciones, lanzamientos y álbumes {paginationText}. Volumo — tienda de música electrónica para DJs profesionales. Disponible en MP3, WAV, AIFF y FLAC.

Mejores sellos de {genres: :1} en {currentYear} · Descarga de música en Volumo {paginationText}

Descarga de la música más reciente de Electronic, Dance y House {currentYear} {paginationText}. Volumo — tienda de música electrónica de nueva generación para DJs profesionales. Descarga en MP3, WAV, AIFF y FLAC.

Compra y descarga la música más reciente de Electronic, Dance y House {currentYear} en Volumo {paginationText}

{artists:, :1} - {trackTitle} de {recordlabelTitle} · Precio: {price} · Descargas ilimitadas · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Lanzado el {releaseDate} · MP3, WAV, AIFF y FLAC

{artists:, :1} - {trackTitle} de {recordlabelTitle} en Volumo

Sin Plomo

Qubiko

DJ and Electronic Music Producer and remixer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music. His Music style is a delicious blend of Organic House, warm and intense with a vital and deep Tribal essence that fuses naturally with melodic and evolving sounds, percussion rhythms, and drums. A long-haul career based on his self-taught character and his constant defence of musical quality has turned him into one of the industry's most respected DJs. He is hailed worldwide for his excellent production works, including official remixes for world-renowned artists. 
His evolution throughout the past years has led him to the pinnacle of the global music scene. All these years of hard work, absolute dedication, undisputed professionalism, and a constant evolution in sounds have led him to the summit of success. Chus's strength resides in his charisma and the unique and pure way he chooses to engage with people. 
Chus represents an invaluable legacy of sound, where his blend of styles is his dogma and the quality of his message. 
Redolent Music is his most recent project, a new independent record label, event producer, management agency, and lifestyle concept whose purpose is to cater to the evolving music industry and develop emerging talent.

DJ Chus

There are producers whose work is immediately associated with success, and whose talent for seeking out new national and international voices is celebrated. In Germany there are only a few such figures in the music industry. Of these, there are even less whose Discography reads like a “Who’s Who” of the music scene. Mousse T. is one of those very few, whose songs “Horny” and “Sex Bomb” have provided a good example of the power harnessed when intuition and precision come together. But who is the person behind these productions which consistently find their way into the charts? Mustafa Gündogdu, alias Mousse T., born in 1966 in Hagen, Germany, describes his success succinctly: “I am a music lover with humour, who gives more than 100% for his love”. This love of music brought him to Hanover in 1990 where he set up his own studio while he was still keyboarder for the band “Fun Key B”. Two years later he gets to know the owner of Peppermint Park Studios and extends the label into dance floor music. At the same time, Mousse T. pursues his ongoing passion for DJing with great enthusiasm. In 1993 he founds, along with the owners of Peppermint Park and his partner Errol Rennalls, the label “Peppermint Jam Records” at a time when Mousse T. is starting to make a name for himself as a DJ on a wider stage. Several productions with international greats such as Ziggy Marley, Mezzoforte and Randy Crawford are the consequence. In 1998 the single “Horny” catapults the name “MOUSSE T.” into the international charts and establishes him as a solo artist. In the same year, further productions for musicians including Michael Jackson cause a sensation and bring him a Grammy nomination as “best re-mixer”. One might be forgiven for thinking that Mousse T. would rest on his laurels after such outstanding success. Quite the contrary: His curiosity for experimenting with new musical variations combined with his outstanding creative ability has driven him on. “Of course I feel very proud when I look at my Discography. But success for me is important mainly as a basis on which my further work as an artist can flourish. Apart from that, success is, of course, a great motivation and source of energy so that I can continue to give “more than 100%”.” This creativity and variation can also be seen in his new album “All Nite Madness”. “As far as my music is concerned I try to implement new ideas, and my love of music doesn’t draw a line at any particular musical style. So I try to mix lots of styles and develop interesting new songs and sounds that way.” These thoughts are also the basis for the choice of artists on the new album, which includes Emma Lanford, Kathleen Chaplin, Roachford and Calvin Lynch. Mousse T’s preference for a mixture of styles is clearly evident: “It is obviously important for me that the singers with whom I work have a fantastic voice, but they also have to have their own unmistakeable style. If, over and above that, they are great people, then we can do business.” The fact that MOUSSE T. values people so highly is shown in his effectiveness when working in a team. Regardless of a person’s stature, whether one of the music greats or an unknown musician, if the chemistry is right the cooperation flourishes through humour and enthusiasm and with the degree of discipline necessary for the implementation of creative ideas. During the frenetic phase of a track’s production, MOUSSE T.’s producer side emerges, as he controls from the background. However, the first hearing of new creations takes place in his closest circle, mostly with partner Errol Rennalls, with whom he also writes songs. “Errol and I normally function as the “idea’s man” and the “hook line man”. I often give a certain key word or topic and Errol fills this initial musical framework with meaning.” This perfect synergy can also be found on “All Nite Madness”. Whether you take the first single of the album “Is It ’Cos I’m Cool?“, the soulful “Monotony“, “Turn Me On“ with Kathleen Chaplin’s crystal clear vocals or “Underground“ on which ex-Stranglers frontman Hugh Cornwell lends his voice – the integrity of the creator’s style is evident on every track. The single „Is It’ Cos I’m Cool?“ has already developed into a huge hit in Germany and emphasises once again the enormous potential of MOUSSE T. songs. The LP, released on 5 April 2004 will captivate music lovers of a wide-range of styles. Mousse T. continues to deliver the goods in 2005. Right on time for the release of the ipod Mousse T. Special Edition in early november he will release his new single “Horny As A Dandy” with a new album following in 2006. After a few selected promo-gigs for his ipod Mousse T. will promote the new releases with a long clubtour throughout Europe.

Mousse T.

Josh Butler

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Dario D'Attis

Claptone

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

David Penn

Yousef

<Sin título>

Título del álbum

Álbum {title}

El álbum {title} ha sido retirado del envío

Portada para {title}

Título del chart

¿Eliminar artista {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del artista, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

¿Eliminar label {name}? Esto eliminará permanentemente todos los álbumes, charts, playlists y cualquier otro contenido gestionado por tu cuenta. Los álbumes de música suministrados a Volumo por otros proveedores de contenido (si los hay) seguirán siendo visibles y estarán vinculados al perfil del label, pero perderás el control del perfil hasta que lo reclames nuevamente. Esta acción es irreversible, salvo que vuelvas a ingresar toda la información y subas de nuevo todos los archivos manualmente. ¿Estás absolutamente seguro de que deseas continuar?

Mensajes directos (para proveedores de contenido)

Editar álbum {title}

Introduce el título del chart

Error al obtener {title}

Los Focus Charts son selecciones seleccionadas a mano por el equipo de selección de Volumo, con una prioridad clara: la calidad del sonido en sí. Estos charts no se basan en grandes nombres de artistas, labels famosos ni el hype de la industria. Cada track se evalúa únicamente por su valor musical, originalidad, calidad de producción y cómo se siente en un contexto real de DJ. Si el sonido es potente, pertenece aquí, venga de un artista conocido o de un nombre completamente nuevo. Los Focus Charts están pensados para DJs y buscadores de música que confían más en sus oídos que en las reputaciones. Este es un espacio donde productores emergentes conviven de forma natural junto a artistas consolidados, y los releases underground reciben la misma atención que los tracks de labels grandes. Si estás buscando música electrónica fresca, descubriendo joyas ocultas o explorando nuevas direcciones dentro del techno, house, minimal y géneros relacionados, los Focus Charts en Volumo ofrecen una experiencia de escucha y descarga cuidadosamente seleccionada, creada para DJs que ponen el sonido por delante.

Si eres proveedor de contenido, también perderás todos tus artistas y labels verificados, y todo el contenido generado por usuarios (álbumes, etc.) se eliminará de la tienda. Todas las ganancias no pagadas también se perderán.

Si deseas publicar tu release de forma exclusiva, ve al {album} y rellena el campo {exclusive}. Usar “Exclusivo” en los títulos puede provocar resultados poco relevantes en la búsqueda.

Presentamos los visuales compartibles de Volumo. Sabemos que dedicas mucho tiempo a perfeccionar tu sonido y estilo, así que lo hicimos fácil para que generes imágenes y videos promocionales en segundos. Personalízalos como quieras, descárgalos y úsalo donde quieras—en redes sociales o en tu propio contenido.

Parece que el título incluye espacios innecesarios dentro de los corchetes. ¿Deseas quitarlos?

Parece que el título está escrito en mayúsculas, ¿vas a corregir este error?

Parece que el título del álbum incluye un número de catálogo. ¿Moverlo al campo correspondiente?

Parece que el título del track incluye un número de versión de mezcla. ¿Moverlo al campo correspondiente?

Nombre

Luego, dirígete a tu sección de playlists y crea una nueva playlist. Empieza dándole un título a tu playlist. Puede ser el título final o solo uno provisional. Después pulsa "Crear Playlist".

Una vez que tu playlist esté completa, ve a "Mis playlists". Aquí puedes subir una portada, renombrar tu chart y agregar una descripción sobre ti, tu sonido o la vibra que quieres transmitir. También puedes reordenar los tracks.

Pausar {title}

Reproducir {title}

Título de la playlist

¿Listo para compartir? Haz clic en los tres puntos junto a tu playlist y selecciona "Publicar como chart", pon una Descripción llamativa, elige la imagen de portada y voilà, ¡tu ranking está en vivo!

Actualizaciones regulares sobre el contenido de Volumo

Notificaciones de ventas (para proveedores de contenido)

Selecciona el nombre del artista o el título del label que se mostrará en el campo de autor del chart

Mostrar el título del track

Empieza a escribir un título de chart o track, o un nombre de artista o label, para ver los resultados.

Empieza a escribir el nombre de un país para ver resultados

Empieza a escribir el título de un género para ver los resultados

Empieza a escribir el título de un track o álbum, o el nombre de un artista o label para ver resultados.

Detener {title}

El álbum {title} ha sido eliminado

Las primeras 24 horas después de que tu track salga son absolutamente críticas—es cuando el algoritmo está mirando. Ya sea en Volumo, YouTube o Instagram, ese impulso inicial de reproducciones, guardados, compartidos y participación le indica a la plataforma: ‘Esto vale la pena impulsarlo’. Si puedes motivar a tus fans, amigos y red a apoyar de inmediato, tienes más posibilidades de aparecer en playlists algorítmicas o ganar más visibilidad. Así que no solo subas y te relajes—ten contenido listo para publicar, contacta a tus suscriptores y sé activo en los comentarios. Ese primer día marca el ritmo de todo tu ciclo de release.

El título contiene el nombre del artista. No necesitas agregar el nombre del artista al título, se añadirá automáticamente.

Título

¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

Título del track

Track {title}

El track {trackTitle} solo se puede comprar como parte del álbum {albumTitle}.

Track {trackTitle} eliminado de {playlistName}

¿Retirar el álbum {title}? Después de eso, el álbum deberá ser moderado nuevamente antes de su publicación.

Sin título

Actualizar la descripción de la playlist

Usar “Volumo” en los títulos puede generar resultados de búsqueda no relacionados.

Nosotros, Volumo, somos los responsables de tus datos personales; usamos cookies para personalizar el contenido y la publicidad, ofrecer funciones sociales y analizar nuestro tráfico. También compartimos información sobre tu uso de nuestro sitio web con nuestros socios de redes sociales, publicidad y de análisis, quienes pueden combinarla con otra información que les hayas proporcionado o que hayan recopilado del uso de sus servicios.

No necesitas numerar los tracks dentro del título, se numeran automáticamente

es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Sin Plomo

Resumen

Tracks destacados

Últimos releases

Club Guerillas, Division 17

Club Guerillas, Division 14

Kutura

Géneros

Artistas relacionados