Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Tim Morrison

BCMP

Zeeba

Damian Lazarus

Part of the jet-setting DJ elite, John Digweed paid his dues to reach the top of the house music world. After staging his own successful "Bedrock" nights in Hastings, Digweed was booked by the London club, Renaissance, in 1992, where he pioneered an edgier sound dubbed "epic house." The first Renaissance compilation album, mixed by Sasha and Digweed, was something of a dance music milestone, critically acclaimed and bringing new credibility (and new audiences) to house music. He also released his own material under the Bedrock banner, notably 1995’s "For What You Dream Of," used as backdrop on the cult hit, TRAINSPOTTING, adding to the film's frenetically spooky aura. In early 1999, Digweed enjoyed a huge club hit with "Heaven Scent," and in the early-'00s released several acclaimed mix albums for the Boxed, Fabric and Renaissance labels.

John Digweed

Nick Muir best known through his association with John Digweed and the Bedrock label, has produced countless tracks and remixes over the years and continues to do so. He also DJs in various corners of the globe as time allows.

Nick Muir

German DJ/producer Tensnake – aka Marco Niemerski, has been creating a distinct atmosphere on the world’s dance floors with his house and disco productions. Drawing inspiration from soul, boogie, funk and 80s pop, he has developed a unique sound, notably heard in 2010’s “Coma Cat”.

He is the label boss of his own True Romance imprint and has performed at festivals such as Coachella, Glastonbury, and Tomorrowland. His discography includes releases with labels like Running Back, Defected, and Permanent Vacation. In 2014, he released his debut artist album Glow, featuring collaborations with Jamie Liddell, MNEK, and Nile Rodgers.

His sophomore album L.A., named after the city he recently called home, explores a different take on the Tensnake sound with a distinct pop flavor. Across its 16-track expanse, the album invites listeners to imagine a journey down palm-lined boulevards under blue skies. Featuring tracks like a cover of “Automatic”, the euphoric “Somebody Else”, and the fluid “Antibodies”, the project represents an evolution in his production and a personal drive toward artistic growth.

Tensnake

Berlin based DJ and producer Jacob Dilssner aka Wankelmut ranks among the most popular and renowned representatives of electronic music “made in Germany”. Born and raised in East Germany, the 35-year-old made his breakthrough in 2012, when his remix for Asaf Avidans “One Day / Reckoning Song” soared to #1 in eight European countries, resulting in over three million records sold to date as well as a multitude of Gold and Platinum Awards. His single “My Head Is a Jungle”, featuring Australian singer Emma Louise, made it to the Top 20 across Europe, peaking at #5 in the UK charts with Mark Kinchens (MK) Remix in summer 2014. At the same time, Wankelmut started doing remixes and refined tracks by artists such as Dennis Lloyd , Gossip, Lenny Kravitz , Hozier, K.Flayor Flight Facilities. His artistic achievements are topped off by hundreds of DJ bookings per year, allowing him to present his take on electronic music based on House and Techno at clubs and festivals all over the world. Over the last years Wankelmut has collaborated with various vocalists like Björn Dixgard, Charlotte OC or MATTN and subsequently scored 2.6 Mio monthly listeners on Spotify to date. The last two years were filled with great productions and collaborations on labels like Universal / Virgin, Spinnin’ Records, Spinnin’ Deep, Toolroom, Defected, Perfect Havoc, Adue Music and Loud Kult/Universal, never losing sight of his roots in club music.

Tim Morrison

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