Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

Stereo Phunk

Grammy Nominate & Los Angeles based artist Eddie Amador is best known as an international house music DJ. Eddie exploded onto the scene in 1998 by penning the infamous lyrics...'not everyone understands house music, it's a spiritual thing, a body thing, a soul thing.’ He set them to a hypnotic pulsating beat and the seminal dance classic House Music - Message Mix was born. 'House Music' went on to become a global hit and secured Eddie an album deal with Deep Dish's Yoshitoshi label. However, it was his next single 'RISE' which proved that Eddie was no one hit wonder. Catapulting into the top 20 of the UK national chart, Rise - Robosonic Remix propelled Eddie to the status of a world class dj and he was now performing at such super clubs as Ministry of Sound,The Queen, Centro Fly, Crobar, Stereo as well as Pacha & Space in Ibiza.

By 2007, Eddie was remixing platinum recording artists Leela James, Michael Buble, and Seal for Warner Bros. Records. He became par t of the exclusive group to remix Madonna and his mix of “GIVE IT TO ME” Give It 2 Me - Eddie Amador House Lovers Edit from Hard Candy became #1 on Billboards Hot Dance Club Play Chart. Eddie’s gone on to remix Yoko Ono (#1),The Veronicas, Alanis Morissette, Donna Summer (#1), Chris Willis (#1), Jason Derulo, Kerli (#1), Blush (#1),Taryn Manning (#1), and many many more. In 2013, Eddie remixed Madonna’s “Super Star” for Interscope Records.
Links:


Eddie Amador

More than any other producer, Todd Terry defined New York house during the ’80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy. And with two of the most respected crossover remixes of the house era («I’ll House You» by the Jungle Brothers and «Missing» by Everything but the Girl), Terry more than earned his title «Todd the God» (or occasionally, simply «God»). Though he’s often been accused of recycling his own beats and effects (in his production work as well as the DJ booth) a bit too often for his own good, Terry’s immortality as a dance icon is assured.

Born in Brooklyn, Terry began DJing in the early ’80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago dropped in the mid-’80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny «Dope» Gonzalez, Terry borrowed the Masters at Work guise — which Vega and Gonzalez would later popularize — for one of his first big productions, the 1987 single «Alright Alright»; the single became a milestone on New York’s early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in «I’ll House You,» one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, «Weekend» and «Bango (To the Batmobile),» both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits — Black Riot’s «A Day in the Life,» Gypsymen’s «Hear the Music,» Royal House’s «Can You Party,» Todd Terry & the Countdown’s «Flipside,» Torcha’s «Feel It,» D.O.S.’s «House of Gypsies,» Sound Design’s «You Can Feel It,» Tech Nine’s «Slam Jam,» and Static’s «Dream It.» Despite his wealth of released material, Terry remixed dozens of artists as well, including Sting, Björk, Janet Jackson, Tina Turner, Malcolm McLaren, Annie Lennox, Robert Plant, and Technotronic, among others. The British house boom of the early ’90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a minor sensation, causing several British journalists to describe him as «God.»

Terry moved into label entrepreneurship in 1992 when he formed Freeze Records with William Socolov. (Several of Terry’s early singles had appeared on Socolov’s Fresh/Sleeping Bag label, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry’s productions, including several volumes of his EP series Unreleased Projects beginning in 1992 and running through 1995.

That same year, Terry’s remix of the erstwhile pop act Everything but the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo’s flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while the flip side of the coin, A Day in the Life of Todd Terry (including his best single and remix productions) appeared the following year. His next project, Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, and Bernard Fowler. Terry made another artistic change-up, to LP-oriented drum’n’bass, with his 1999 album Resolutions, recorded for indie/electronica stalwart Astralwerks.

Todd Terry

Gene Farris lives and breathes house music. A bonafide Chicago legend, he’s been pushing musical boundaries for over three decades, from spinning at underground warehouse parties in the early 90s to working with the current crop of world-leading labels and artists. Relief, Dirtybird, Circus, ViVa Music, Defected: all have released and championed Gene Farris records over the past few years, alongside his own Farris Wheel imprint: a testament to the quality and relevance of the music he creates. Farris has become a go-to collaborator for many high calibre artists, including Sub Focus, Cajmere, Green Velvet, Loco Dice, John Summit, Riva Starr, Mark Knight and Jamie Jones, further establishing Farris as a rare and highly sought-after talent.

As a self-taught engineer and producer, his work with Cajual, Relief Records, Defected Records, Soma Recordings and his own breakout label Farris Wheel Recordings, propelled his influence into ever expanding realms. His catalogue is vast, varied and consistently inspired, with notable releases including collaboration ‘It’s Time’ on EMI with drum and bass heavyweight Sub Focus, ‘Play’ on Snatch!, ‘LOL’ on Relief and 2015’s ‘Move Your Body’, which was one of the biggest club records of the year. Similarly impressive was Gene’s ‘Welcome To Chicago EP’, which after its release on Defected Records back in 2003, quickly became a cult classic.

Gene Farris

Carl Craig is a visionary Detroit pioneer whose lifelong pursuit of independence has driven three decades of electronic music innovation. As the mastermind behind Planet E Communications, Carl created a platform that has supported an array of international artists for 30 years, releasing records that span hip-hop, jazz, funk, and esoteric electronic sounds while avoiding commercial conventions.

Carl Craig

Vanilla Ace aka London DJ and producer Sam Young is a prolific and increasingly prominent force in house music. A firm favourite in his native UK and a growing name globally, with releases on Toolroom, Safe Music, Hot Boi, Glasgow Underground, Nervous, Simma Black and Spinnin Deep Vanilla ACE has been making club hits since 2012.

The last few years have seen him go from strength to strength with top charting singles on Beatport, Traxsource and Trackitdown. January 2018  ‘Commotion’ was released on Ministry of Sound and had support from A-Trak, Silk City (Diplo & Mark Ronson), Danny Howard, MistaJam and James Hype.

2018 saw releases on Elrow Music, Big Beat/Atlantic, Erase, Universal, Box of Cats, Hot Boi, Stashed and Club Sweat.

The crowning achievement of 2016 was ‘The Gee’. Built around an instantly recognizable sax sample, the track shot to no.1 on Beatport 100 chart and stayed there for weeks and picking up support from an array of club and radio DJs. This follows his 8 week top 10 on Beatport ‘Deep House’ with ‘Bring it Back’ during the heyday with OFF recordings in 2013.

Touring globally, Vanilla Ace has performed in North and South America, Australia, South Africa and India, with bookings including HARD Summer festival in LA, Holy Ship in Miami, Green Valley in Brazil, Ministry of Sound and Egg in London and Chinese Laundry in Sydney, Australia playing alongside the likes of Patrick Topping, Tough Love, Green Velvet, Low Steppa, Roger Sanchez and Breach.

Vanilla Ace

DJ PP

MK (real name Marc Kinchen), is a renowned record producer and DJ hailing from Detroit. With over 3 billion global streams and 7 Platinum-certified singles to his name, he is considered one of the first superstars of house music. MK’s early hits such as “Burning”, “Always” and “4You” helped define the deeper shade of US house and have influenced producers worldwide.

His 2025 hit single "Dior" (ft. Chrystal) became a viral sensation and gained him his first UK #1 since his iconic rework of "Look Right Through" by Storm Queen topped the charts in 2014. This paved the way for a series of multi-platinum records, including "17", "Piece of Me", "Back & Forth" and unforgettable collaborations; the fan-driven record “Rhyme Dust” with Dom Dolla went #1 at US Dance Radio and Beatport and earned him an ARIA Award, while “Asking” with Sonny Fodera & Clementine Douglas peaked at #7 and spent 16 weeks in the UK Top 20.

Ron Trent

The story of Inner City is intractably linked with its founder Kevin Saunderson, widely created as one of the progenitors of techno and a landmark figure in dance music. But while it intertwines with his own career, the group’s longevity – spanning wildfire success, indelible club classics, a handful of full-length albums, and sales of over six million worldwide – is a result of multiple independent chapters over a remarkable 30 year run time. In 2017, with Kevin’s son and creative protégé Danitez as a new addition to the group, a new one is unfolding.

Inner City

A legendary figure in electronic music, Chez Damier has played close witness to many of the pivotal moments in the history of house and techno. Jointly responsible with partner Ron Trent for both Prescription Records - widely recognised as one of the greatest labels of all time - and The Morning Factory - one of the most ethereal jams ever to rock a room - Chez Damier carries abound the soul of house music.

KMS, The Music Institute, The Bellville three: the Chicago DJ has played pivotal roles in the development of all three hallowed pieces of musical history. However his natural artistry and constant need to out do even himself has led to him passing off such seminal tunes as Can You Feel It as just a stage in his artistic development. For as an artist Chez Damier represents a unique blend; he is as impetuous and daring as now as in 1989 and being able to qualify this with his own unique heritage makes his releases and DJ performances doubly formidable.

When The Music Institute opened in Detroit in the late '80s it provided the home for a developing music scene. It proved just as important for the development of techno in the city as The Warehouse and The Music Box had been for house music in Chicago and the hedonistic experiences in that club have gone onto shape much of Damier's life ever since.

After a few years managing the KMS studio and label for Kevin Saunderson, he returned to his hometown of Chicago and, alongside Ron Trent, created the musical legacy that has guaranteed his legend. Immortal cuts like "Sometimes I Feel Like," "The Choice" and "Be My"-remain unparalleled examples of the genre. After taking an extended break from the music industry either side of the turn of the millennium, the house music impulse returned to Damier. A handful of releases in 2004 and the odd DJ date hinted that a return was on the cards.

In 2009, the last year of the decade Damier found a trusted outlet for his talents. A series of releases for the German label Mojuba signalled that he was on his way back to show the young pretenders the way. Taking up the torch of Prescription, Damier launched Balance Alliance as a home for some of the most forward thinking and talented producers he deems fit to join him on the imprint. With momentum building behind him, Chez Damier will be exploring fresh artistic avenues in the new decade and looking to consolidate his legendary status as a DJ.

Chez Damier

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Stereo Phunk

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