Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Memoryman

In today’s electronic music world there are not many artists who can lay claim to a legacy like that of DJ T. Born in Dusseldorf, DJ T. (aka Thomas Koch,) re-located to Frankfurt with his family in the late 70s. During his formative years, he fell for the hypnotic grooves of disco, inspired by his parents’ record collec-tion. At the age of nine he was already completely enraptured by music and that love affair continues until this very day. He began an obsessive quest to collect music, feeding his soul with everything from Disco and Hi-Nrg, through to early Hip-Hop and Electro, Soul, Funk and R’n’B. The groovy, infectious rhythms of all those genres continue to permeate into the music he makes and plays today, providing an intrinsic part of his sound ethic.
He took up breakdancing, before becoming a DJ, playing at private parties ini-tially before landing his first professional gigs in the late eighties. This period proved to be a pivotal moment in his life as Acid House swept through Europe, landing in Frankfurt and taking over with the launch of Sven Väth’s legendary Omen club in 1988. The first wave of House and Techno took hold and T. was there at the forefront, absorbing all the fresh new sounds from Chicago, Detroit and the UK. He picked up a residency at the infamous Music Hall and held resi-dencies at countless clubs across the city during the next 10 years from Plastik and Dorian Gray to The Box. By the end of the nineties, he was one of Frank-furt’s best-known selectors.
In 1989 DJ T. tapped into another side of his creative energy to set up Groove Magazine. Identifying a gap in the market and fuelled by a need to satisfy his own desire for specialised music journalism, which focused on his interests – namely underground dance music. Under his leadership the magazine was launched into the public’s consciousness and he guided Groove to become one of Europe’s premier dance music publications, which it still is today.
DJ T.’s progression continued at a pace, as he launched his own club, Monza, using the experience gained through a decade of club events and tours under the Groove Magazine banner. He also invested his skills and knowledge into con-ceiving Get Physical – a label, which remains one of the world’s best- known House and Techno platforms. Though he left in 2010, T. still occasionally A&Rs for the label, lending his uncanny ability to uncover new talent to the seminal label.
Production-wise, he has been consistent ever since his debut release, the ‘Mon-sterbaze’ EP with Steve Bug, which was released on Poker Flat in 2000. Since then, T. has released several well-received EPs, a slew of remixes and three al-bums, ‘Boogie Playground’ in 2005, ‘The Inner Jukebox’ produced with Tho-mas Schumacher in 2009 and ‘Pleasure Principle’ in 2011. His special touch has also been employed by numerous labels to curate compilation mixes , including ‘United Under The Ball – 30 Years Of Disco’ in 2011 and ‘The House That Jack Built Vol 1 & 2’ in 2012. In 2013 he celebrated 25 years of DJing with a very personal mix compilation, followed also by ‘Body Language 15’ and col-laboration with Defected and Strictly Rhythm to celebrate the latter’s 25th anni-versary. DJ T.’s reputation for being a master selector has been cemented by these superlative collections of music, each of which has received widespread praise, often featuring many of T.’s own edits of classic tracks.
Despite so many accolades, his passion for music remains staunch, recently making several key changes to his professional life that have inspired him to explore new terrains. With hot new releases on AUS Music, Moon Harbour, True Soul and Jackathon representing his continued to desire to push his crea-tive boundaries.
A highly-skilled DJ and producer and an A&R with an uncanny ability to dis-cover a nurture new talent, DJ T. is a master selector and one of the industry’s most influential figures.


DJ T.

Lazarusman

Tigerskin

French DJ Producer from Spain. Head of the label La Vie D’Artiste Music.

Sebb junior

Since debuting on 2020vision recordings in the mid-00’s Audiojack have risen to become one of electronic music’s most exciting and unique duos. Now releasing on Crosstown Rebels, they also run the record label Gruuv, and have built a stellar reputation for their epic back-to-back DJ sets

Audiojack

Riccardo aka Black Loops has built himself a solid reputation as one of House music’s most creative and progressive producers.
Black Loops influences stem from genres such as funk, soul, and disco, while his style is similar to the sound of the 90’s UK House movement and early 00's NY House.
In regards to his discography, Black Loops has released 7 EP’s on the respected German House Record label Toy Tonics, and also released noteworthy EP’s on Neovinyl Recordings, Pets Recordings, and Gruuv and Good Ratio.
Currently working on a first Album project, Black loops is touring worldwide, touching countries like Australia, Canada, and overall Europe.

Black Loops

Jimpster

Carlo

Chris Carrier is one of those rare kinds of artists that have an omnipresent quality and yet do not seek to make their name bigger than the music itself. You may not know it but there is a 99% chance you have experienced some dancefloor-based elation at the hands of the Parisian maestro. Releasing his first EP in 1994, he has over 20 years under his belt as a producer and DJ, with a huge back catalogue of releases. With all of that in his locker, Carrier remains ardent in his quest to create more and more classic material and is revered as one of the most prolific and gifted producers around today.

Chris Carrier

Martin Iveson aka "Atjazz", Music Writer, Producer, Mix Engineer, Mastering Engineer, Label Owner & DJ
From his misspent youth skateboarding the frontier towns of North Eastern England, Martin Iveson arrived into the UK’s Midland scene in the early nineties, here he was to take a job at a new computer games development studio by the name of Core Design Ltd., this company is now synonymous with Lara Croft and the series of Tomb Raider games.

Not content with scoring this, one of the world’s most famous video games, Martin left the company 13 years later to concentrate more on his own studio environment in which to channel his musical aspirations further, and invite other musicians and producers to do the same.

The success of his early works including his first EP ‘Story’ in 1996 led to the well-received album ‘That Something’, which was later licensed in Japan by Sony/Kioon in 1998. This debut album also featured cover artwork by Fujio Akatsuka, very well known in Japan for his Illustrations and animated cartoons. With two further albums, ‘Labfunk’ & ‘Labresults’ following soon after, Atjazz had at this time established himself as a distinct and inspirational voice in the underground music scene.

Martin has also been a prolific remixer throughout his career remixing and reworking songs & works for artists such as Nitin Sawhney, Bob Sinclar, Jazzanova, Zed Bias & Omar to name but a few and was even requested to rework Henri Mancini’s ‘The Pink Panther Returns” for EMI Records. Martin is still remixing heavily as he states that remixing has helped to launch his production techniques forward and it’s the perfect practice pitch for trying out new ideas and breaking moulds within a diluted industry. “Remixing helps to hone your sound and allows the producer to print their trademark into another space”

Martin’s trademark sound has been requested on many occasions by top class vocalists including Clara Hill, Robert Owens, Ernesto and many more for their own artist album projects and also rubbing shoulders with some amazing musicians & producers along the way. 

2009 saw Martin close his label Mantis Recordings due to harsh industry changes and from these ashes came the Imprint appropriately named ‘Atjazz Record Company’, which has flown to great heights within the digital realm and has seen many fantastic and sought after releases including his 3rd long player ‘Full Circle’. This label concentrates heavily on Martin’s productions and collaborations. Atjazz Record Company is a new chapter for Atjazz but with a continuation of his trademark sound.

Martin ‘Atjazz’ Iveson is in demand across the world: Whether it be renowned producer, sought after remixer, or floor filling DJ, Martin gives his heart to hold the soul…

Atjazz

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¿Las 3 cosas principales que los DJs profesionales odian de los sitios de música? Analicémoslo. "Superposición de texto": Las 3 grandes frustraciones

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es posible presentar una queja ante el organismo regulador, pero contáctanos primero en {address}, haremos todo lo posible por ayudarte a resolver el problema que tengamos.

Memoryman

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