Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Pusher Records

Lisa's Kickback

Founded in 2016, Lisztomania quickly rose as one of the most prominent underground house music labels in recent years, becoming a playground for emerging talents and established visionaries alike. With an unparalleled ear for quality and an instinct for refined selection, founder of the label Igor Gonya is renowned for his ability to unearth hidden gems that will ignite passion for house music in every music enthusiast's Whether you prefer the crisp digital beats or the soulful warmth of vinyl, Lisztomania has you covered with an extensive catalog that spans both formats.

Listen to Lisztomania Records! Be a Lisztoman!

Lisztomania Records

Defected Records is a multi-award-winning independent British record label specialising in house music recordings, playlists, internationally syndicated radio shows, events and festivals, publishing, artist booking, artist management, promotions and more. Established in 1999 and now resembling more of a music media group with the label as its epicentre, the recipe for Defected Records’ success over the last 25 years has been its ability to evolve and adapt within the industry, while maintaining robust cultural values and musical identity. One of the longest running independent labels of its kind, Defected continues to advocate tirelessly for the cultural impact of house music in the UK and remains a well-respected constant in the music industry as it enters its next 25 years in business.

With an online community of over 12 million, Defected was one of the first house labels to embrace digital technologies and continues to be at the forefront of digital innovations, while cultivating a uniquely engaged audience, by far the largest of its kind. 2024 saw Defected expand its offerings with the collaborative Together series, ambitious livestreams, a world tour and limited-edition merch including ‘Defected: 25 Years In The House’, a 320-page hardback offering a “refreshingly candid insight into the moments that have defined the label’s history” - Clash Magazine. Appointed in 2022, Defected CEO and co-owner Wez Saunders describes the company’s mission as ultimately “to service our community while helping artists build longer lasting, more impactful, and more profitable careers”.

Established in 1999 by Simon Dunmore, Defected's first release was Soulsearcher's ‘Can't Get Enough’, which reached No. 5 in the UK singles chart. This early success was followed up with Roger Sanchez's ‘Another Chance’, which hit No. 1 in the UK singles chart in 2001. As well as a number of sister labels including DFTD, Glitterbox Recordings, Classic Music Company, Soulfuric, 4 To The Floor and Stay True Sounds, Defected also owns and manages artist projects and several catalogues of heritage house imprints.

Defected’s catalogue includes the work of artists such as Masters At Work, Honey Dijon, Inner City, Idris Elba, Dennis Ferrer, Marc Kinchen (MK), Sam Divine, Jamie Jones, John Summit, Love Regenerator (Calvin Harris), The Martinez Brothers, Hannah Wants, Duck Sauce, Gorgon City, Girls of the Internet, Peggy Gou and many more. In 2017, CamelPhat & Elderbrook’s ‘Cola’ was nominated for ‘Best Dance Recording’ at the Grammys, as well as at the Ivor Novello awards and is now multi-platinum. Endor’s ‘Pump It Up’ reached #8 in the UK OCC in 2019 and went multi-platinum, both unprecedented successes for an independent house music label in the UK. Grammy nods have since come for Honey Dijon, Luke Solomon and various Defected Music-published writers for Beyoncé’s Renaissance in 2023.

Most recently, in its 25th anniversary year, Defected paired talent from the label’s storied past with stars of its future as artists like Todd Edwards, Shermanology, Rudimental, TSHA, Mochakk, Kings Of Tomorrow, Julie McKnight, David Guetta and THEMBA, with many more appearing throughout the extra collaborative series Together. The label also continued to release genre-defining successes including Purple Disco Machine, Oden & Fatzo and delivering a multi-single deal with British icon Idris Elba as IDRIS.

Defected runs events globally, from standalone club nights and festival stages to its many Ibiza residencies since 2003; summer of 2024 saw Defected, Glitterbox and D4 D4NCE hold three lengthy residencies at Ushuaïa Ibiza, Hï Ibiza and O Beach Ibiza respectively. The group’s festival portfolio includes Defected Croatia, a flagship event that draws more than 5,000 people from all over the world annually, as well as Defected Malta and various other large capacity events and new ventures into Dubai. Defected’s event offering has continued to grow in recent years, including sold out shows at world-renowned venues such as London’s Printworks, DRUMSHEDS and Studio 338, Manchester’s The Warehouse Project, House of Yes in NYC, stages at Glastonbury and more for its 25th anniversary World Tour, with 2024 seeing the brand debut in Argentina, Canada, Cyprus, Italy, Poland and continue to expand in familiar territories.

Defected Records

When there are so many different sounds and techniques at one’s disposal, it’s a waste to repeat what’s already done. That notion is embedded deeply into the core of NO ART, the label by ANOTR. Instead, the imprint is colored by innovation and focuses on a sound that’s edgy.

NO ART

EWax

Intrinsically rooted in the underground music scene since 2008, Mike Spirit's & Spieltape's Moscow based Highway Records has become a mainstay in a sound that has consistently melted dancefloors across the globe and cemented the label as a respected trendsetter and one in which an ear kept to the ground and an eye on its release schedules always pays off for its dedicated fan base.

As a consequence of this rich history, Highway Records now boasts an ample catalogue featuring over 100 vinyl and digital releases from Russian artists such as Dave Pad, Mike Spirit, Spieltape, Fake Mood, Doyeq, SCSI-9, DJ Skif, Bu.Di and Gorje Hewek & Izhevski alongside a fabulous roster of some of the scene's biggest movers and shakers from the likes of Mihai Popoviciu, Gorge, Adriatique, Hernan Cattaneo, Gui Boratto and Alex Niggemann.

Regular placements in the Beatport top 100 along with their regular Moscow held parties, Highway Records has received massive support and charted releases from some of the worlds greatest DJs including Guy J, John Digweed, Black Coffee, Nicole Moudaber, Pan-Pot, Nick Warren, Oliver Koletzki, Joris Voorn, Steve Bug, Sebastien Leger, Tube & Berger and Audiofly to name just a few.

A solid foundation built over more than 10 years will ensure many years of delivering more and more riches to the underground scene.

Highway Records

A Parisian club kid in the early 2000s, Djebali has grown into one of the most accomplished house producers from the city’s new generation of talent. Driven by his own self-titled imprint in 2011 and several sub-labels, together with a constant flow of gigs at high-profile clubs around the globe and a back catalogue full of classic house grooves, he is one of Paris’ shining stars…

Djebali was first backed by long-serving Paris head Terence:Terry: at the legendary ‘After Party Is Not A Crime’ nights, before making numerous appearances at Rex Club and holding down a residency at the Freak N’ Chic Batofar parties between 2008 and 2010. Since then, it’s been a steady rise up the ranks, with Djebali’s hard work and ingenuity taking him around the world.

2019 was a prolific year for Djebali, producing a series of singles and EPs in his Paris studio, along with an album ‘Almost Finished’ with his friend Guti, which was released in 2020. The album is aimed straight at the dance floor, with a selection of cuts that merge both artists’ unique sonic identity to create a diverse yet cohesive LP. Produced during an intensive few days at Djebali’s studio, ‘Almost Finished’ represents two artists in the midst of a highly creative purple patch.

​

Elsewhere, he teamed up with Chris Stussy on a series of EPs – ‘Shades Of Grey’ and ‘Part 1’ & ‘Part 2’ among them. Plus he’s collaborated with a variety of his peers, including Fuse resident Rossko, Stephan Bazbaz and Reda Dare. Djebali has also released original material with Politics Of Dancing, Organic. He has also injected his knowledge and skill into a series of remixes for artists such as Rhadow, Barem, Marco Faraone, Gel Abril and Manuel de Lorenzi, Archie Hamilton’s Moscow label. The consistent flow of music continues into 2020 as he pours his energy into collaborations with Jorge Savoretti for Infuse and remix work for SASH in Sydney, for whom he produced two remixes for the debut of the party’s label wing.

On the road he’s toured Australia, appeared at Epizode Festival in Vietnam and played high-profile gigs at globally-renowned clubs like fabric, Thuishaven, Octan (for Planet Claire with Apollonia) and the amazing Five Island Festival in Lebanon, making 2019 a hugely successful one for the Parisian selector.

​

Pushing the scene forward in his hometown, Djebali has brought a glittering array of talents to his own self-curated, bi-monthly party at Rex Club called Ideal Juice. The party has also been held at locations outside of Paris, hitting Ibiza Underground, Iboat in Bordeaux, Special Case in St Petersburg, The Basement in Tunisia, as well as the UK, hitting London and Liverpool. Meanwhile, at DC10 in Ibiza, Djebali makes regular appearances as a resident in the infamous red Terrace room, where he holds court several times each summer at the spot which is widely recognised as of the world’s most influential clubs. In 2015, Djebali embarked on a US tour hitting some of the USA’s best-known clubs; Verboten, Space and Output in New York plus Stereo in Montreal, as well as venues in Toronto, Los Angeles, Miami and the birthplace of house music, Chicago. Around the world he has played everywhere from Womb (Tokyo) to Kazantip (Ukraine), Sonus (Croatia), Modernity Cruise and Caprices Festival (Switzerland) and Movement (Turin) plus a residency at Amnesia’s brand new Monday night Ibiza party Pyramid.

On the production front, Djebali’s break came via Jay Haze, who signed his first EP ‘Fanfare’ for Tuning Spork in 2008. He dropped the follow up ‘LAX EP’ to widespread critical acclaim in 2009 and dropped ‘Sorry, I Missed The Sky’ the following year on Dan Ghenacia’s Freak N’ Chic – a label which led the way in supporting quality Parisian house talent. As a prolific remixer Djebali has used his magic touch to rework a long list of high-profile names such as Inland Knights and one of his idols, Chez Damier, who signed a remix to his Balance label. More recently he has created composed remixes for Sebo K’s Scenario label, Enzo Siragusa & Nima Gorji’s track ‘Foreal’ on Fuse, a rework of ‘Fall’ by the legendary DJ Pierre from his album on Get Physical plus a remix for the mighty Guti, taken from his LP on The Martinez Brothers’ label Cuttin’ Headz.

​

2011 saw the launch of ( djebali ), a limited vinyl-only series, which Djebali used to explore his sound in greater depth, releasing music straight from the studio on to wax – each release selling out within days of hitting the streets. In 2013 came two offshoots; ( djebali ) presents – a platform for developing artists which debuted with a top selling EP by Mr KS – and ( djebali ) reworks, which features established artists and friends remixing the ( djebali ) back catalogue, the debut edition featuring Christian Burkhardt and Hreno & the Mole. Other artists who have remixed on the label include Mandar, Livio & Roby, Hold Youth and John Dimas with Cab Drivers and Alci, plus Fuse resident Rossko and Audio Werner, Jorge Savoretti, Sebo K, Okain and Cuartero among the additions to the ( djebali ) team. +A standout moment came when Djebali had his classic track ‘Reputation’ remixed by French house legend POINT G for a one-off special repress on ( djebali ) extra, the fourth member of his family of labels. A killer single from Premiesku (remixed by Djebali), a collaboration with long-time friend, Tuccillo can also be found on the label and NTFO have also been remixed by Djebali himself for the offshoot label. In total there have been over 30 releases across Djebali’s numerous projects and the collection continues to grow with Project OAM.

​

OAM (Once A Month) was launched at the beginning of 2018, to give fans of digital releases, or those who have difficulty picking up vinyl, an opportunity to own something exclusive. Each release is available for free download but limited to 1,000 downloads, and each one is special in its own right, whether it be a fresh new remix, a one-off or an ambient experiment… Djebali has collaborated with visual artist Maku Lopez to create bespoke artwork for each release, making each download even more collectable.

Prior to that, the ( djebali ) label itself went digital for the very first time with edits of tracks from the label’s back catalogue and previously unreleased tracks made available for the first time since its inception. The venture allowed fans to purchase special digital versions of Djebali’s work, opening him up to a whole new audience of music lovers with Djebali digital exclusives including an EP from Chris Stussy. Though vinyl is still where his heart lies, and will always be the priority.

2017 marked a milestone in Djebali’s career when he release his debut album ‘5’. An important moment in any artist’s life, the album showcased his penchant for deep groove-driven house music that draws on classic motifs, with a contemporary sheen. To support the LP Djebali embarked on a world tour, clocking up the air miles and playing sets across the globe from Peru and Argentina to Italy, Montreal, Australia and many more territories. The release of ‘5’ was followed that same year by an exclusive remix package which included contributions from a lineup of electronic music luminaries such as Andrés, Satoshi Tomiie and Terence:Terry:, and young talents such as Romanian maestro Arapu.

​

Humble, hardworking and naturally gifted, Djebali is a house music diehard who continues to bring his unique energy and magic to the dancefloor…

(djebali)

Moulton Music is a collaboration of artists obsessed with both the future and past of house music.  Being run by producers and music-makers, our output is varied, ranging from deep house to soul to jackin' disco, but always with a sense of historical perspective and an ear for fine-tuned production, as well as a deep connection to the dancefloor.  We're based around San Francisco's legendary Moulton Studios, where most of the production takes place, but our friends and collaborators stretch far and wide. 

There are many people involved, but our core consists of Chris Lum and David Harness (who together form Harlum Muziq), as well as Homero Espinosa and Allen Craig (both formerly of Yerba Buena Discos), along with San Francisco cult favorite DJ's Sergio Fedasz and Ivan Ruiz, and producer and marketing guru Anish Acharya (of Dream In Audio).  Of course, we have many more friends and compatriots when you include all the people involved in our regular Molton Sessions underground house party, our various club nights, and the rest of the artists and remixers on the label, but it's that spirit of collaboration, along with our past-meets-future musical values, which defines Moulton Music.

Moulton Music

Plastik People Digital

French label run by Dj Steaw.
For the house music lover !!

HOUSE PUFF

<Unbenannt>

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Das Album {title} wurde gelöscht

Die ersten 24 Stunden nach dem Drop deines Tracks sind absolut entscheidend – dann beobachtet der Algorithmus dich. Egal ob auf Volumo, YouTube oder Instagram: Das erste Hoch an Plays, Speicherungen, Teilungen und Interaktionen signalisiert der Plattform, dass es sich lohnt, gepusht zu werden. Wenn du sofort Fans, Freunde und dein Netzwerk mobilisierst, hast du bessere Chancen, in algorithmischen Playlists zu landen oder mehr Sichtbarkeit zu bekommen. Also lade nicht einfach nur hoch und lehne dich zurück – halte Content bereit, informiere deine Mailingliste und sei in den Kommentaren aktiv. Dieser erste Tag gibt die Richtung für den gesamten Release-Zyklus vor.

Der Titel enthält den Namen des Künstlers. Du musst den Namen des Künstlers nicht zum Titel hinzufügen, er wird automatisch ergänzt.

Titel

Die Top 3 Dinge, die Profi-DJs an Musikseiten hassen? Hier sind sie im Überblick. "Text Overlay": Die drei größten Frustrationen

Tracktitel

Track {title}

Track {trackTitle} kann nur als Teil des Albums {albumTitle} gekauft werden.

Track {trackTitle} aus der Playlist {playlistName} entfernt

Album {title} zurückziehen? Danach muss das Album vor der Veröffentlichung erneut moderiert werden.

Unbenannt

Die Verwendung von „Volumo“ in Titeln kann zu irrelevanten Suchergebnissen führen.

Wir, Volumo, sind der Verantwortliche für deine persönlichen Daten, verwenden Cookies, um Inhalte und Werbung zu personalisieren, Social-Media-Funktionen bereitzustellen und unseren Traffic zu analysieren. Wir teilen außerdem Informationen über deine Nutzung unserer Website mit unseren Social-Media-, Werbe- und Analysepartnern, die diese mit weiteren Daten, die du ihnen bereitgestellt hast oder die sie aus deiner Nutzung ihrer Dienste gesammelt haben, kombinieren können.

Du musst die Tracks im Titel nicht nummerieren, sie werden automatisch nummeriert

Es ist möglich, eine Beschwerde bei der Aufsichtsbehörde einzureichen, aber bitte kontaktieren Sie uns zuerst unter {address}. Wir werden unser Bestes tun, um das Problem gemeinsam zu lösen.

Pusher Records

Übersicht

Top Tracks

Top Releases

Rolled House EP

This Beat

People Moving

Genres

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