Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Pokstaller

Every artist leaves a mark, and Mihai Popoviciu’s is unmistakable. For almost two decades, the Romanian producer and DJ has crafted a signature style—deep, hypnotic grooves, pinpoint precision, and an energy that commands the dancefloor.
Growing up in Sibiu (Romania), a city far removed from Europe’s electronic epicenters, Mihai’s passion for house and techno was born in isolation. The ‘90s saw London, Berlin, and Ibiza booming with dance music, while he was left scavenging for whatever sounds he could find. “We’d record German TV shows onto cassette and play them on repeat,” he recalls.

With no club scene in sight, Mihai’s DJ dreams seemed like a long shot. “I couldn’t DJ because there were no clubs,” he laughs. But software was within reach, so he made music. Refining his sound track after track, in 2005, his music found a home on International Deejay Gigolo. From there, he became a fixture on labels like Highgrade, Poker Flat, Bondage Music, Berg Audio, and his own imprint, Cyclic, founded in 2012.

Patience and persistence paid off. Once purely a producer, Mihai soon stepped behind the decks, learning the art of DJing on borrowed turntables. His transition from the studio to the club was seamless. Soon, the world took notice. Over the past decade, Mihai Popoviciu has solidified his status as a leading figure in the electronic music scene. Now, his name graces the lineups of the most revered clubs and festivals worldwide.

Mihai’s mission is simple: to share the joy and energy that fuel his passion. “Seeing people dance, smile, and lose themselves in the music—that’s what it’s all about.”

Whether commanding an underground club or a festival stage, Mihai’s sound remains unmistakable. “He had it from the start,” says friend and agent Benny Grauer. “You always know when it’s Mihai. And it’s always on point.”


Instagram: https://www.instagram.com/mihai_popoviciu
Facebook: https://www.facebook.com/mihai.popoviciu
SoundCloud: https://soundcloud.com/mihai-popoviciu-1
Booking: Benny Grauer - Still Hot Berlin,  booking@stillhotberlin.com

Mihai Popoviciu

I make House Music and I bloody love an afterparty.

Dale Howard

Sabb

Bringing his African ethnic roots together with his good Italian taste, Tamango Records boss Yaya is one of the hottest names in the electronic music scene. Yaya grew up in Turin, where the tunes of his father - percussionist and leading voice of the “M’bamina” ensemble - helped him to discover his inner sense of rhythm, thus starting his relationship with music at an early age and performing as a drummer around the city. Since joining the mighty Desolat family back in 2009, he never stopped moving between the biggest meccas of European electronic music, playing at the best clubs and festivals from all over the world. Besides his unique DJ sets, Yaya is also a prolific producer: after releasing on some of the most respected underground labels, he went on and in 2016 founded his own imprint Tamango Records which has seen names from the likes of Loco Dice, Enzo Siragusa, Cuartero, Manda Moor, Mason Collective, Fleur Shore, Sidney Charles, Toman, Rich NxT and S.A.M. to name a few.

Yaya

Miguel Lobo

Labels:

The SoundGarden

Einmusika

Mango Alley

Tale & Tone

Hoomidaas

Where The Heart Is

Sounds Of Sirin

Circle Of Life

Truesounds Music

Zenebona

Everything Will Be Ok

SOSO

Ritterbutzke

Lost Diaries

and more...

In the early 90’s Peter falls in love with electronic music as escapism from his troubled and abusive childhood. Underground electronic music was new, exciting and Peter’s rebellious soul was soon captivated. His love for music has been constant ever since.

Headphones and listening excessively to loud music not only served its purpose of exclusion from the world, but this was the beginning of his musical journey. After listening to single tracks, he soon moved on to DJ sets, as the long journeys and the artistic freedom that characterized these were something he could strongly relate to.

This was when he started his vast and multi-genre vinyl collection and soon after moved on to playing and mixing these. He found extreme joy in music and started to build his own world which orbited around it. Mixing different genres was euphoric, he became a fanatic collector and a passionate disc jockey.

His sets are reflections of his current state of mind and he often improvises when in the booth to spice it up. He is always lost in the moment and instantly connects with the crowd. The music is a manifestation of Peter’s emotions.

He favors extended sets, relishing the chance to truly exhibit his talent and deliver captivating mixes across a spectrum of house music genres. He's a versatile house DJ, adept at navigating various styles within the genre. His preference leans towards emotionally charged yet dynamic house music, seamlessly blending deep house, progressive house, and organic house. Occasionally, he infuses melodic elements to sustain the dancefloor's energy.

He has dedicated over 20 years of his life to electronic music and as a result, now manages three labels plus the Truesounds Music Promotion and Management. Hard work finally paid off.

He is more of a DJ but recently started to focus on production as well. His own releases are created in collaboration with co-producers and sounds engineers.

Connecting with people and creating long-lasting memories is what really makes him tick. The DJ booth is his true home

Peter Makto

The Italian electronic scene has been bubbling ferociously lately with some incredible talent and none more so than Turin based Luigi Rocca. The self-made producer and global travelling DJ also runs 303Lovers alongside Manuel De La Mare and Federico Buratti. An international DJ in his own right Luigi has managed to forge a successful career circumnavigating the world performing at some of the planets most renowned and best-loved parties, where his unrivalled dexterity behind the CDJs has led to repeat bookings throughout Europe, Asia, Australia, North and South America.When the likes of Jamie Jones, Richie Hawtin, John Acquaviva, Dubfire, Tiësto, Bob Sinclar and the notoriously impenetrable territory of Chilean megastar Ricardo Villalobos have all supported your music, it is perhaps fair to say that your sound is something of a mystifying one to pigeonhole. In the case of Luigi Rocca that is exactly the problem many have had when attempting to label his myriad of releases from over the years. With a back catalogue that stretches well beyond 200 releases, Luigi (also known as Marshall) has managed to reach virtually every corner of the electronic musical spectrum that is humanly possible.Undeterred by his lifelong drive to fuse the elements of house and techno, Luigi has spent the past 10 years pushing his sound direct from his studio in Turin to dancefloors all around the world. It was this dedication, forged with a comparable high-spirited passion of Manuel De La Mare and Federico Buratti, which led to the formation of the trios chart topping imprint 303Lovers. An acting co-owner with Federico and Manuel, Luigi finds time not only to pursue his own musical drives but also expand those of both future and established talent through the ever growing reach of this recording imprint.

Luigi Rocca

Having mastered the art of modern production, Belgium’s Olivier Grégoire has become one of

the world’s most renowned dance music artists, with a bevy of high-profile releases under his

various pseudonyms. You may know him as Kolombo, the house player with a discography that

charts esteemed imprints like Kompakt, Turbo, Diynamic, Noir Music, Suara, Snatch!, Sweat

and most recently Dirtybird, with the summer 2018 single “It’s Gettin’ Hot.” Though he’s also

made waves as the LouLou Players with his partner Jerome. Together they’ve toured the world,

and launched the LouLou Records imprint, a house label with several releases from Kolombo

and the Players.

With shows at Belgium’s Tomorrowland, all across America, in Russia, Australia, and in the hip

party capital of Berlin, the past few years have seen Kolombo’s star continue to rise as a DJ

almost everywhere. But especially in South America, where he regularly plays major festivals

and clubs.

Last but certainly not least, Grégoire is also part of the highly touted Mugwump outfit, a leftfield

house duo launched with Belgian dance music pioneer Geoffroy Mugwump in 2008. Together,

their recordings have landed on electronic music’s most discerning labels, including DJ Hell’s

Gigolo, as well as Kompakt, R&S, Cocoon, !K7, Throne Of Blood, Misericord, International Feel, Permanent Vacation and Endless Flight.

Kolombo

"A full pelt wavering between tribal moments,& more modest slabs of Detroit-inspired soul.

The crowd respond at every turn." - Steve McLay, DJ MAG

Always sitting slightly off-centre, Jay Tripwire is an artist that walks the line as industry staple and ever changing innovator,

releasing one standout release after another.

His signature fusion of deep Detroit textures and intricate rhythms has led a career spanning two decades,

with over 200 vinyl releases, 2 commercial mixed cd compilations, and four full length albums.

He remains one of the most prolific artists around, with an average of 15 releases per year.

He is an always an in demand remixer he averages 10-15 remixes per year.

In 2010 Jay Was honoured by being named by Future Music alongside Frankie Knuckles, Larry Heard, Charles Webster,

Atjazz, and Tom Middleton as being one of the most influentual Innovators in house music for “The thoughtful minimal stylings of Jay Tripwire.”

Most recently he’s completed a compilation mix for Steve Bug’s respected label Pokerflat –

‘Shaping Elements Vol.8’ which features a blend of deep house ranging from

Detroit inspired textures to modern European house and tech house fusions,

blurring genrefication. This follows releases on the label under his 8Channels name - a project that melds basic channel,

cosmic soul and dub into a new hybrid soundscape of techno, deep house and dub.

The moniker also appears on other highly regarded labels such as Ransom Note, Conya, NRK, Cinematic and Hallucination.

Whilst the term ‘legendary’ is often bandied about with little thought,

in Jay’s case we could say just that - his personal arsenal of re-edits and comfort in arranging extended DJ sets lasting eight hours or

more certainly demonstrates a talent that deviates from standard fare.

Jay also still supports,buys and plays vinyl, and actively seeks out records to play at gigs, when Tripwire is on the decks he plays a vinyl

and CD set.

Jay has made appearances in over 200 cities worldwide, and some of his most memorable gigs have been a decade of bookings at

Fabric London- a venue that has changed his approach to Djing, and production sound.

Jay’s work has been featured on numerous compilations, notably from Cocoon, Fabric, Renaissance, Journeys by DJ, Ultra & Bedrock,

and is supported by a diverse spectrum of dance culture from house luminaries

such as, Doc Martin and Kerri Chandler to techno legends Steve Bug and Laurent Garnier and John Digweed

With anticipated releases and remixes imminent, the Tripwire production wheel is still very much in motion,

and on its way to a turntable near you.

Jay Tripwire

Fickry

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Focus Charts sind kuratierte Selektionen, handverlesen vom Volumo-Kurationsteam, mit einer klaren Priorität: der Qualität des Sounds selbst. Diese Charts werden nicht von großen Künstlernamen, berühmten Labels oder Industrie-Hype getrieben. Jeder Track wird rein nach seinem musikalischen Wert, seiner Originalität, der Produktionsqualität und danach bewertet, wie er sich in einem echten DJ-Kontext anfühlt. Wenn der Sound stark ist, gehört er hierher – egal, ob er von einem bekannten Künstler oder einem komplett neuen Namen kommt. Focus Charts sind für DJs und Musik-Digger gemacht, die ihren Ohren mehr vertrauen als ihrem Ruf. Das ist ein Raum, in dem aufstrebende Producer ganz selbstverständlich neben etablierten Künstlern stehen und Underground-Releases die gleiche Aufmerksamkeit bekommen wie Tracks von Major-Labels. Wenn du nach frischer elektronischer Musik suchst, Hidden Gems entdeckst oder neue Richtungen innerhalb von Techno, House, Minimal und verwandten Genres erkundest, bieten dir Focus Charts auf Volumo ein sorgfältig kuratiertes Hör- und Download-Erlebnis – gemacht für DJs, die Sound an erste Stelle setzen.

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Der Titel enthält den Namen des Künstlers. Du musst den Namen des Künstlers nicht zum Titel hinzufügen, er wird automatisch ergänzt.

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Die Top 3 Dinge, die Profi-DJs an Musikseiten hassen? Hier sind sie im Überblick. "Text Overlay": Die drei größten Frustrationen

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