Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Volumo - Der Musikstore der neuen Generation für Profi-DJs. Lade die neuesten Veröffentlichungen in Elektronik, Dance & House in MP3, WAV, AIFF & FLAC herunter.

Über uns — Volumo

{artists:, :2} - {albumTitle} von {recordlabelTitle} · Preis: {price} · Katalog-Nr. {catalogNumber} · MP3, WAV, AIFF & FLAC · Unbegrenzte Downloads

{albumTitle} von {recordlabelTitle} bei Volumo

{artists:, :2} - {albumTitle} von {recordlabelTitle} bei Volumo

Top {contributorTitle} Tracks, Veröffentlichungen & Alben. Volumo - Elektronische Musik Store der neuen Generation für professionelle DJs. Download MP3, WAV, AIFF & FLAC.

{contributorTitle} Musik-Download bei Volumo

Beste {currentYear} {genres: :1}-Künstler Tracks & Veröffentlichungen {paginationText}. Volumo - Elektronischer Musikstore der neuen Generation für Profi-DJs. Download: MP3, WAV, AIFF & FLAC.

Beste {currentYear} {genres: :1} Künstler Tracks, Veröffentlichungen & Alben bei Volumo - {paginationText}

{chartName} von {author} - Volumo · MP3, WAV, AIFF & FLAC · Unbegrenztes erneutes Herunterladen

{chartName} von {author}

{chartName} von {author} - Volumo

{genreTitle} Musik {genreDescription} {currentYear} Songs, Veröffentlichungen & Alben. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

{genreTitle} {currentYear} Musik-Download bei Volumo

Top {genreTitle} {currentYear}. Beste vorgestellte Veröffentlichungen & Alben {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Top {genreTitle} {currentYear}: Beste Veröffentlichungen & Alben bei Volumo {paginationText}

Exklusive {genreTitle} Musik Songs, Veröffentlichungen & Alben {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Exklusiver {genreTitle} Musik-Download bei Volumo {paginationText}

Musik von {contributorTitle} · MP3, WAV, AIFF & FLAC herunterladen · Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs

Beste {currentYear} {genres: :1} Labels Songs, Veröffentlichungen & Alben {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Bester {currentYear} {genres: :1} Labels Musik-Download bei Volumo {paginationText}

Neueste elektronische, Dance- und House {currentYear} Musik-Downloads {paginationText}. Volumo - Elektronik-Musik-Shop der neuen Generation für professionelle DJs. MP3, WAV, AIFF & FLAC herunterladen.

Neueste elektronische, Dance- und House {currentYear} Musik-Downloads bei Volumo {paginationText}

{artists:, :1} - {trackTitle} von {recordlabelTitle} · Preis: {price} · Unbegrenztes erneutes Herunterladen · {catalogNumber} · {genres:, :3} · {bpm} · {keysign} · Veröffentlichungsdatum {releaseDate} · MP3, WAV, AIFF & FLAC

{artists:, :1} - {trackTitle} von {recordlabelTitle} bei Volumo

Ficho 1

Crazibiza

Rio Dela Duna

DJ and Electronic Music Producer and remixer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music. His Music style is a delicious blend of Organic House, warm and intense with a vital and deep Tribal essence that fuses naturally with melodic and evolving sounds, percussion rhythms, and drums. A long-haul career based on his self-taught character and his constant defence of musical quality has turned him into one of the industry's most respected DJs. He is hailed worldwide for his excellent production works, including official remixes for world-renowned artists. 
His evolution throughout the past years has led him to the pinnacle of the global music scene. All these years of hard work, absolute dedication, undisputed professionalism, and a constant evolution in sounds have led him to the summit of success. Chus's strength resides in his charisma and the unique and pure way he chooses to engage with people. 
Chus represents an invaluable legacy of sound, where his blend of styles is his dogma and the quality of his message. 
Redolent Music is his most recent project, a new independent record label, event producer, management agency, and lifestyle concept whose purpose is to cater to the evolving music industry and develop emerging talent.

DJ Chus

Ceballos

Wally Lopez

DJ PP

Ferreck Dawn is all about the drums. They have to be heavy and physical to get his dance floors full, while the vocal details bring the all-important heart and soul. After many years in the game, this signature sound is what the Dutchman is recognised for around the world. It has taken him to every major club and festival, and to labels like Defected & Repopulate Mars.

Ferreck rang in 2023 to a sold out Printworks London alongside Nic Fanciuli for Defected, 2022 was his busiest year to date with a sold out Australia tour, his South America debut and some massive US shows including Brooklyn Mirage and Space Miami.

With some amazing releases coming this year including collaborations with Catz'N Dogz, Todd Terry and Meduza, he continues to flourish with his productions. Spotify numbers continue to grow in their millions and he has built a loyal following on his weekly radio show. 2023 will also see the launch of his own label and club night.

Ferreck Dawn

The tale of Danny Tenaglia's love affair with music, and the world's subsequent romance with him, is one of the critical veins in the body of dance music. He is every dancer's secret discovery; a random purchase at the record store, a reluctant night out that unexpectedly turned magic. Explosive success came not behind a major label release, or a world tour, or a radio hit remix: It happened when enough people had the private Tenaglia experience for themselves.

The momentum started building in early '70s New York, when a barely 10-year-old Danny first got the feel of vinyl in his hands. Enthralled by the music of artists like Philly Soul's The Trammps, Motown's Marvin Gaye, African trumpeter Hugh Masekela, and disco producer Giorgio Moroder, he started to collect records, plumbing the depths of each one, and frequently finding that he preferred the B-side to the A. It was 1979 when he discovered legendary nightclub Paradise Garage, where DJ Larry Levan's rich, genre-less blend of music seemed to mirror his own "no boundaries" policy. It was here where Danny found the club model he would one day emulate: Levan's bold style, the venue's plain décor, and the party's warmth and inclusiveness.

Danny left New York in 1985 and launched a successful DJ-ing career in Miami as a resident at Cheers nightclub. There he schooled the locals in classic New York and Chicago house, but five years later he returned home, tired of only playing other people's music. He started to assemble an impressive roster of remixes, including Right Said Fred's "I'm Too Sexy" (1991), Jamiroquai's "Emergency on Planet Earth" (1993), and Madonna's "Human Nature" (1994). But his first epic was The Daou's "Surrender Yourself" (1993): With the kick in the bass and the underlying rhythm as the foundation, Tenaglia blanketed Vanessa Daou's wispy vocal with grand, thick chords, a combination of classic groove and modern club-ready depth that was, at the time, entirely new. The title of his 1995 debut artist album on New York's Tribal Records described it perfectly: Hard & Soul. But even if the cocktail was his own, Tenaglia never hesitated to declare how heavily his influences weighed in his productions - everyone from Patti LaBelle to Kraftwerk, with countless lesser-known Soul, R&B, Latin, Samba, and Disco artists in between.

In 1996, after a brief stint at New York superclub Roxy, Danny landed a Saturday night residency at white-hot Twilo, a position that upped his profile but didn't satisfy his expanding artistry as a DJ and producer. While New York swooned for big-room diva anthems, Danny was turning his ear toward the more minimal, tech-y grooves originating in European production studios. This period produced solid remixes like Grace's "Not Over Yet" (1996) and Janet Jackson's "The Pleasure Principle" (1996), but by the time he moved to Tunnel in 1998, Danny had already created "Elements," an instant classic that caused the dance scene's collective jaw to drop. With his own warped voice providing the narration, "Elements" (one track off full-length Tourism) walked the listener through the different components of a dance track in real time, going from kick to drum loop to snare hit, letting each layer over the other until the track exploded with dark, drum-heavy energy. Next to ostentatious radio anthems, its simplicity was a revelation.

It was around this time that the murmurs started to get louder: Who is this Danny Tenaglia, and just what does he do to people? Clubbers reported seemingly inhuman mixing capabilities, booth-to-floor telepathy, and the grittiest "modern yet classic" grooves they had ever heard come out of a speaker. A trio of label compilations - Mix This Pussy (1994) and Can Your Pussy Do The Dog? (1995) for Tribal, and Gag Me With A Tune (1996) for Maxi - were the first Tenaglia sets clued-in clubbers could take home to dissect, but the release of his first installment in the UK-based Global Underground series of DJ mixes, titled Athens (2000), lit the international fire. Athens (meant to reflect the set he played at the Greek capital's club King Size) remains one of the darkest, strangest, sexiest sets ever released, and its tame cover photo of a gentle-looking man in a Yankee cap just didn't seem to fit. DJ dates across Europe dispelled the mystery and started the spread of the infectious Tenaglia fever.

Back in New York, Tenaglia was tiring of the cavernous gloom of Tunnel and longed for a weekly home that better resembled where the DJ bug first bit him - the Paradise Garage. He landed at Vinyl, a black-walled, single-environment, no-liquor club about one-quarter the size of Tunnel. He named the night "Be Yourself," after the self-affirming, heavy-bottomed vocal track he had recently recorded with Chicago's Celeda. And he took the name to heart: Without the pressure of bar minimums or an expectant crowd, Tenaglia spread his DJ wings. Next to new tracks by young producers like Rui Da Silva, Peace Division, and Saeed & Palash, he played the artists of his youth, with nary a beat dropped. If he wanted to launch into a two-hour set of straight-up techno, he did. If he wanted to play old Michael Jackson records, he did. If he wanted to get on the mic and tell the crowd the name of the sound he was about to play, or who next week's guest opening DJ would be, or just give everyone a "verbal handshake" to welcome them to the club, he did. And a city tired of drama embraced the barebones, music-centered night.

The world caught up to Tenaglia in 2000. His annual party during Miami's Winter Music Conference outgrew its home at the cramped Groovejet and moved to just-opened superclub Space. DJ giants like Carl Cox danced on top of the speakers with the Deep Dish boys, Fatboy Slim mingled on the patio, and for a day the ego inherent to DJ culture evaporated: Tenaglia was hailed as the undisputed king, the "DJ's DJ." His roof-raising revamp of Green Velvet's "Flash" won "Best Remix" at the UK's Muzik Awards, where he was also awarded the "Best International DJ" prize.

In the two years that followed, Tenaglia released another Global Underground installment (London); toured the world, took the party island of Ibiza by storm, remixed Billy Nichols' "Give Your Body Up To The Music" (a Garage anthem); got nominated for a Grammy (for his remix of Depeche Mode's "I Feel Loved," also nominated for Best Dance Song); returned to Twilo for two special gigs - a President's Day marathon with Carl Cox that shattered all its attendance records, and the club's sixth anniversary party with John Digweed, which turned out to be even more meaningful than it seemed at the time (Twilo was shut down permanently a week later); graced the cover of every major dance music magazine; and won a Dancestar Lifetime Achievement award... all while keeping Be Yourself buzzing every Friday.

In 2003, Danny came full circle with the release of Choice: A Collection Of Classics, a two-CD mixed compilation that let him pay direct tribute to many of the artists who had influenced his sound and style. It featured everyone from Blaze to Adeva to Imagination, as well as hefty liner notes explaining the significance of each track, penned by the man himself. He also remixed another Garage classic (Yoko Ono's "Walking On Thin Ice," which became her first Billboard number one ever), opened another Space during Winter Music Conference (the new location down the block), and took another Dancestar award, this time "Best Party" for Be Yourself.

Be Yourself took the same honor again in 2004, but this time the win was bittersweet. At the time of the ceremony, Vinyl, now called Arc, had already been sold to developers. Danny closed the classic club on Sunday, April 25, 2004, with an emotional set that lasted well into Monday afternoon, and culminated with his mix of Kings Of Tomorrow's paean to unending love, "Finally."

And as in every year since his DJ odyssey began, all across the globe, from Acapulco to Tokyo, more people experienced their first night with Danny Tenaglia, that clubber rite-of-passage that forever changes how you listen to music, go out to nightclubs, and think about DJs.

Danny Tenaglia

Dario Nunez

DJ Pippi

<Unbenannt>

Albumtitel

Album {title}

Album {title} wurde zurückgezogen

Artwork für {title}

Chart-Titel

Künstler {name} löschen? Dadurch werden alle Alben, Charts, Playlists und sonstigen Inhalte, die über dein Konto verwaltet werden, dauerhaft gelöscht. Musik-Alben, die Volumo gegebenenfalls von anderen Anbietern bereitgestellt wurden, bleiben weiterhin sichtbar und mit dem Künstler-Profil verknüpft, aber du verlierst die Kontrolle über das Profil, bis du es erneut beanspruchst. Diese Aktion ist unwiderruflich, außer du gibst alle Informationen manuell neu ein und lädst alle Dateien erneut hoch. Bist du dir absolut sicher, dass du fortfahren möchtest?

Label {name} löschen? Dadurch werden alle Alben, Charts, Playlists und sonstigen Inhalte, die über dein Konto verwaltet werden, dauerhaft gelöscht. Musik-Alben, die Volumo gegebenenfalls von anderen Anbietern bereitgestellt wurden, bleiben weiterhin sichtbar und mit dem Label-Profil verknüpft, aber du verlierst die Kontrolle über das Profil, bis du es erneut beanspruchst. Diese Aktion ist unwiderruflich, außer du gibst alle Informationen manuell neu ein und lädst alle Dateien erneut hoch. Bist du dir absolut sicher, dass du fortfahren möchtest?

Album {title} bearbeiten

Chart-Titel eingeben

Fehler beim Laden von {title}

Jeder Track wird rein nach seinem musikalischen Wert, seiner Originalität, der Produktionsqualität und danach beurteilt, wie er sich in einem echten DJ-Kontext anfühlt. Wenn der Sound stark ist, gehört er hierher – egal, ob er von einem bekannten Künstler oder einem komplett neuen Namen kommt. Focus Charts sind für DJs und Musikdiggende gemacht, die ihren Ohren mehr vertrauen als ihrem Ruf.

Focus Charts sind kuratierte Selektionen, handverlesen vom Volumo-Kurationsteam, mit einer klaren Priorität: der Qualität des Sounds selbst. Diese Charts werden nicht von großen Künstlernamen, berühmten Labels oder Industrie-Hype getrieben. Jeder Track wird rein nach seinem musikalischen Wert, seiner Originalität, der Produktionsqualität und danach bewertet, wie er sich in einem echten DJ-Kontext anfühlt. Wenn der Sound stark ist, gehört er hierher – egal, ob er von einem bekannten Künstler oder einem komplett neuen Namen kommt. Focus Charts sind für DJs und Musik-Digger gemacht, die ihren Ohren mehr vertrauen als ihrem Ruf. Das ist ein Raum, in dem aufstrebende Producer ganz selbstverständlich neben etablierten Künstlern stehen und Underground-Releases die gleiche Aufmerksamkeit bekommen wie Tracks von Major-Labels. Wenn du nach frischer elektronischer Musik suchst, Hidden Gems entdeckst oder neue Richtungen innerhalb von Techno, House, Minimal und verwandten Genres erkundest, bieten dir Focus Charts auf Volumo ein sorgfältig kuratiertes Hör- und Download-Erlebnis – gemacht für DJs, die Sound an erste Stelle setzen.

Wenn Sie ein Content-Anbieter sind, verlieren Sie auch alle Ihre verifizierten Künstler und Labels. Alle von Nutzern erstellten Inhalte (Alben usw.) werden aus dem Store entfernt und gelöscht. Nicht ausgezahlte Einnahmen gehen ebenfalls verloren.

Wenn Sie Ihr Release exklusiv veröffentlichen möchten – gehen Sie bitte zum {album} und füllen Sie das Feld {exclusive} aus. Die Verwendung von „Exklusiv“ im Titel kann zu irrelevanten Suchergebnissen führen.

Hier sind Volumos teilbare Visuals. Wir wissen, du investierst viel Zeit, um deinen Sound und Stil zu perfektionieren. Deshalb kannst du jetzt im Handumdrehen Promo-Bilder und Videos erstellen. Passe sie nach deinem Geschmack an, lade sie herunter und nutze sie überall – in sozialen Medien oder in deinen eigenen Inhalten.

Es scheint, dass der Titel unnötige Leerzeichen in Klammern enthält. Entfernen?

Es scheint, dass der Titel in Großbuchstaben geschrieben ist. Möchtest du diesen Fehler beheben?

Es sieht so aus, als ob der Albumtitel eine Katalognummer enthält. In das passende Feld verschieben?

Der Track-Titel scheint eine Mix-Versionsnummer zu enthalten. In das entsprechende Feld verschieben?

Name

Gehe als Nächstes zu deinem Playlist-Bereich und erstelle eine neue Playlist. Gib deiner Playlist zuerst einen Titel. Das kann entweder der endgültige Titel sein oder nur ein vorläufiger. Dann klicke auf "Playlist erstellen."

Sobald deine Playlist fertig ist, gehe zu "Meine Playlists". Dort kannst du ein Cover hochladen, deinen Chart umbenennen und eine Beschreibung über dich, deinen Stil oder das gewünschte Feeling hinzufügen. Außerdem kannst du die Reihenfolge der Tracks ändern.

Pause {title}

{title} abspielen

Playlist-Titel

Bereit zum Teilen? Klicke auf die drei Punkte neben deiner Playlist und wähle "Als Chart veröffentlichen" aus. Vergib eine einprägsame Beschreibung, wähle das Cover-Bild aus und voilà – dein Ranking ist online!

Verkaufsbenachrichtigungen (für Inhalt-Anbieter)

Wähle den Künstlernamen oder den Label-Titel, der im Chart-Autorenfeld angezeigt werden soll

Tracktitel anzeigen

Geben Sie einen Chart- oder Tracktitel oder den Namen eines Künstlers oder Labels ein, um Ergebnisse zu sehen.

Beginne, einen Ländernamen einzugeben, um Ergebnisse zu sehen

Beginne einen Genre-Titel einzugeben, um Ergebnisse zu sehen

Geben Sie einen Track- oder Albumtitel oder den Namen eines Künstlers oder Labels ein, um Ergebnisse zu sehen.

Stopp {title}

Das Album {title} wurde gelöscht

Die ersten 24 Stunden nach dem Drop deines Tracks sind absolut entscheidend – dann beobachtet der Algorithmus dich. Egal ob auf Volumo, YouTube oder Instagram: Das erste Hoch an Plays, Speicherungen, Teilungen und Interaktionen signalisiert der Plattform, dass es sich lohnt, gepusht zu werden. Wenn du sofort Fans, Freunde und dein Netzwerk mobilisierst, hast du bessere Chancen, in algorithmischen Playlists zu landen oder mehr Sichtbarkeit zu bekommen. Also lade nicht einfach nur hoch und lehne dich zurück – halte Content bereit, informiere deine Mailingliste und sei in den Kommentaren aktiv. Dieser erste Tag gibt die Richtung für den gesamten Release-Zyklus vor.

Der Titel enthält den Namen des Künstlers. Du musst den Namen des Künstlers nicht zum Titel hinzufügen, er wird automatisch ergänzt.

Titel

Die Top 3 Dinge, die Profi-DJs an Musikseiten hassen? Hier sind sie im Überblick. "Text Overlay": Die drei größten Frustrationen

Tracktitel

Track {title}

Track {trackTitle} kann nur als Teil des Albums {albumTitle} gekauft werden.

Track {trackTitle} aus der Playlist {playlistName} entfernt

Album {title} zurückziehen? Danach muss das Album vor der Veröffentlichung erneut moderiert werden.

Unbenannt

Die Verwendung von „Volumo“ in Titeln kann zu irrelevanten Suchergebnissen führen.

Wir, Volumo, sind der Verantwortliche für deine persönlichen Daten, verwenden Cookies, um Inhalte und Werbung zu personalisieren, Social-Media-Funktionen bereitzustellen und unseren Traffic zu analysieren. Wir teilen außerdem Informationen über deine Nutzung unserer Website mit unseren Social-Media-, Werbe- und Analysepartnern, die diese mit weiteren Daten, die du ihnen bereitgestellt hast oder die sie aus deiner Nutzung ihrer Dienste gesammelt haben, kombinieren können.

Du musst die Tracks im Titel nicht nummerieren, sie werden automatisch nummeriert

Es ist möglich, eine Beschwerde bei der Aufsichtsbehörde einzureichen, aber bitte kontaktieren Sie uns zuerst unter {address}. Wir werden unser Bestes tun, um das Problem gemeinsam zu lösen.

Ficho 1

Übersicht

Top Tracks

Neueste Releases

Spanish Tribal Sessions Vol. 3

Genres

Verwandte Künstler