Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Sean Grant

Darius Syrossian

Born and raised in Brooklyn, NY, Michelle Weeks began captivating audiences at the tender age of 4. At 5 years old, she won the prestigious Herman Stevens Award for Gospel. A graduate of the famed LaGuardia School of Music & Art, Michelle went on to perform on Broadway – debuting in the musical, “The Tap Dance Kid.” She also played starring roles in “Madhattan” (where she received rave reviews from stars like Ben Vereen, Debbie Allen & James Ingram); and the major motion picture, “Little Shop of Horrors”(alongside Tisha Campbell & Tichina Arnold). Since the early nineties, Michelle Weeks has been a staple in the Dance Music community. Her powerhouse vocals have been showcased on numerous releases, including the classics “The Light” and “Be Thankful.” Michelle has worked alongside producers such as Tony Moran, Jamie Lewis, The Basement Boys, 1200 Warriors, Andrea Paci, Bini & Martini, and MOCA Productions, to name a few. She has also collaborated with other dance music greats, like Barbara Tucker, Byron Stingily and many others. Michelle has appeared on some of the world’s biggest Dance music record labels, including Strictly Rhythm, Ministry of Sound, Purple Music, Stealth, Kingstreet, Defected, Code Red, MN2S & Jellybean Recordings, FKJ Music Records.

Michelle Weeks

Benji Candelario

Rise Ashen

Arnold Jarvis

Dario D'Attis

Mark Knight

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

Franky Rizardo – DJ, producer, label boss. The young artist continues to prove himself as one of Holland’s finest exports in dance music, demonstrating a solid production career with releases spanning a collection of top labels, including a long term relationship with Defected Records, whilst continuing to push himself as a DJ with a distinctive style that works across the big stages as well as packed out clubs. Establishing a brand is no easy feat, yet Franky’s FLOW concept continues to develop into a recognisable icon in the house music landscape. From humble beginnings as a weekly radio show on Holland’s national SLAM!FM, to international club nights and the hosting and curation of stages at the Netherlands’hottest festivals, his work ethic knows no bounds. 2015 saw the start of his very own LTF Records - a platform intended to release his own works, alongside supporting emerging artists from Holland’s underground house scene. The label has already hosted a string of quality releases since it’s inception and continues to push the FLOW sound throughout 2017. Not one to shy away from the studio, Franky has continued to develop his trademark sound, with his hard work having paid off in 2016 with successful releases on both Defected Records, Saved Records and his very own LTF Records, whilst having executed an array of quality remixes, including one for house legend Roger Sanchez. 2017 will see Franky release records on variety of top labels with a single on Defected before stepping up to mix the prestigious Defected In The House compilation series. There are no signs of stopping the Dutch-man, with a gig diary nearly hitting triple digits this year his versatility and refreshing sound has toured him across the planet. His commitment and passion to the music he plays has amounted to a packed out summer diary, which sees him play across Europe at the likes of We Are FSTVL, Defected Croatia, Tomorrowland, and Mysteryland as well as returning to Ibiza to play a summer long residency at Sankeys’ Redlight parties.  It is this determination and respect for his craft that has propelled Franky to steadily become one of house music’s most dynamic individuals.

Sean Grant

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Thank You Father

I Hear My Calling

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