Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Rednail Kidz

Darius Syrossian

David Duriez is known for making House and proper underground electronic music since the beginning of the 90's - 30 years in the music industry, founder and keeper of the [briquerouge] label, home of the best french electronic renegades since 1999, David Duriez is lurking in the shadow of the french Electronic scene, keeping it real and true. Artist in various styles of music, dj and innovator, he's always in search of new ways to distribute and value Electronic Music and always a step ahead. Definitely not just one for the hype.

Since 1994, David released over a hundred records under his name, tens under various pseudonyms, outputs mainly vinyl on the most renowned labels like 2020Vision, Ovum, Systematic, Pokerflat, F Communication, Mobilee, Under the Counter, Stickman, Classic Music Company, Crosstown Rebels, The End, etc .. (the list is long, see Discogs.com to be convinced) and as many remixes for some of the greatest (think Moby, DJ Hell, Telex, Random Factor, Johnny Fiasco, Paul Johnson, Kenny Hawkes or Mr.C).

Founder of the label Brique Rouge in 1999 and a whole galaxy of other labels, he participated in the creation of internationally recognized labels such as Robsoul, Freak n'Chic or Rz Muzik. David has carved out his own niche with his pigeonhole defying Brique Rouge label, and his helping to redefine the nations underground music. Brique Rouge has released deep house, jacking house, tech-house, acid house, vocal anthems and much more... Definitely a label for open-minded people, not stuck in one genre of House. 

In a time where two thirds of the tracks being released each week are sounding the same, either a click and paste formula track, a midi template used ad nauseum or just a classic being sampled to death, Duriez still think there's hope for House & Techno and focus to keep it true, groovy, creative, with soul. . 

#keepingHOUSEunderground

David Duriez

There are producers whose work is immediately associated with success, and whose talent for seeking out new national and international voices is celebrated. In Germany there are only a few such figures in the music industry. Of these, there are even less whose Discography reads like a “Who’s Who” of the music scene. Mousse T. is one of those very few, whose songs “Horny” and “Sex Bomb” have provided a good example of the power harnessed when intuition and precision come together. But who is the person behind these productions which consistently find their way into the charts? Mustafa Gündogdu, alias Mousse T., born in 1966 in Hagen, Germany, describes his success succinctly: “I am a music lover with humour, who gives more than 100% for his love”. This love of music brought him to Hanover in 1990 where he set up his own studio while he was still keyboarder for the band “Fun Key B”. Two years later he gets to know the owner of Peppermint Park Studios and extends the label into dance floor music. At the same time, Mousse T. pursues his ongoing passion for DJing with great enthusiasm. In 1993 he founds, along with the owners of Peppermint Park and his partner Errol Rennalls, the label “Peppermint Jam Records” at a time when Mousse T. is starting to make a name for himself as a DJ on a wider stage. Several productions with international greats such as Ziggy Marley, Mezzoforte and Randy Crawford are the consequence. In 1998 the single “Horny” catapults the name “MOUSSE T.” into the international charts and establishes him as a solo artist. In the same year, further productions for musicians including Michael Jackson cause a sensation and bring him a Grammy nomination as “best re-mixer”. One might be forgiven for thinking that Mousse T. would rest on his laurels after such outstanding success. Quite the contrary: His curiosity for experimenting with new musical variations combined with his outstanding creative ability has driven him on. “Of course I feel very proud when I look at my Discography. But success for me is important mainly as a basis on which my further work as an artist can flourish. Apart from that, success is, of course, a great motivation and source of energy so that I can continue to give “more than 100%”.” This creativity and variation can also be seen in his new album “All Nite Madness”. “As far as my music is concerned I try to implement new ideas, and my love of music doesn’t draw a line at any particular musical style. So I try to mix lots of styles and develop interesting new songs and sounds that way.” These thoughts are also the basis for the choice of artists on the new album, which includes Emma Lanford, Kathleen Chaplin, Roachford and Calvin Lynch. Mousse T’s preference for a mixture of styles is clearly evident: “It is obviously important for me that the singers with whom I work have a fantastic voice, but they also have to have their own unmistakeable style. If, over and above that, they are great people, then we can do business.” The fact that MOUSSE T. values people so highly is shown in his effectiveness when working in a team. Regardless of a person’s stature, whether one of the music greats or an unknown musician, if the chemistry is right the cooperation flourishes through humour and enthusiasm and with the degree of discipline necessary for the implementation of creative ideas. During the frenetic phase of a track’s production, MOUSSE T.’s producer side emerges, as he controls from the background. However, the first hearing of new creations takes place in his closest circle, mostly with partner Errol Rennalls, with whom he also writes songs. “Errol and I normally function as the “idea’s man” and the “hook line man”. I often give a certain key word or topic and Errol fills this initial musical framework with meaning.” This perfect synergy can also be found on “All Nite Madness”. Whether you take the first single of the album “Is It ’Cos I’m Cool?“, the soulful “Monotony“, “Turn Me On“ with Kathleen Chaplin’s crystal clear vocals or “Underground“ on which ex-Stranglers frontman Hugh Cornwell lends his voice – the integrity of the creator’s style is evident on every track. The single „Is It’ Cos I’m Cool?“ has already developed into a huge hit in Germany and emphasises once again the enormous potential of MOUSSE T. songs. The LP, released on 5 April 2004 will captivate music lovers of a wide-range of styles. Mousse T. continues to deliver the goods in 2005. Right on time for the release of the ipod Mousse T. Special Edition in early november he will release his new single “Horny As A Dandy” with a new album following in 2006. After a few selected promo-gigs for his ipod Mousse T. will promote the new releases with a long clubtour throughout Europe.

Mousse T.

Mr. V

Over the last few years, Purple Disco Machine has emerged as one of the leading electronic producers of a generation. With over 650 million streams across his catalogue to date he continues to live up to the hype of #2 Beatport Artist of All Time. 2020 proved to be a stand out year. His single ‘Hypnotized’ has been an anthem the world over, accredited triple platinum in Italy, further gold accreditations across Germany, Poland, Switzerland and Austria, and making #2 European Airplay Chart. 2021 will see the release of his sophomore album which follows on from 2017 debut "Soulmatic". This album spawned the Europe-wide radio hit “Devil In Me” and the global club anthem “Body Funk” a feat he continued with "Dished(Male Stripper)" in 2018. Purple Disco Machine is also one of the most in-demand remixers and has worked with high-profile artists Lady Gaga & Ariana Grande, Calvin Harris, Mark Ronson, Dua Lipa, Royal Blood, Sir Elton John, Foals, RÜFÜS DU SOL, Jax Jones, Gorillaz, Fatboy Slim, Two Door Cinema Club, New Order and Claptone among many others.

Purple Disco Machine

Dario D'Attis

Hot Since 82

Yokshire based DJ & Producer.

Knee Deep In Sound

Hot Since 82

Mark Knight

Subb-an is an electronic music artist from Birmingham, UK, known for his dynamic DJ sets that fluidly traverse the spectrum between house and techno, seamlessly blending deep, groove-driven basslines with hypnotic rhythms. His sound is immersive and refined, creating captivating experiences on dancefloors worldwide.

A seasoned performer, Subb-an has left a lasting mark at iconic venues and festivals including Block9 at Glastonbury, Houghton, Sunwaves, and DC10. Recent standout sets at Panorama Bar and Fabric underscore his enduring influence and versatility as an artist.

With releases on respected labels such as One Records, Spectral Sound, and Phonica Records, Subb-an has firmly established himself as a producer of exceptional talent and creative vision. He has collaborated with celebrated artists including Mathew Jonson, Max Cooper, Seth Troxler, Enzo Siragusa, and Tom Trago. His productions have earned widespread support from a diverse roster of tastemakers across the global electronic scene, including Ricardo Villalobos, Sonja Moonear, Midland, Peach, tINI, Saoirse, Job Jobse, Sedef Adasi, Chris Stussy, Priku, Laurent Garnier, Shanti Celeste, Peggy Gou, and Anotr.

Looking ahead, Subb-an is set to release new music on forward-thinking labels including Peach Discs, X-Kalay, Yoyaku, and his own imprint, Sub Series, continuing his evolution as a boundary-pushing force in contemporary electronic music.

Subb-an

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

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Rednail Kidz

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