Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Sadie Walker

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

A leader in  global dance music, Louie Vega has painted an award-winning career from a palette mixed with everything from house, salsa and afro-beat, to jazz, hip hop, gospel and soul.

What distinguishes the Grammy winner and 7-time nominee as one of the best living house music deejays is his ability to evolve alongside the times, distill the current musical landscape through his unique taste and put his own timeless spin on his musical creations.

In 2020, his production team Masters At Work with Kenny Dope Gonzalez will revamp their label Maw Records, and will be releasing their full catalog worldwide via digital and streaming outlets. New Masters At Work Remixes for Dua Lipa (Via The Black Madonna’s Mix Tape), DJ Krust (on Crosstown Rebels), and new productions for the Maw Imprint by The Masters At Work.

Louie Vega has also teamed with The Martinez Brothers for a second single entitled “Let It Go” with Marc Bassy released July 10, 2020 on the titan record label Defected.

In NYC, Vegas' weekly residency night has inspired him to record an album for Nervous Records release coming early 2021 featuring his friends : Robyn, Honey Dijon, Bernard Fowler, Moodymann, Kerri Chandler, Anané, Lisa Fischer, Joe Claussell, Tony Momrelle, Karen Harding, & the super band Unlimited Touch.

Breaking down musical barriers and bringing people together through a love of music has always been Vega’s aim; his contributions continue to positively influence global dance music.


Louie Vega

Josh Butler

Riva Starr

Dario D'Attis

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

"I make music for children. Google me." Dennis Ferrer has been on the forefront of electronic dance music for well over 15 years now, transitioning between styles and influences and keeping it interesting for club-goers and “heads” alike. Making techno & ambient in the 90’s, melodic house in the early 2000’s and reinventing himself again over the past few years, Ferrer has been focusing on a somewhat darker, more techno-influenced sound lately.  The year 2018 marks the return of Dennis Ferrer and his legendary Sunday parties to Blue Marlin Ibiza. The name of the night, ‘Misfits Society’, suits Ferrer perfectly as he’s not big on trying to fit in. Guests include Ferrer’s label mates and artists he’s most inspired by at the moment. Like always, with Dennis Ferrer the best is yet to come, as he shows no signs of slowing down.

Dennis Ferrer

David Penn

Still young but with experiences in the booth and studio well beyond his years, he has a fine array of tools at his disposal. Over the past years, the friendly character has excelled at many different musical styles, often ahead of the curve, but all intrinsically linked in Hux’s own inimitable style in a House to Tech House to Techno vein, all musically accomplished offerings that stir real emotion. Proof of that lies in his varied and vital discography. In 2020 alone he released across a string of top tier labels the likes of Knee Deep In Sound, Hot Haus, Moon Harbour, Repopulate Mars, Muna Musik, We Are The Brave & more. The aforementioned include many club hits and Dj Weapons. Always refusing to stay in one sonic niche for too long, Huxley – whether working solo or with collaborators – switches up his sound, tries new things and colours outside the lines with every new outing. Not afraid of a big hook or slaying bass line, he is an artist who unites a variety of sounds, styles and scenes with ease, and always proves as fun as he is well informed. As a Dj, Huxley is someone as comfortable headlining a vast festival stage as he is holding down a small and sweaty basement. He does so from Africa to Australia and is the sort of selector who always delivers a slick high impact dose of the good stuff. His youthful looks have adorned the pack-shot cover of Spotify’s hugely populated Electronic Rising playlist not once but twice already, showing he has that mass demographic appeal to the new generation of Spotify clubbers that are fanatical about the dance scene just as much as he is himself.

Huxley

В тексте про DJ Sneak есть одно нарушение твоих правил.

Что нужно исправить:

В конце упоминается «All World Entertainment» как букинг-агентство. Согласно твоим правилам, любые контактные данные или информация о заказе артистов (даже если это его собственное агентство) должны быть удалены.

Отредактированный текст:

In 1983, Carlos Sosa pka DJ Sneak, moved to the city of Chicago from The island of Puerto Rico, where his early musical experiences and Influences were rooted in salsa, meringue and famous Latin orchestras. Chicago, like Puerto Rico, is a city rich with musical styles and sounds. It was in Chicago that Sneak found inspiration in underground house music, Warehouse parties and "old school" mix tapes from the early pioneers - Farley Jackmaster Funk, Ralphi Rosario, Steve Hurley and local radio station shows played on WBMX. Sneak earned his nickname rocking designs in the graffiti tagging days and began working at retail stores as an airbrush artist, not long after he cultured the music industry world and began recording his first releases. While at retail stores Sneak developed his DJing skills around the city working regular mobile DJ jobs and local nightclubs. In an already saturated DJ pool, sneak focused on music production and started an independent label - Defiant Records. In 1992, using the fundamental studio pieces, Sneak began recording tracks with an unusual new style. In 1994, while still working at local store Gramophone Records sneak met Cajmere (green velvet) owner of Cajual and Relief Records. Cajmere released some of sneak's pivotal tracks and helped bring international recognition, with it, a global DJing career. In 1995, sneak's new sound revolutionized house music with inspirational sounds and rhythms never heard. The disco filtered house grooves became sneak's signature sound. Innovator to many, sneak's love for music spawned current talents such as Daft Punk, Basement Jaxx, Armand Van Helden. In 1996, Dj Sneak's "You can't hide from your bud" on Derrick Carter's Classic Recordings turn out to be something of a masterpiece, setting a blueprint for many subsequent 'filtered disco' tracks and preceding the wave of funky, disco-influenced house that would prove the massive popularity of Chicago underground music. From 1996 through the present day DJ Sneak is also a veteran on the remix world, with highly expected remixes that drive dance floors across the globe to ecstatic conditions by means of his intense beats and rhythms. After years of development, DJ Sneak is a familiar name across the world's club circuit rocking down the best venues and events. A frequent visitor of Ibiza - the Island of spiritual parties and the Mecca of dance music culture, sneak has played a part in many of events involving the best production teams from England; Ministry of Sound, Cream, Manumission, Miss Money penny's to mention a few. A favorite in the United Kingdom's summer festivals for example Homelands, Creamfields, 'T' in the park in Scotland, Sneak has no mercy on the sound systems and on the scale of exiting DJs to grasp he remains part of the top 100 DJs of the world for 5 consecutive years. Recognized as the disco filter innovator his musical style is diverse from furious banging' Chicago tracks and Latin tribal beats to disco filtered reworks of retro classics with melodic rhythms that suit your soul. In 2001 Sneak launched a new record label 'Magnetic Recordings" where he's releasing all new music, compilations as well as introducing new talents and continue preaching the sound of Chicago House Music. The future bring about new light to DJ Sneak's journey focusing on the development and evolution of electronic music's struggle to be acknowledged as the sound of tomorrow.

DJ Sneak

<Unbenannt>

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Jeder Track wird rein nach seinem musikalischen Wert, seiner Originalität, der Produktionsqualität und danach beurteilt, wie er sich in einem echten DJ-Kontext anfühlt. Wenn der Sound stark ist, gehört er hierher – egal, ob er von einem bekannten Künstler oder einem komplett neuen Namen kommt. Focus Charts sind für DJs und Musikdiggende gemacht, die ihren Ohren mehr vertrauen als ihrem Ruf.

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Die Top 3 Dinge, die Profi-DJs an Musikseiten hassen? Hier sind sie im Überblick. "Text Overlay": Die drei größten Frustrationen

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Unbenannt

Die Verwendung von „Volumo“ in Titeln kann zu irrelevanten Suchergebnissen führen.

Wir, Volumo, sind der Verantwortliche für deine persönlichen Daten, verwenden Cookies, um Inhalte und Werbung zu personalisieren, Social-Media-Funktionen bereitzustellen und unseren Traffic zu analysieren. Wir teilen außerdem Informationen über deine Nutzung unserer Website mit unseren Social-Media-, Werbe- und Analysepartnern, die diese mit weiteren Daten, die du ihnen bereitgestellt hast oder die sie aus deiner Nutzung ihrer Dienste gesammelt haben, kombinieren können.

Du musst die Tracks im Titel nicht nummerieren, sie werden automatisch nummeriert

Es ist möglich, eine Beschwerde bei der Aufsichtsbehörde einzureichen, aber bitte kontaktieren Sie uns zuerst unter {address}. Wir werden unser Bestes tun, um das Problem gemeinsam zu lösen.

Sadie Walker

Übersicht

Top Tracks

Neueste Releases

When I Was Lost, I Found Myself

Back 2 Me

Slap! EP

Genres

Verwandte Künstler