Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Ashrock

But Sidney Charles in his age of twenty-something already looks into many happy faces, when he enters the decks. Everybody, who understands this love-binding kind of music, has to live the urban movement behind it, the culture that brings people of all kinds together. Exactly these motions are fascinating the young man, born as Sidney Charles Hurricane Vieljans in Hamburg, Germany.

With the age of 15 Sidney Charles discovered the magic of the two black discs spinning on the 1210s. At the beginning Hip Hop, Soul, Funk, Breakbeat and Turntablism was Sidney´s medium to express his emotions. Highly delighted and inspirited by the time of late 80s and early 90s, when the movement, accompanied by young culture, began, Sidney Charles was finding the higher BPM-numbers of House & Techno were leading to more inspiration and happiness.

He is not a musician, nor a percussionist. He is a collector. A collector of culture and experiences. The energy and feeling around the music is what makes the difference and letting Sidney Charles not be one of manys.

Sidney Charles

В тексте про DJ Sneak есть одно нарушение твоих правил.

Что нужно исправить:

В конце упоминается «All World Entertainment» как букинг-агентство. Согласно твоим правилам, любые контактные данные или информация о заказе артистов (даже если это его собственное агентство) должны быть удалены.

Отредактированный текст:

In 1983, Carlos Sosa pka DJ Sneak, moved to the city of Chicago from The island of Puerto Rico, where his early musical experiences and Influences were rooted in salsa, meringue and famous Latin orchestras. Chicago, like Puerto Rico, is a city rich with musical styles and sounds. It was in Chicago that Sneak found inspiration in underground house music, Warehouse parties and "old school" mix tapes from the early pioneers - Farley Jackmaster Funk, Ralphi Rosario, Steve Hurley and local radio station shows played on WBMX. Sneak earned his nickname rocking designs in the graffiti tagging days and began working at retail stores as an airbrush artist, not long after he cultured the music industry world and began recording his first releases. While at retail stores Sneak developed his DJing skills around the city working regular mobile DJ jobs and local nightclubs. In an already saturated DJ pool, sneak focused on music production and started an independent label - Defiant Records. In 1992, using the fundamental studio pieces, Sneak began recording tracks with an unusual new style. In 1994, while still working at local store Gramophone Records sneak met Cajmere (green velvet) owner of Cajual and Relief Records. Cajmere released some of sneak's pivotal tracks and helped bring international recognition, with it, a global DJing career. In 1995, sneak's new sound revolutionized house music with inspirational sounds and rhythms never heard. The disco filtered house grooves became sneak's signature sound. Innovator to many, sneak's love for music spawned current talents such as Daft Punk, Basement Jaxx, Armand Van Helden. In 1996, Dj Sneak's "You can't hide from your bud" on Derrick Carter's Classic Recordings turn out to be something of a masterpiece, setting a blueprint for many subsequent 'filtered disco' tracks and preceding the wave of funky, disco-influenced house that would prove the massive popularity of Chicago underground music. From 1996 through the present day DJ Sneak is also a veteran on the remix world, with highly expected remixes that drive dance floors across the globe to ecstatic conditions by means of his intense beats and rhythms. After years of development, DJ Sneak is a familiar name across the world's club circuit rocking down the best venues and events. A frequent visitor of Ibiza - the Island of spiritual parties and the Mecca of dance music culture, sneak has played a part in many of events involving the best production teams from England; Ministry of Sound, Cream, Manumission, Miss Money penny's to mention a few. A favorite in the United Kingdom's summer festivals for example Homelands, Creamfields, 'T' in the park in Scotland, Sneak has no mercy on the sound systems and on the scale of exiting DJs to grasp he remains part of the top 100 DJs of the world for 5 consecutive years. Recognized as the disco filter innovator his musical style is diverse from furious banging' Chicago tracks and Latin tribal beats to disco filtered reworks of retro classics with melodic rhythms that suit your soul. In 2001 Sneak launched a new record label 'Magnetic Recordings" where he's releasing all new music, compilations as well as introducing new talents and continue preaching the sound of Chicago House Music. The future bring about new light to DJ Sneak's journey focusing on the development and evolution of electronic music's struggle to be acknowledged as the sound of tomorrow.

DJ Sneak

Kevin Knapp is one of tech house’s greatest chameleons. Between his coveted work with Jamie Jones’ renowned Hot Creations imprint, to Dirtybird, DFTD, Truesoul, and more; Knapp’s solidified an effervescently amorphous standing as a commanding force in the subgenre, dominating club floors across the world in the interim.

After cutting his teeth in San Francisco throughout the oughts, Knapp moved to Berlin and went on to debut a multitude of records, including his Hot Creations’  record “Heft” that became the catalyst for Knapp’s more global success. Relocating to Europe in early 2013 had brought about friendships with the likes of Pan-Pot, Tiefschwarz, and Sacha Robotti. Not only has Knapp become a fixture on the global circuit and a club scene heavyweight over the years, but his collaborations have come full circle; he’s collaborated once again this year with Audiojack on a new piece called “Implications.” It’s through both Knapp’s willingness and wholehearted desire to represent the underground that he is poised to forever succeed.

Kevin Knapp

Tuscany-born but now based in Barcelona, Faraone grew up with a DJ father and folk singing grandfather so was always bound to end up in music. After early forays into hip hop and drum & bass, it was techno that stole his love and soon saw him becoming a resident at Florence’s globally-renowned Tenax club. His regular sets saw him graduate from ‘crafty up-and-comer’ to one of modern techno’s most recognised and respected names with sets at Fabric, Panorama Bar, DC10 and many more of the world's most famous clubs.

Testament to the diversity of his sound is the range of different labels he has released on, from techno favourites like Rekids and Drumcode to the iconic house of Defected. His own UNCAGE is now at the heart of the underground thanks to a steady stream of music from the legendary likes of Radio Slave, Mark Broom and Donato Dozzy next to new school talents such as Flug, Anfisa Letyago and Marcal. His famously creative and relentless output continues at the end of 2022 with a track on Alan Fitzpatrick's We Are The Brave, a remix of The Advent on his own UNCAGE label and new music on Drumcode and Filth On Acid. The new year brings a remix for Eats Everything on EI8HT and a track for the Rekids 50th release anniversary compilation as well as much more besides. All this proves that Marco Faraone very much embodies the sound of contemporary techno.

Marco Faraone

Steve held a residency for 9 years at Space, Ibiza, earning himself the title ‘King of Space’. He had similar success stories with residencies at The End, Cream, Home and more.

VIVa Warriors is most well-known for being the flagship night of Sankeys Ibiza from 2012-2016. The party pulled in huge names like Eats Everything, Skream, Derrick Carter, Groove Armada, Pete Tong and Hot Since 82. Steve is also a regular in Ibiza for the likes of Ants/Paradise/Elrow, not to mention he plays at some of the World’s biggest festivals; Lovebox, Ultra, Resistance, Mandarine Park, Eastern Electrics, Creamfields, Parklife, Hideout &  more.

Steve’s incredible career became the subject of a dance music documentary, ‘The Art Of The DJ’, describing Steve's ascent through dance music’s formative stages, before reaching his current status.

Steve Lawler

Eskuche has created a legacy that stretches across house music’s most distinguished taste-making imprints and fabled stages. Effortlessly capturing the ephemeral qualities of Miami, New York, and Ibiza, his sound drips with slippery percussion and raw soul-snatching basslines.

His solo debut, “Into It,” received heavy support from techno titan Marco Carola. Several years of marathon releases on labels like Repopulate Mars, Nervous, and Hot Creations followed. His 2018 release for the latter, “Activator,” became a massive success, staying in the upper echelons of house music charts for several weeks and solidifying Eskuche’s trademark rough-and-tumble tech house style. In 2019 he hit it big again with “Passion” on Hannah Wants’ Etiquette. The track enjoyed widespread acclaim and sustained support from industry heavyweights such as Gorgon City, James Hype, Floating Points, Mark Knight, Sasha, and Four Tet, who notably included the track in high-profile performances at major international venues.

Eskuche has led the lineups of international festivals and clubs, including elrow, Electric Zoo, Paradise NYC, Kolour Festival Thailand, Ubbi Dubbi, Ministry of Sound, Exchange LA, The Brooklyn Mirage, and Space Miami.

His aim to further push the underground led to the foundation of his new label Passion, where he hopes to add more fuel to his already breakneck release schedule and find new ways to pay forward the immense support he’s received from industry peers.

Eskuche

Amine Edge

Javi Bora

In the words of Mike Tyson "If they pay me enough, I'll get in the ring with Jesse Perez". Legend tells it that Jesse was born in a rundown motel in Little Havana (A small latin neighborhood in Miami) minutes after being conceived. Son to a Local Pimp, (who is oddly 10 years older than Jesse) Jesse was exposed to the art of Slangin' D as a young boy. His mother who at that time was a stage dancer for a popular local rap group called the "2 Live Crew", would work many shows for these artist and would sneak Jesse in as often as she could. Jesse's first exposure to Bass Music and Ass Clapping made a huge impression on him. 15 years later, Jesse applied his childhood experiences towards the development of a new visionary company known as "Mr. Nice Guy" . Considered as one of Miami's most promising, and forward thinking companies since Bang Bros. Jesse has managed to not only run this company but also star in several successful "Mr. Nice Guy" films including "How To Name A Porno", "Slangin That D", "Tales From An 8th Street Motel" and "This Hoe Gonna Get Some Dick". Always setting the bar higher, and higher. Jesse is the true definition of a Dick Slanger. Homeboy don't mess around, he means business.

Jesse Perez

Tapesh has been around the block and then some. Growing up in clubs owned by his father and having interest in all types of musical genres has made the multicultural German a true fanatic when it comes to play and produce music. He’s been making music since his teens and never stopped tweaking, improving and looking for new types of genres to produce. The same goes for his DJ-ing.

Having released on labels such as Get Physical, Suara, and Noir Music, one can easily tell the variety of musical styles Tapesh has interest in producing.

Besides being a studio monster, Tapesh loves touring around the world playing his trademark sound or spending time on Ibiza. Wanting to always reach the next level music-wise, it’s no surprise Tapesh is starting his own label called Homebase.

Ashrock

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