Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Lessismore

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

wAFF

Carlo Lio

Danny Serrano

Yousef is a man firmly in control of his imminent destiny. Having been at the forefront of dance music fan’s attentions across the globe since the latter stages of the last century, he’s an artist that continues to evolve and develop with consummate ease. New sounds, new developments and new frontiers; they all remain an instrumental part of his thrust forward as one the planet’s leading underground House music tastemakers.As a producer he continues to smash preconceptions about not only his style but the wider spectrum of House and Techno as well. Recently he’s gifted his beats to an ever expanding cluster of the most revered and respected imprints in the business, be them Carl Cox’s Intec, Nick Curly’s Cecille, Nic Fanciuilli’s Saved, the effervescent Monique Musique and of course Sven Vath’s timeless label Cocoon which released ‘Come Home’, Yousef’s stunning piece de resistance.He’s recently finished his second full artist album, adding a series of more musically focused tracks to his resume alongside the serious (self penned) emotive vocal moments and of course many dance floor workouts (currently getting endless love from Loco Dice, Magda, Nic Fancuilli, Carl Cox, Guti and Uner). Coming soon is a developing live concept that redefines how electronic music is experienced.That keen ear is also set to see a return to global radio in the near future.Yousef’s record label “Circus Recordings” has had an excellent year, releasing tracks From Sven Vath, Four Tet, Gilles Peterson, Santos & Yousef himself, as well as signing a killer single from one of the dominant forces in Yousef’s career DJ Sneak. Alongside the kingpins of electronic music it is also pushing the next generation with Maher Daniel, Tom Flynn, Yostek and Doomwork and Acid Mondays, the latter discovered by Yousef.And the what of the club-night that the label adorns the name of? Circus continues to dominate UK clubbing with its stunning ensembles of talent month after month. Whether going solo or doing parties with Planet E, Cocoon or BBC Radio One for the historic 500th Essential Mix, they’ve always got the mixture of established and the soon to be huge perfectly balanced. Sven Vath, Carl Cox, Ritchie Hawtin, Loco Dice, Luciano, Ricardo Vilalobos, Laurent Garnier (DJ & Live), Carl Craig and Adam Beyer are among those representing the former, whilst they can lay claim to being among the very first to champion the likes of Seth Troxler, Maya Jane Coles and Resident Advisor’s No 1 DJ Jamie Jones.It’s exalted company that Yousef is more than comfortable alongside. Recent key gigs on home soil at the Warehouse Project, Global Gathering and now a Circus London regular at the new Egg where his kaleidoscopic approach to house will be part of the re-shape of what is an incredible venue. His European pedigree continues with strong followings across the continent - Fabrik in Madrid, Kristal in Bucharest, and further shows in Helsinki, Italy or his new residency with Duel Beat in Napoli attest to this.He also continues to etch his name in the folklore of South American clubbing with stops in Argentina, Chile and Brazil, the latter boasting D-Edge and Warung as Yousef destinations. Ultra Music continues to take electronic music festivals to a whole new dimension and their support for Yousef has seen appearances at their events in Miami, Sao Paulo, Warsaw and Seoul. An unprecedented five- week tour of Asia, Australia and New Zealand was a highlight of the latter stages of last year maintained his deity status of that part of the world. And of course he enjoys a similar reverence at dance music’s centre piece, Ibiza.Ever since he first travelled there as a starry eyed dance music fanatic in the late nineties Yousef has had a very special relationship with the white isle, having lived there intermittently during that time and DJed consistently there since 1998. He still enjoys a gloriously fruitful residency with Carl Cox and his Ibiza’s number 1 club event “Revolution” parties on Tuesdays at Space, with further appearances at DC- 10’s Circo Loco event throughout the summerHis style remains perfectly emblematic of the dance floor dexterity needed in the modern clubspace, bringing the seductive groove and swing of classic house just as readily as the energy of techno, all along maintaining the vibe of authentic dj over 3 decks without a computer in sight. Whether delivering hedonistic immediacy or crafting extended sets riddled with subtlety, Yousef is both technically and musically peerless in his field, one of the globe’s finest exponents of a four-four beat.A 21st century artist in scope, sound and stance, his lust for electronic music as a producer, promoter, DJ, record label owner and music enthusiast is stronger than ever. His efforts are thoughtful and considered and all approached with meaning; Yousef is there to educate as well as entertain. There are few who balance musical maturity with an exciting creative edge, and it’s the experience informed from his illustrious past combining with the forward thinking surge to the future that makes his musical manoeuvres so irresistibly potent. The man remains an unstoppable juggernaut of electronica.

Yousef

Steve held a residency for 9 years at Space, Ibiza, earning himself the title ‘King of Space’. He had similar success stories with residencies at The End, Cream, Home and more.

VIVa Warriors is most well-known for being the flagship night of Sankeys Ibiza from 2012-2016. The party pulled in huge names like Eats Everything, Skream, Derrick Carter, Groove Armada, Pete Tong and Hot Since 82. Steve is also a regular in Ibiza for the likes of Ants/Paradise/Elrow, not to mention he plays at some of the World’s biggest festivals; Lovebox, Ultra, Resistance, Mandarine Park, Eastern Electrics, Creamfields, Parklife, Hideout &  more.

Steve’s incredible career became the subject of a dance music documentary, ‘The Art Of The DJ’, describing Steve's ascent through dance music’s formative stages, before reaching his current status.

Steve Lawler

Ronnie Spiteri is not your cliché “I’ve been in love with music since the age of 5” DJ… he was closer to 7. From his dad’s rave tape shop on the South Coast of England to playing the decks in Australia, America, Ibiza and beyond.

Ronnie’s chugging basslines, melodic hooks and unique approach to electronic dance music, combined with his Southampton lad charm, think ‘Oi oi mush’ – has helped him bridge the gap between house and techno. He’s a DJ, producer, label boss and experienced crowd surfer (no, really), releasing music since 2014 – some would say a jack of all trade, raver at heart. Kenja Records, his label, has firmly rooted itself as a provider of quality thumping cuts, becoming well established across releases and events over the last seven years.

His authenticity is proven by successful releases on labels such as Knee Deep in Sound, Kenja Records, and We Are The Brave to Circus Recordings and more.

With performances at Do Not Sleep Amnesia Ibiza to Elrow in the Park, Abode Festival and ADE. Spiteri’s capabilities are endless when uniting people over good vibes and unique tunes.

2022 saw Ronnie feature in Magnetic Mag “Best in Techno”, release new songs, including False Love, hold monthly spots for half a year in Bournemouth with Kenja records, prepare for his third album, and make plans to head to India, Australia, South & Central America and more. Opening doors across the globe for now and in the future.

Ronnie Spiteri

DJ and composer in the electronic music scene, Paul Ursin grew up immersed in music from a young age. He blends the warm sounds of the past with futuristic elements, creating dark and dramatic sonic journeys that ignite the dancefloor.

His productions have caught the attention of leading DJs worldwide, and he has released music on Solomun’s Diynamic Music and other major labels. His first official release came in 2006 with a remix for Simple Minds on the album Different Worlds, followed in 2008 by a remix for Danny Tenaglia on the historic label Tribal America.

Paul Ursin’s tracks have been played by renowned DJs including Solomun, Pete Tong, Mousse T, Carl Cox, Adam Bayer, and Kölsch, across international clubs and radios. He has performed in Brazil, France, Germany, Egypt, Italy, Russia, Spain, Canada, Turkey, Bosnia and Herzegovina, at venues such as Sisyphos and Katerblau in Berlin, and in cities like Barcelona, Sarajevo, Paris, Montreal, Milan, and Istanbul.

No doubt, the world will remember the name Paul Ursin — a creative and eclectic artist whose performances continue to captivate audiences everywhere.

Paul Ursin

Kydus

M.F.S: Observatory

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