Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Morjac

Roland Clark

Originally from Bristol England, Ben Jacobs aka Crackazat is a multi-Instrumentalist and electronic producer. Since his emergence on the international scene, he has quickly become recognised for his unique fusion of Jazz and House music.

Crackazats first experience with dance music was an early one. He grew up tap dancing to jazz with his mother, developing an innate sense of swing and rhythm.

It was later in to his teenage years, that he picked up guitar, bass and started producing, emulating any music of his interest, be it the underground hip hop of Madlib, or the Jazz-funk of Jamiroquai.

His exploration in to  House music led to his 2015 debut album ‘Crescendo’ Two singles from the album, ‘Eye Light’ and ‘Somewhere Else’ have established themselves as future classics.

The last couple of years Crackazat has had an explosion of global popularity, with Remixes for the likes of Joey Negro, Moulinex, and Tom Misch. Not to mention the Japanese vinyl sensation ‘Coffee Time’. A euphoric house track built around a sample from a Acapella group in his city of Uppsala.

When it comes to his live shows, crackazat sets the bar high, having started out with supporting sets for Bonobo and Floating points. His glorious keyboard solos, funky bass guitar, and general infectious grooviness are winning him crowds across the planet.

Crackazat's latest project is a reworks album featuring remixes of beloved tracks from his musical home at Local Talk Records

Crackazat

Steve Mac

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

Mark Knight

Prok & Fitch

David Penn

House music producer & DJ.

For Chris Lake, making people dance is more than a career: It’s an obsession. Over two decades, the

GRAMMY®-nominated artist has become one of house music’s most compelling figures. In that time

he’s lived many lives as a producer, DJ, and label head, all connected by his ability to create big

moments both onstage and in his music. Since breaking through with a string of No. 1 singles in the late

2000s, Lake has helped redefine America’s house music scene in the post-EDM age. His music is a

regular fixture on Billboard’s Hot Dance/Electronic Songs chart, including recent hits “Summertime Blues”, “Beggin” and “More Baby”. He has headlined EDC Las Vegas and Coachella stages, shut down Hollywood Boulevard for over 12,000 fans, and spread the dance floor gospel through his Under Construction events with FISHER.

Following a groundbreaking Coachella Campgrounds performance, Lake is entering a bold new

chapter with the release of his debut album Chemistry, released on July 11 via his label, Black Book Records that landed on at #6 and #10 on Spotify's US and Global debut charts respectively.

“It gives me this increased love of the power of a single song and the effect that it can have on anyone's life” he

says. “I love the idea that I can make a song and give people that feeling. It's just amazing, and I feel like

as the years go on, I get better and better at doing it.”

Chris Lake

“Anyone who maintains a profile at the level and length of time Aydin has is truly world class. He has an ability to adapt his style, to stay relevant without compromising his sound. A true house don!”

Mark Knight, Toolroom.

“Aydin is that kind of guy who stays true and genuine to his own sound and never tried to follow a trend or search for fake fame and success.

That kind who is fighting with his own strong conviction, " A real house music lover" “

Bob Sinclar

“I've been playing Aydin's tracks for a long time and he never disappoints! He's constantly evolving and giving sure fire dance floor anthems as well as crossover hits. On top of that, he’s a nice bloke too!”

Roger Sanchez

“ATFC is not a football team, in fact it’s one man who stands alone in his quest for keeping the funk alive & kickin and he’s been doing so for over a decade. He is Aydin The Funki Chile!”

Seamus Haji, Big Love.

ATFC

London-based house duo Saison have, over the last few years, carved out a niche of their own as one of the most consistent and influential acts in the deep house scene. They have released music on some of the most respected house labels in the world, including Defected, Toolroom, Large Music, Sonar Kollektiv, and Suara. Their studio expertise has also made them a go-to choice for remixes, having worked with titans of the scene such as Jack Back, Chez Damier, Dave Lee, and Kevin Yost.

With a unique sound that incorporates influences from their disparate backgrounds, Saison’s music is raw and heady. Their signature style is characterized by a timeless quality and a firm focus on the groove, deeply rooted in their formative years of musical discovery. Warm chords, intricate drums, and evocative soulful vocals are blended to masterful effect, creating records that are both accessible and sophisticated. For Saison, it’s about more than simply making people dance; it’s about evoking an emotion that stays with the listener long after the music has stopped.

Morjac

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