Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Robert Owens

Dave Aju

Inaya Day

Guillaume & The Coutu Dumonts

CeCe Rogers

Harry Romero

Shawnee Taylor

Joeski

Honey Dijon

Blaze

Ministers De La Funk

Johnny Corporate

Palmer Brown

DJ S.K.T

Vega & Romero

Jack Back

Louie Vega

Dave + Sam

Iris Gold

MD X-Spress

LATASHÁ

Fiorious

Jocelyn Brown

Constipated Monkeys

Mark Picchiotti

Jamie Jones

The Absolute

Suzanne Palmer

Charles McCloud

H.C.C.R.

Choo Choo Project

After over two decades in the business, the humble house legend Harry Romero and Defected have compiled quality tracks from the Jersey native’s expansive career to create an eclectic and essential collection for any fans of the genre, as he joins the illustrious list of House Masters. Featuring old favourites and driving re-edits of the producer’s biggest tracks, appealing to long-time fans while also reaching a new generation of listeners to discover his rich discography. This special compilation celebrates Romero’s solo releases in addition to collaborations with prolific house vocalists such as Inaya Day and Jocelyn Brown. Powerful tracks that propelled the Latin master to international acclaim, ‘Night @ The Black’ and ‘Just Can’t Get Enough’, sit alongside remixes of classic house tracks, like Johnny Corporate’s ‘Sunday Shoutin'’, as well as Romero’s fresh takes on more recent releases from the likes of Fiorious and DJ S.K.T. Recent collaborations with Honey Dijon and Louie Vega have cemented Harry ‘Choo Choo’ Romero’s status as one of the most revered producers in the game, and Defected presents House Masters – Harry Romero signals a rebirth as Harry 2.0 enters his renaissance.


Defected presents House Masters - Harry Romero

1.Harry Romero ‘Tania’ (Honey Dijon Extended Remix)
Written & Produced by Harry Romero
Remix & Additional Production by Honey Dijon
Published by Black Rock/Sentric Music Limited
P&C 2019 Armada Music B.V. under exclusive license from Bambossa

2.Harry Romero ‘Night @ The Black’
Written & Produced by Harry Romero
Published by Jessica Michael Music Inc/BMG Rights Management (UK) Limited
P&C 2001 Bambossa Records under exclusive license to Armada Music B.V.

3.H.C.C.R. ‘Son Of Mongo’
Written & Produced by Harry Romero
Sax by John Scarpula
Mixed by Harry Romero & Dave Darlington
Published by Jessica Michael Music Inc/BMG Rights Management (UK) Limited
P&C 2006 Bambossa Records under exclusive license to Armada Music B.V.

4.Constipated Monkeys ‘Cro-Magnon (What About Our Love)’
Written & Produced by Jose Nunez and Harry Romero for Double Platinum Productions Inc
Vocals by Glenn Turner
Mixed by Dave Darlington at Double Platinum Studios, New Jersey
Executive Producer: Erick Morillo 
Published by Sub Pub Music (ASCAP), Housefly Music (ASCAP) & SeySey Music (ASCAP)
P&C 1997 Subliminal Records Inc. under exclusive license to Armada Music B.V.


5.Ministers De La Funk featuring Jocelyn Brown ‘Believe’ (Ministers Vocal Mix)
Written by Duane Harden, Erick Morillo, Harry Romero, Jocelyn Brown & Jose Nunez
Produced by Jose Nunez, Harry Romero & Erick Morillo for Double Platinum Productions, Inc.
Vocals by Jocelyn Brown
Backing Vocals by Jocelyn Brown, Connie Harvey & Larita Gaskin
Keyboards by Al MacDowell
Mixed & Recorded by Dave Darlington for Platinum Audio, NYC @ Double Platinum Studios, NJ
Mastered by Nilz
Published by Sub Pub Music (ASCAP)/Kobalt Music Publishing, EMI Music Publishing Ltd & Jessica Michael Music Publishing (ASCAP)
P&C 1999 Subliminal Records Inc under exclusive license to Armada Music B.V.

6.Choo Choo Project ‘Hazin' + Phazin'’ (‘Choo Choo’ Vocal Mix)
Written, Produced, Mixed & Arranged by Harry ‘Choo Choo’ Romero for Double Platinum Productions, Inc. @ Infamous Butcha Shop (NJ)
Vocals by Octavia Lambertis
Published by Sub Pub Music (ASCAP)/Kobalt Music Publishing Ltd
P&C 1999 Subliminal Records Inc under exclusive license to Armada Music B.V.

7.Harry Romero & Inaya Day ‘Just Can’t Get Enough’ (Choo Choo's Main Vocal Mix)
Written by Harry Romero & Inaya Day
Produced, Mixed & Arranged by Harry Romero
Published by Blackrock & Ny-O-Dae Music (BMI)
P&C 1998 Subliminal Records Inc. under exclusive license to Armada Music B.V.


8.Vega & Romero, Louie Vega & Harry Romero ‘El Ritmo’
Written by Luis Ferdinand Vega, Jr. & Harry Romero
Produced by Louie Vega & Harry Romero
Published by Ultra International Music Publishing & Black Rock Publishing (ASCAP)
P&C 2021 Bambossa Records

9.Harry Romero featuring Robert Owens ‘I Go Back’ (Main Mix)
Written by Harry Romero & Robert Owens
Produced by Harry Romero
Vocals by Robert Owens
Published by Sub Pub Music/Kobalt Music Publishing Ltd & Tap Music Publishing Limited/Truelove Music
P&C 2003 Subliminal Records Inc. under exclusive license to Armada Music B.V.

10.Harry Romero ‘Mongobonix (From Beneath The Earth's Crust)’
Written, Produced & Mixed by Harry Romero for Double Platinum Productions
Additional Production & Trumpet Solo by Todd Gardner
Recorded @ The Butcher Shop
Published by Sub Pub Music (ASCAP) & House Fly Music (ASCAP)
P&C 1998 Nite Grooves

11.Harry Romero ‘Revolution’ (Deep In Jersey Extended Mix)
Written by Curtis Jones & Dana Stovall
Produced by Harry Romero
Sample Replay Production by Mark Summers at SCORCCIO Sample Replays
www.scorccio.com
Published by Cajual Music & Proof Songs Limited
P&C 2018 Defected Records Limited dba DFTD

12.MD X-Spress ‘God Made Me Phunky’ (HCCR Extended Remix)
Written & Produced by Mike Dunn
Remix & Additional Production by Harry Romero for X-Mix
Published by Universal Music Publishing MGB Limited & Blackball Muzik Publishing
P&C 2008 Defected Records Limited

13.Honey Dijon featuring Charles McCloud ‘Personal Slave’ (Harry Romero Remix)
Written by Honey Redmond & Charles Duff
Produced by Honey Dijon
Vocals by Charles McCloud
Remix & Additional Production by Harry Romero
Published by Defected Music & Lord Virtual Music (ASCAP)
P&C 2018 Classic Music Company

14.Blaze featuring Palmer Brown ‘Do You Remember House?’ (Harry Romero Extended Remix)
Written by Kevin William Hedge & Joshua Alexander Milan
Produced, Mixed & Arranged by Blaze
Vocals by Palmer Brown
All Vocal Arrangements & Other Instruments by Blaze
Remix & Additional Production by Harry Romero
Published by Haripa Music Publishing 
P&C 2020 Defected Records Limited dba Slip ‘n’ Slide

15.Dave + Sam featuring LATASHÁ ‘You Da Shit Girl’ (Harry Romero Extended Remix)
Written by Dave Giles II & Latasha Alcindor
Composed & Produced by Sam Obey
Vocals by Dave Giles II & LATASHÁ
Mixed by Lance Desardi for Builders Of Paradise
Remix & Additional Production by Harry Romero
Mastered by Sam Wills at Wired Masters
Published by Defected Music 
P&C 2020 Classic Music Company

16.Harry Romero ‘What Happened?’ (Main Mix)
Written & Produced by Harry Romero
Published by House Fly Music/Sony/ATV Music Publishing (UK) Limited
P&C 2004 Bambossa Records under exclusive license to Armada Music B.V.

17.Harry Romero & Joeski ’Sex Poem’ (Extended Mix)
Written & Produced by Harry Romero & Joe Flores
Published by Black Rock/Sentric Music & Copyright Control
Licensed courtesy of Nothing Else Matters
P&C 2019 Nothing Else Matters

18.Harry Romero ‘I Love’ (Extended Mix)
Written, Produced, Arranged & Mixed by Harry Romero
Published by Defected Music
P&C 2021 Nu Groove Records

19.Harry Romero & Inaya Day ‘Rise Up’ (Extended Club Mix)
Written by Harry Romero & Inaya Davis
Produced, Mixed & Arranged by Harry Romero @ The Infamous ButchaShop, New Jersey
Vocals by Inaya Day
Published by Blackrock & Ny-O-Dae Music (BMI)
P&C 2022 Defected Records Limited

20.Johnny Corporate ‘Sunday Shoutin’’ (Harry Choo Choo Mix)
Written by Ray Ransom
Produced by Doug Smith & Richard Payton
Keyboards by Doug Smith & Richard Payton
Additional Production & Remix by Harry ‘Choo Choo’ Romero for Double Platinum Production, Inc
Published by H-R Lastrada Music/BMG Rights Management (UK) Limited & BMG Gold Songs/BMG Rights Management (UK) Limited 
‘Sunday Shoutin’’ is an adaptation Ray Ransom’s ‘Living From The Mind’ published by H-R Lastrada Music/BMG Rights Management (UK) Limited & BMG Gold Songs/BMG Rights Management (UK) Limited
P&C 2000 Fourth Floor Records

21.Jack Back & CeCe Rogers ‘Freedom’ (Harry Romero Extended Remix)
Written & Composed by David Guetta, Timofey Reznikov & Kenneth J Rogers III
Produced by David Guetta & Timofey Reznikov
Vocals by CeCe Rogers
Programming by David Guetta
Remix & Additional Production by Harry Romero
Published by JackBack Publishing Ltd (SACEM), Copyright Control & KASM Publishing
P&C 2019 Defected Records Limited under exclusive license from What A Music Ltd & Warner Music France S.A.

22.Harry Romero & Joeski featuring Shawnee Taylor ‘Get It Right’ (Club Mix)
Written by Shawnee Taylor, Harry Romero, Jose Flores & Duane Harden
Produced by Harry Romero & Joeski
Vocals by Shawnee Taylor
Published by Defected Music, Bucks Music Group Ltd & Jessica Michael Music Inc. (ASCAP)/BMG Rights Management (UK) Limited
P&C 2014 Defected Records Limited

23.Harry Romero ‘Revolt’ (Extended Mix)
Written & Produced by Harry Romero
Published by Black Rock/Sentric Music Limited
P&C 2017 Bambossa Records under exclusive license to Armada Music B.V.

24.Mark Picchiotti presents The Absolute featuring Suzanne Palmer ‘I Believe’ (Harry's Deep In Jersey Dub)
Written by Mark Picchiotti & Craig J. Snider
Produced by Mark Picchiotti
Co-Produced by Craig J. Snider
Vocals by Suzanne Palmer
Backing Vocals by Dem Girlz
Programming & Keyboards by Mark Picchiotti & Craig J. Snider
Engineered by Mark Picchiotti
Remix & Additional Production by Harry Romero
Mixed by Harry Romero at the Butcha Shop, NJ
Published by District 6 Music Publishing Limited & Jessica Michael Music Inc/BMG Rights Management (UK) Limited
P&C 2022 Defected Records Limited / Blueplate Records

25.Harry Romero ‘The City’ (Extended Mix)
Written, Produced, Arranged & Mixed by Harry Romero
Vocals by Anthony Goode
Keyboard Solos by Guti
Published by Defected Music
P&C 2021 Nu Groove Records

26.Guillaume & The Coutu Dumonts featuring Dave Aju ‘The Chase’ (Harry Romero Extended Remix)
Written & Produced by Guillaume Coutu Dumont
Lyrics & Vocals by Marc Barrite
Piano by Nicolas Boucher
Guitar by Alexis Messier
Saxophone by Sébastien Arcand Tourigny
Recorded at Sonnen Studio
Mixed at Studio Cagibi
Remix & Additional Production by Harry Romero
Published by Copyright Control (SOCAN) & Copyright Control (ASCAP)
P&C 2021 Classic Music Company

27.Fiorious ‘Follow Me’ (Harry Romero Club Mix)
Written by Eddie Lewis, Kyle Smith & William Jennings
Produced by Bawrut 
Co-Produced by Fiorious 
All Vocals Performed & Arranged by Fiorious
Recorded, Engineered & Mixed by Enrico Berto at Mushroom Studio (Italy)
Additional Editing & Engineering by Dimitrios Hatzisavas at Spin Recording Studios (NY)
Remix & Additional Production by Harry Romero
Published by Strictly Rhythm Publishing/BMG Rights Management (UK) Limited
P&C 2020 Glitterbox Recordings

28.Harry Romero ‘Scatter’
Written & Produced by Harry Romero
Published by Black Rock
Licensed courtesy of Play It Say It
P&C 2017 Play It Say It

29.Harry Romero ‘Mood Vision’ 
Written & Produced by Harry Romero
Published by Black Rock/Sentric Music Limited
P&C 2019 Cécille Records

30.DJ S.K.T featuring Iris Gold ‘4am In London’ (Harry Romero Extended Mix)
Written by Stephen Kenny Tempest & Mercedes Seecoomar
Produced by Stephen Kenny Tempest
Vocals by Mercedes Seecooma
Remix & Additional Production by Harry Romero
Published by Defected Music & Warner Chappell Music
P&C 2017 Armada Music B.V.

31.Harry Romero & Inaya Day ‘Rise Up’ (House Masters Extended Edit)
Written by Harry Romero & Inaya Davis
Produced, Mixed & Arranged by Harry Romero @ The Infamous ButchaShop, New Jersey
Vocals by Inaya Day
Published by Blackrock & Ny-O-Dae Music (BMI)
P&C 2022 Defected Records Limited

32.Harry Romero ‘Revolution’ (House Masters Extended Edit)
Written by Curtis Jones & Dana Stovall
Produced by Harry Romero
Sample Replay Production by Mark Summers at SCORCCIO Sample Replays
www.scorccio.com
Published by Cajual Music & Proof Songs Limited
P&C 2022 Defected Records Limited dba DFTD

33.Harry Romero & Inaya Day ‘Just Can’t Get Enough’ (Jamie Jones Extended Edit)
Written by Harry Romero & Inaya Day
Produced, Mixed & Arranged by Harry Romero
Edited by Jamie Jones
Published by Blackrock & Ny-O-Dae Music (BMI)
P&C 2023 Bambossa

34.Honey Dijon featuring Charles McCloud ‘Personal Slave’ (Harry Romero House Masters Extended Remix)
Written by Honey Redmond & Charles Duff
Produced by Honey Dijon
Vocals by Charles McCloud
Remix & Additional Production by Harry Romero
Published by Defected Music & Lord Virtual Music (ASCAP)
P&C 2022 Classic Music Company

Defected Records

Defected presents House Masters - Harry Romero

Tania

Night @ The Black

Son Of Mongo

Cro-Magnon (What About Our Love)

Believe feat. Jocelyn Brown

Believe

Hazin' + Phazin'

Just Can't Get Enough feat. Inaya Day

Just Can't Get Enough

El Ritmo

I Go Back feat. Robert Owens

I Go Back

Mongobonix (From Beneath The Earth's Crust)

Revolution

God Made Me Phunky

Personal Slave feat. Charles McCloud

Personal Slave

Do You Remember House? feat. Palmer Brown

Do You Remember House?

You Da Shit Girl feat. LATASHÁ

You Da Shit Girl

What Happened?

Sex Poem

I Love

Rise Up

Sunday Shoutin'

Freedom

Get It Right feat. Shawnee Taylor

Get It Right

Revolt

I Believe feat. Suzanne Palmer

I Believe

The City

The Chase feat. Dave Aju

The Chase

Follow Me

Scatter

Mood Vision

4am In London feat. Iris Gold

4am In London

<Unbenannt>

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Stopp {title}

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Die ersten 24 Stunden nach dem Drop deines Tracks sind absolut entscheidend – dann beobachtet der Algorithmus dich. Egal ob auf Volumo, YouTube oder Instagram: Das erste Hoch an Plays, Speicherungen, Teilungen und Interaktionen signalisiert der Plattform, dass es sich lohnt, gepusht zu werden. Wenn du sofort Fans, Freunde und dein Netzwerk mobilisierst, hast du bessere Chancen, in algorithmischen Playlists zu landen oder mehr Sichtbarkeit zu bekommen. Also lade nicht einfach nur hoch und lehne dich zurück – halte Content bereit, informiere deine Mailingliste und sei in den Kommentaren aktiv. Dieser erste Tag gibt die Richtung für den gesamten Release-Zyklus vor.

Der Titel enthält den Namen des Künstlers. Du musst den Namen des Künstlers nicht zum Titel hinzufügen, er wird automatisch ergänzt.

Titel

Die Top 3 Dinge, die Profi-DJs an Musikseiten hassen? Hier sind sie im Überblick. "Text Overlay": Die drei größten Frustrationen

Tracktitel

Track {title}

Track {trackTitle} kann nur als Teil des Albums {albumTitle} gekauft werden.

Track {trackTitle} aus der Playlist {playlistName} entfernt

Album {title} zurückziehen? Danach muss das Album vor der Veröffentlichung erneut moderiert werden.

Unbenannt

Die Verwendung von „Volumo“ in Titeln kann zu irrelevanten Suchergebnissen führen.

Wir, Volumo, sind der Verantwortliche für deine persönlichen Daten, verwenden Cookies, um Inhalte und Werbung zu personalisieren, Social-Media-Funktionen bereitzustellen und unseren Traffic zu analysieren. Wir teilen außerdem Informationen über deine Nutzung unserer Website mit unseren Social-Media-, Werbe- und Analysepartnern, die diese mit weiteren Daten, die du ihnen bereitgestellt hast oder die sie aus deiner Nutzung ihrer Dienste gesammelt haben, kombinieren können.

Du musst die Tracks im Titel nicht nummerieren, sie werden automatisch nummeriert

Es ist möglich, eine Beschwerde bei der Aufsichtsbehörde einzureichen, aber bitte kontaktieren Sie uns zuerst unter {address}. Wir werden unser Bestes tun, um das Problem gemeinsam zu lösen.

Just Can't Get Enough (Jamie Jones Extended Edit)

In Chart gelistet

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