Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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lfcs

What’s 2 m tall, lives Behind the Iron Curtain,
has 1605 reasons to run an awesome label and
*fucking flies*?

Meet UMEK, a techno legend from Slovenia.

UMEK is personally responsible for kickstarting the electronic music scene in his home country by first organizing illegal raves and then becoming one of Slovenia’s most wanted export products and number one music ambassador to the whole world.

And he does fly!
Around 100 times per year, visiting almost every
continent each year. His gig diary ranges from dark underground clubs in Berlin to massive techno stages on world’s most renowned festivals. Apart from making his name in the DJ booth, he’s also a tireless producer.

He mostly releases on his own imprint 1605, and most of his tracks end up on the very top of Beatport’s charts. After more than 25 years as a professional musician, he decided to use his experience and skills in the entrepreneurial world. Together with his managers, he founded a musictech startup Viberate (www.viberate.com), where they are building the world’s greatest music platform.

UMEK

Wehbba is an emblematic electronic music DJ/Producer from Brazil, having his name featured across the world on respected labels such as Drumcode, Kompakt and Hotflush.

Wehbba

Born in a small town near Barcelona, George Privatti begins to experience his first feelings to electronic rhythms at age of 17. Buying a bit later his first decks, and strongly influenced by the environment of the 90s’ illegal raves in the Catalan scene, soon he began to join and to participate in the world of illegal parties of his region.

The success of the catalan artist it does not go unnoticed, soon takes the step to head a list of important “new comers” artists of the national scene, getting to rub shoulders with the best participants of the international scene. 2009 was a crucial moment of his career, deciding to start in the production world, spending days and days in the studio to translate his ideas on his own productions, following the same techy line, alternating fresh and dance elements of the house with the forcefulness and bass lines most typical bass lines of techno. It is precisely during this time when several of the most important labels on the scene were interested in its characteristic sound and begin to edit their music in the main music shops.

With an admirable sound evolution and an dynamism applied to its sets, during 2012 year he decided to create his own label, La Pera Records, a platform to accommodate and express different range of sounds, as well as the productions of established and emerging artists, and focused primarily on the dance floor submerged between sounds close to techno-house with its different and more evolved aspects. The musical adventures of Privatti continue with firm step, with his signing for the family of the emblematic ElRow of Barcelona and his residences and parties around the world, playing in clubs like Privilege Ibiza in 2013, Space Ibiza ( 2014-2016), Amnesia in 2017, Fabrik (Madrid), Florida 135 and performing at festivals such as Tomorrowland, Park Life (Manchester), Monegros Desert Festival, Dreambeach, LoveBox (London), 18Hrs Festival (Amsterdam), Empire Music Festival ( Guatemala), SoulTech (Mexico), Selenic Soul (Mexico), etc., and touring more than 20 countries that have also been faithful witnesses of its quality and versatility in the cabin.

The success of Privatti at the time of locking himself in the studio has not been overlooked within the sector; Elrow Music, 100% Pure, Formatik, 1605, Toolroom, Deeperfect, FORM, have been just some of the laudable ones that have trusted in their productions. Productions that have had a lot to do in the sets and charts of artists of the likes of Richie Hawtin, UMEK, Joris Voorn, Mark Knight, Stefano Noferini, Sebastien Leger.
In 2018 he get to reach the top of the beatport top of all genres with the theme “What a Bam” in collaboration with his great friend Guille Placencia and released on his own label La Pera Records.

George Privatti

After beginning life as an experimental side-project for members Paul Maddox and Rich Wakley, Spektre find themselves over a decade later as established and respected features of the Techno landscape.

As a production outfit, they have recently released on such imprints as Drumcode, Elevate, Phobiq and Unrilis, as well as their own Respekt Recordings (now approaching its 150th release) to the acclaim of their peers, with the likes of Adam Beyer, Carl Cox and Alan Fitzpatrick among their plaudits. The quality and consistency of Spektre’s studio output has earned them a reputation as one of the most reliable and influential acts in the genre.

As performers, Spektre’s unique sound has taken them to some of the biggest and most highly regarded venues worldwide, with frequent bookings by the likes of Space Ibiza, Exit Festival, Pacha Buenos Aires and Burning Man. On stage, their long-standing chemistry and constant desire to experiment always results in an exciting spectacle. Their live exploits are also documented alongside guest slots from esteemed cohorts in a fortnightly Mutual Respekt Podcast, which is syndicated across the globe.

Spektre

Spartaque

Sasha Carassi

Axel Karakasis

T78 a.k.a Manuele Tessarollo is an Italian producer with an intensive background in the music industry. This can be heard by his unique approach on nowadays Techno and seen with his energetic stage performance, which makes him a very welcomed guest in a short period at many festivals and clubs.

He is a regular guest in the Techno Peak time charts, scoring #1 with his ‘Hardcore’ on Filth on Acid, and reaching millions of listeners with bombs like ‘AC/ID’, ‘Megator’, ‘New World’, ‘Liquid Night’ or his remix of ‘The Outsiders’, which has reached over 14 million streams. Add his collaborations with Reinier Zonneveld, Hi-Lo, Space 92 or remix for A*S*Y*S and it's easy to understand why he is a familiar guest in major editorial playlists.

In December 2021, T78 released his long-awaited album #ONLYBOMBS. The album is a summary of his life experiences up to now and reflects his love for high energetic and sub driven music. T78 has raised the bar yet again with his own label Autektone. In just a few years the label managed to be a top-selling Peak Time Techno Label. He wanted to create a label that embraces the spirit of electronic dance music from the 90’s, an era in which music wasn’t pigeon-holed and DJ’s were versatile and eclectic.

Dani Sbert

Now an internationally successful DJ, Eric Sneo began exploring music at a very young age. Introduced to the accordion by his grandfather at just four years old, he later experimented with drums as a teenager and attended local jazz shows, where he honed his improvisational skills.

In 1991, after witnessing Sven Väth perform in Frankfurt, Eric became captivated by electronic music and sought to deepen his knowledge. He studied audio engineering at SAE School in Frankfurt and quickly started producing his own tracks. In 1995, he released his first vinyl EP, and by 1998 he was offered a residency at The Palazzo in Germany. In 2002, he launched his own party series, Tanz Der Familie.

Around the same time, together with Udo Niebergall, Eric co-founded the Masters Of Disaster and Beatdisaster record labels, which showcased influential artists such as Gayle San, The Advent, Chris Liebing, Hertz, and Rush, as well as his own releases. In 2003, his tracks “Ciao Bella” and “Tube Tech - The End” became worldwide club hits, earning both critical and commercial acclaim.

lfcs

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