Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Der Musikstore der neuen Generation für Profi-DJs. Lade die neuesten Veröffentlichungen in Elektronik, Dance & House in MP3, WAV, AIFF & FLAC herunter.

Über uns — Volumo

{artists:, :2} - {albumTitle} von {recordlabelTitle} · Preis: {price} · Katalog-Nr. {catalogNumber} · MP3, WAV, AIFF & FLAC · Unbegrenzte Downloads

{albumTitle} von {recordlabelTitle} bei Volumo

{artists:, :2} - {albumTitle} von {recordlabelTitle} bei Volumo

Top {contributorTitle} Tracks, Veröffentlichungen & Alben. Volumo - Elektronische Musik Store der neuen Generation für professionelle DJs. Download MP3, WAV, AIFF & FLAC.

{contributorTitle} Musik-Download bei Volumo

Beste {currentYear} {genres: :1}-Künstler Tracks & Veröffentlichungen {paginationText}. Volumo - Elektronischer Musikstore der neuen Generation für Profi-DJs. Download: MP3, WAV, AIFF & FLAC.

Beste {currentYear} {genres: :1} Künstler Tracks, Veröffentlichungen & Alben bei Volumo - {paginationText}

{chartName} von {author} - Volumo · MP3, WAV, AIFF & FLAC · Unbegrenztes erneutes Herunterladen

{chartName} von {author}

{chartName} von {author} - Volumo

{genreTitle} Musik {genreDescription} {currentYear} Songs, Veröffentlichungen & Alben. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

{genreTitle} {currentYear} Musik-Download bei Volumo

Top {genreTitle} {currentYear}. Beste vorgestellte Veröffentlichungen & Alben {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Top {genreTitle} {currentYear}: Beste Veröffentlichungen & Alben bei Volumo {paginationText}

Exklusive {genreTitle} Musik Songs, Veröffentlichungen & Alben {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Exklusiver {genreTitle} Musik-Download bei Volumo {paginationText}

Musik von {contributorTitle} · MP3, WAV, AIFF & FLAC herunterladen · Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs

Beste {currentYear} {genres: :1} Labels Songs, Veröffentlichungen & Alben {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Bester {currentYear} {genres: :1} Labels Musik-Download bei Volumo {paginationText}

Neueste elektronische, Dance- und House {currentYear} Musik-Downloads {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Neueste elektronische, Dance- und House {currentYear} Musik-Downloads bei Volumo {paginationText}

{artists:, :1} - {trackTitle} von {recordlabelTitle} · Preis: {price} · Unbegrenztes erneutes Herunterladen · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Veröffentlichungsdatum {releaseDate} · MP3, WAV, AIFF & FLAC

{artists:, :1} - {trackTitle} von {recordlabelTitle} bei Volumo

Chris Patrick

Change is inevitable, and nowhere is this more prevalent than in the world of dance music. Analog gives way to digital, trends come and go, yet NYC’s DJ Joeski remains at the top of his game, and now, in the midst of his third decade as one of house music’s most sought-after stars, his momentum shows no signs of slowing.

Joeski’s trajectory can be traced back to 1991, when he burst onto the NYC house music scene as a founding member of The Chocolate Factory DJ collective. He delighted crowds at Limelight, Tunnel, Palladium and NASA, helped turn “Save The Robots” into a NYC afterhours institution and earned his first residency at “Together” parties at the legendary Roxy, playing alongside the likes of Danny Tenaglia, Louie Vega and Roger Sanchez.

Already a fixture on the U.S. and Canadian club circuit,in the late 90’s Joeski added production to his repetoire, building his own recording studio and spending the next few years mastering his craft. In 2000 he burst into the clubs and onto the charts with hit after hit on Electrik Soul, Siesta, Chez and Camouflage, emerging as one of the most sought-after DJs, remixers and producers in the scene.

In 2001 Joeski launched Maya Records, with releases like “Hustler’s Revenge” and his collaboration with DJ Chus on “El Amor” propelling the label onto the forefront of the U.S. house music sound that would become a global phenomenon and win him worldwide acclaim from clubbers and fellow DJs alike.

Demand for his studio skills grew exponentially over the next decade, with Joeski producing and remixing for the likes of NRK, Ministry of Sound, Defected, Bedrock, Nervous, Cajual and KMS ,helping catapult him further into the ranks of the house music elite.

Entering its 16th year, his Maya label continues a steady output of quality material that remain fixtures on the Beatport and Traxsource tech and deep house charts, with a robust release schedule that shows no signs of slowing any time soon.

January 2017 began with Joeski once again hard at work in the studio, teaming up with Harry Romero (as HR+Ski) on “Dem Tings” for Maya, working solo on “Lessons in Dub” for Poker Flat and also releasing the 14th installment in his “Maya Sessions” podcast on Pioneer DJ Radio.

The new music and remixes continued with the release of “Mind Function” on Maya and “Tribute to Obatala” on Crosstown Rebels, dropped by Pete Tong on his BBC Radio 1 show in February.

Joeski’s touring schedule continues to be as prolific as his studio output, headlining clubs from Acapulco to Helsinki plus a booked-out week spent at Miami Music Week 2017. In March all three tracks from “Tribute to Obatala” simultaneously climbed onto Beatport’s Tech House Top 100, with Joeski ending the month as featured artist on John Digweed’s “Transitions” podcast.

New music continued to flow in April including the release of Dancing in Space” on Kinetika and “Deep Elements EP” on Kitball, while “Mind Function” on Maya climbed into the Traxsource Tech House Top-10. Returning home from a tour of Mexico Joeski hit the studio once again, jamming with SF’s legendary Doc Martin on an upcoming collaboration and putting the finishing touches on his next solo Maya release.

This summer Joeski will once again be a fixture on the global tour circuit with performances at both Do Not Sleep and Dennis Ferrer’s Misfits Party in Ibiza, extensive tours of Australia, New Zealand, South America and Europe while back stateside he and Harry Romero continue their monthly Yage night at Brooklyn’s Output.

Fueled by his genuine love of the music, there’s no doubt that Joeski will continue to evolve both behind the decks and in the studio, captivating new generations of club-goers and maintaining his place as one of dance music’s most enduring talents.

Joeski

Supernova. Emiliano “EMIJAY” Nencioni and Giacomo “G.O.D.I.” Godi have shot to fame through their production hits and remixes on labels like their own imprints Lapsus Music, Downtown Underground and Blackboard as well as Defected, Mother Recordings, Elrow Music, 8Bit, Get Physical Music, Moon Harbour, Stereo Productions and more..

Supernova

Still young but with experiences in the booth and studio well beyond his years, he has a fine array of tools at his disposal. Over the past years, the friendly character has excelled at many different musical styles, often ahead of the curve, but all intrinsically linked in Hux’s own inimitable style in a House to Tech House to Techno vein, all musically accomplished offerings that stir real emotion. Proof of that lies in his varied and vital discography. In 2020 alone he released across a string of top tier labels the likes of Knee Deep In Sound, Hot Haus, Moon Harbour, Repopulate Mars, Muna Musik, We Are The Brave & more. The aforementioned include many club hits and Dj Weapons. Always refusing to stay in one sonic niche for too long, Huxley – whether working solo or with collaborators – switches up his sound, tries new things and colours outside the lines with every new outing. Not afraid of a big hook or slaying bass line, he is an artist who unites a variety of sounds, styles and scenes with ease, and always proves as fun as he is well informed. As a Dj, Huxley is someone as comfortable headlining a vast festival stage as he is holding down a small and sweaty basement. He does so from Africa to Australia and is the sort of selector who always delivers a slick high impact dose of the good stuff. His youthful looks have adorned the pack-shot cover of Spotify’s hugely populated Electronic Rising playlist not once but twice already, showing he has that mass demographic appeal to the new generation of Spotify clubbers that are fanatical about the dance scene just as much as he is himself.

Huxley

Pinto (NYC)

IceCreams

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

Miguel Bastida’s (1984, Granada, Spain) career has been steadily going up since he started DJing with only 14 years old, in the local radio station of his hometown, Alhama de Granada.
Nowadays living in Barcelona, Miguel has become one of the most in-demand Spanish artists worldwide, due to his versatility, great musical selection and charisma dominating the dancefloor.

Miguel’s influences initially came from bands as The Prodigy or The Chemical Brothers, and also from harder styles, like hardtechno and breakbeats. Besides, he had one of South Spain’s electronic music strongholds close to home: Industrial Copera. There, DJs as Ben Sims or Cristian Varela left a huge impression on Bastida, who also looked up to artists such as Nathan Fake, James Holden or Alex Under, during the golden years of minimal techno.

Miguel already dominated the mixing craft when he turned 16. After his first nights out, the idea of music production started to come to his mind. Picturing sounds with each song he listened to, Bastida started gathering with friends with the same ideas and taste for music, setting up his first live sets, which finally led to the foundation of his first group: the electronic music band Raíz Electrónica (Electronic Roots). After that, and thanks to his self-taught practice, he managed to dominate his first production software, Reason, changing to Logic afterwards. Today, being his weapon of choice when creating beats. His love for machines is also well known, especially for Moog’s creations and MIDI controllers.

With his family support as mainstay, helping at the family’s business in the morning and focusing on the studio sessions during the afternoon, Miguel was able to dedicate himself to his great passion: the creation of tunes. Music production has been, without a question, what has taken Miguel Bastida where he is today. After years and years of being locked up in the studio, he managed to create his own, exclusive and uncompromised sound, whose turning point came in 2015, with the release of ‘Moudness’, a track that managed to stay up in the Top charts of platforms such as Beatport. Before that, he already managed to knock on the doors of heavyweights as Umek and his 1605 platform. Then Sébastien Leger’s Mistakes Music came, followed by Mark Knight’s Toolroom; Deeperfect; Trapez, elrow Music; Marc Marzenit’s Paradigma Music; Dubfire’s Sci-Tec; and most recently, Suara, demonstrating all the styles he dominates. Today his productions can be found in the selections of artists such as Richie Hawtin, Paco Osuna, Luciano, John Acquaviva or Leger, Dubfire or Umek themselves.

As DJ, Miguel Bastida belongs to the exclusive group of Spanish DJs that has had the chance of touring around the world, presenting his repertoire in almost every country in the planet, from Australia and New Zealand to electronic music strongholds as New York and Chicago. His name can also be found on the line-ups of the world’s best clubs and festivals, managing to convince even the most demanding dancefloors of the scene.

Self-taught and entrepreneur, Bastida’s projects ended up naturally in the creation of his own label, Be One Records, that he manages along two of his childhood friends. Bastida is in charge of the A&R, while his buddies in Berlin and Granada manage design and social networks duties. Recently they created a sub-label, dedicated to support and give a chance to young and upcoming talents of the electronic music scene.

Be it as groove creator, selector or supporter of new talents with his label, Miguel Bastida is a safe bet for any record label, festival or venue that seeks to tear up their dancefloors.

Miguel Bastida

Gene Farris

Eskuche

Pirupa

<Unbenannt>

Albumtitel

Album {title}

Album {title} wurde zurückgezogen

Artwork für {title}

Chart-Titel

Künstler {name} löschen? Dadurch werden alle Alben, Charts, Playlists und sonstigen Inhalte, die über dein Konto verwaltet werden, dauerhaft gelöscht. Musik-Alben, die Volumo gegebenenfalls von anderen Anbietern bereitgestellt wurden, bleiben weiterhin sichtbar und mit dem Künstler-Profil verknüpft, aber du verlierst die Kontrolle über das Profil, bis du es erneut beanspruchst. Diese Aktion ist unwiderruflich, außer du gibst alle Informationen manuell neu ein und lädst alle Dateien erneut hoch. Bist du dir absolut sicher, dass du fortfahren möchtest?

Label {name} löschen? Dadurch werden alle Alben, Charts, Playlists und sonstigen Inhalte, die über dein Konto verwaltet werden, dauerhaft gelöscht. Musik-Alben, die Volumo gegebenenfalls von anderen Anbietern bereitgestellt wurden, bleiben weiterhin sichtbar und mit dem Label-Profil verknüpft, aber du verlierst die Kontrolle über das Profil, bis du es erneut beanspruchst. Diese Aktion ist unwiderruflich, außer du gibst alle Informationen manuell neu ein und lädst alle Dateien erneut hoch. Bist du dir absolut sicher, dass du fortfahren möchtest?

Album {title} bearbeiten

Chart-Titel eingeben

Fehler beim Laden von {title}

Wenn Sie ein Content-Anbieter sind, verlieren Sie auch alle Ihre verifizierten Künstler und Labels. Alle von Nutzern erstellten Inhalte (Alben usw.) werden aus dem Store entfernt und gelöscht. Nicht ausgezahlte Einnahmen gehen ebenfalls verloren.

Wenn Sie Ihr Release exklusiv veröffentlichen möchten – gehen Sie bitte zum {album} und füllen Sie das Feld {exclusive} aus. Die Verwendung von „Exklusiv“ im Titel kann zu irrelevanten Suchergebnissen führen.

Hier sind Volumos teilbare Visuals. Wir wissen, du investierst viel Zeit, um deinen Sound und Stil zu perfektionieren. Deshalb kannst du jetzt im Handumdrehen Promo-Bilder und Videos erstellen. Passe sie nach deinem Geschmack an, lade sie herunter und nutze sie überall – in sozialen Medien oder in deinen eigenen Inhalten.

Es scheint, dass der Titel unnötige Leerzeichen in Klammern enthält. Entfernen?

Es scheint, dass der Titel in Großbuchstaben geschrieben ist. Möchtest du diesen Fehler beheben?

Es sieht so aus, als ob der Albumtitel eine Katalognummer enthält. In das passende Feld verschieben?

Der Track-Titel scheint eine Mix-Versionsnummer zu enthalten. In das entsprechende Feld verschieben?

Name

Gehe als Nächstes zu deinem Playlist-Bereich und erstelle eine neue Playlist. Gib deiner Playlist zuerst einen Titel. Das kann entweder der endgültige Titel sein oder nur ein vorläufiger. Dann klicke auf "Playlist erstellen."

Sobald deine Playlist fertig ist, gehe zu "Meine Playlists". Dort kannst du ein Cover hochladen, deinen Chart umbenennen und eine Beschreibung über dich, deinen Stil oder das gewünschte Feeling hinzufügen. Außerdem kannst du die Reihenfolge der Tracks ändern.

Pause {title}

{title} abspielen

Playlist-Titel

Bereit zum Teilen? Klicke auf die drei Punkte neben deiner Playlist und wähle "Als Chart veröffentlichen" aus. Vergib eine einprägsame Beschreibung, wähle das Cover-Bild aus und voilà – dein Ranking ist online!

Regelmäßige Updates über Inhalte auf Volumo

Verkaufsbenachrichtigungen (für Inhalt-Anbieter)

Wähle den Künstlernamen oder den Label-Titel, der im Chart-Autorenfeld angezeigt werden soll

Tracktitel anzeigen

Geben Sie einen Chart- oder Tracktitel oder den Namen eines Künstlers oder Labels ein, um Ergebnisse zu sehen.

Beginne, einen Ländernamen einzugeben, um Ergebnisse zu sehen

Beginne einen Genre-Titel einzugeben, um Ergebnisse zu sehen

Geben Sie einen Track- oder Albumtitel oder den Namen eines Künstlers oder Labels ein, um Ergebnisse zu sehen.

Stopp {title}

Das Album {title} wurde gelöscht

Die ersten 24 Stunden nach dem Drop deines Tracks sind absolut entscheidend – dann beobachtet der Algorithmus dich. Egal ob auf Volumo, YouTube oder Instagram: Das erste Hoch an Plays, Speicherungen, Teilungen und Interaktionen signalisiert der Plattform, dass es sich lohnt, gepusht zu werden. Wenn du sofort Fans, Freunde und dein Netzwerk mobilisierst, hast du bessere Chancen, in algorithmischen Playlists zu landen oder mehr Sichtbarkeit zu bekommen. Also lade nicht einfach nur hoch und lehne dich zurück – halte Content bereit, informiere deine Mailingliste und sei in den Kommentaren aktiv. Dieser erste Tag gibt die Richtung für den gesamten Release-Zyklus vor.

Der Titel enthält den Namen des Künstlers. Du musst den Namen des Künstlers nicht zum Titel hinzufügen, er wird automatisch ergänzt.

Titel

Die Top 3 Dinge, die Profi-DJs an Musikseiten hassen? Hier sind sie im Überblick. "Text Overlay": Die drei größten Frustrationen

Tracktitel

Track {title}

Track {trackTitle} kann nur als Teil des Albums {albumTitle} gekauft werden.

Track {trackTitle} aus der Playlist {playlistName} entfernt

Album {title} zurückziehen? Danach muss das Album vor der Veröffentlichung erneut moderiert werden.

Unbenannt

Die Verwendung von „Volumo“ in Titeln kann zu irrelevanten Suchergebnissen führen.

Wir, Volumo, sind der Verantwortliche für deine persönlichen Daten, verwenden Cookies, um Inhalte und Werbung zu personalisieren, Social-Media-Funktionen bereitzustellen und unseren Traffic zu analysieren. Wir teilen außerdem Informationen über deine Nutzung unserer Website mit unseren Social-Media-, Werbe- und Analysepartnern, die diese mit weiteren Daten, die du ihnen bereitgestellt hast oder die sie aus deiner Nutzung ihrer Dienste gesammelt haben, kombinieren können.

Du musst die Tracks im Titel nicht nummerieren, sie werden automatisch nummeriert

Es ist möglich, eine Beschwerde bei der Aufsichtsbehörde einzureichen, aber bitte kontaktieren Sie uns zuerst unter {address}. Wir werden unser Bestes tun, um das Problem gemeinsam zu lösen.

Chris Patrick

Übersicht

Top Tracks

Top Releases

Forever Anyway: The Remixes

GCR x NAACP

GCR Stimulus Pack

Genres

Verwandte Künstler