Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Paul Holm

Nicolas Barnes dj / producer / label owner from Latvia
Started he's jorney in to underground music world 5 years ago
Enjoys playing minimal house vibes with a bit of dub in it
Not so long ago created dub oriented label ECOUL SND
Got releases on such labels like Conceptual Records , MixCult , Simple Things Records and others...

Nicolas Barnes

Francesco Tamburrano

Toishy Koshimi

Founder of Audible State Of Mind music label @asmrecords ©️ (2022)
__________________________________________

Drisan (HU) met electronic music around 1994-'95 and he collects and plays house, techno and breakbeat records as well as dub-influenced music ever since.

After relocating from Hungary to London UK in 2006 he was actively playing Dj gigs at various venues such as Corsica Studio, CosmoBar, 1001East, ReleaseClub, ShelterHoxton, Thames-RiverBoat, NOMAD, MangoLandin', whilst holding a residency at Clapham's InigoBar and other open-air parties/Forrest gatherings mostly in Kent and along the Thames riverside with the Askarabaskara Crew.

In 2010, He came runner-up at Steve Lawler's 'VIVaMusic-HarlemNights DJ Competition' on Mixcloud, and in 2013 his first track (remix) won the category of People's Vote at the 'Antarctic Rhythms' remix contest on Jamendo, organized by the legendary DJ Spooky [The Subliminal Kid].

6 years on, in 2019 his first EP was released by @MOIRAaudio Recordings, followed by another one including 2 dub tracks on @Dub-Communication.

In 2020, Drisan finished his university dissertation titled "Exploring the niche markets of Techno music, dance cultures and Vinyl record consumption in the digital age" a dance-music-related research project utilizing theories from Mihaly Csikszentmihalyi and Maslow in order to better understand our connections, motivations and needs as Techno DJs/Record collectors to buy physical (vinyl) format in Today's realm of technology-driven digital world, which earned him an MBA Hons degree at Birkbeck, University Of London.

labels that released for Drisan since 2019:
Fqtrax / Krad Records / Fidull Music / Superordinate Dub Waves / MOIRAaudio Recordings / Dub Communication

Feedback/Review by Recorder.hu featuring 'Atman' (@Fidull) and 'Low-Key versatile EP (@fqtrax) in the Top 10 list of Hungarian Artist releases recorder.blog.hu/2021/10/14/mindi…20tal%C3%A1latok;

note to self:
I just believe that honesty is key to being true in music - just like it probably is in life - and I'd also like to believe that, first we must come to terms with what honesty means to us personally, and how our music can possibly represent this honesty-to-our-own-selves in whatever music we make, otherwise no one will be able to make truthful, honest beats no matter what we try to produce, to work on for days, for weeks and often for months - It just won't work out eventually. So please if we all could, let's just try to remember this one thing called ‘honesty’ when it comes to sacrificing your valuable time and energies, putting our efforts and feelings into music production no matter what level we are at in the music-making process.

Paul Holm

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