Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Max Cipriani

Samuel L Session

Mark Broom's Upcoming Gigs
Sun 22 Nov, 20
10 Years of Natural Selection (pt. 1) - FOLD (Live Stream) w/ The Advent, The Fear Ratio, 96 Back & more, FOLD, London E16 4SA, England

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A truly prolific artist, Mark Broom has a myriad of production credits to his name having worked with world renowned labels such as Blueprint Records, Rekids, M-plant, EPM, Cocoon, Bpitch Control, Warp Records and the legendary Ifach with Baby Ford.

It all started in the summer of ‘89 when he landed in Tenerife on vacation and stumbled across the delights of the emerging sounds of Chicago and Acid House. Returning to the UK, he immediately went in search of this new found music, a pair of turntables were bought and with it a musical career was born. He has also had the pleasure of reworking material from artists such as Robert Hood, Floorplan, Alan Fitzpatrick and Gary Beck.

Mark Broom

DJ Saint Pierre

When it comes to describing Nadja Lind, a dispassionate third person box ticking exercise doesn't really cut it. Sure, she has the credentials: a DJing career that kicked off on New Years Eve 2003 and has spawned a typically globetrotting calendar (b2b with Terry Francis at Fabric London, b2b with Silicone Soul@ Time Club Manila, Tresor Berlin...), a production career that has seen several works as either a solo artist or with Klartraum production buddy Helmut Ebritsch, and the dizzying heights of being co-owner of the Lucidflow imprint, a record label which has seriously started to rack up quality releases and remixes, seeing the likes of John Digweed and Hernan Cattaneo pluck from the catalogue, a seal of quality like no other. Tick, tick, tick... the facts are all there.

What this doesn't get across is the sheer warmth of personality that Nadja brings to your world once invited in. As barmy as a bag of cats, you can guarantee that there is one person at the gig that will be jumping harder than all the rest, and that is the lady in charge of the buttons herself. It's true; I've seen it at fabric London. Beaming smiles and effervescent personality, this shines through in her music: the serious tropes of Dub Techno and Deep Tech House are drawn upon and spun through a web of energy, a jolt from the defibrillators to the weary heart of the House music scene.

Her ceaseless energy is now spreading through into her performances; not content to just spin other people's tracks one after another, Klartraum have branched out into live performances featuring their own tracks and live jams. Also, since the start of 2012, Nadja's sets (barring her marathon 6 hour Audio Olympian excursions) are now populated purely with her own hand crafted distinctive sound, thanks to a back catalogue that is pretty much humungous. Venues such as the world renowned Fabric and infamous Kazantip festival have been treated to this unique vision.

Continents and countries such as Australia, India, Kenya, USA, Asia, Mexico have been treated to the Nadja touch. A cheeky partnership with those fans of Dark Rooms and Dubs, Silicone Soul, is blooming into some exclusive DJ mix and label collaboration parties. Plus the eternal draw of a bulging production catalogue that will continue to deliver a spectrum from Dub and Chill Out to the straight up Techno of her Luci-fer alias, working solo and with illustrious names such as Brendon Moeller, Saytek, Grunbox, Omar Salgado, G-Man (a.k.a. LFO), Lulu Rouge and Paul Loraine.

So there we have it; the past, present and future of Nadja Lind, all boxes ticked, facts present and correct.

Nadja Lind

Ricardo Garduno

Prolific dj and producer, label owner and promoter - Dawn Razor, conjures
up a deft, future-focused productions that paints a rich landscape of
exciting sounds that push the boundaries of modern electronic music in a
myriad of new directions. Been killing` the game since 2015, been making waves with over 50 releases to date on some of the most respected labels in the world, such as R & S, ARTS, Holding Hands, Dext, Of Paradise, UX, Planet Rhythm, Illegal Alien, Subsist, FLASH, and Credo.
With his music receiving support from some of the biggest names, such as
Richie Hawtin, Chris Liebing, Scuba, Rødhad, Marco Bailey, Pan-Pot, Joey
Beltram, Shed, and Answer Code Request, it's no wonder his tracks are
frequently found in the mixes and playlists of these industry heavyweights.
He`s also been featured in podcasts for Mixmag, DJ Mag, Essential Mix,
Slam Radio, Deep Space Helsinki, Rinse FM, and HOR Berlin.
Razor`s discography is packed with remixes from some of the most
respected names in the underground electronic music scene, including
Psyk, Julia Govor, Unbalance, Dubspeeka, Takaaki Itoh, 6SISS, Shedbug,
and Desert Sound Colony. Performing both LIVE and dj-sets, his music displays Dawn Razor’s skills as an increasingly confident producer and one of the most important artists emerging out of scene. Blurring the line between both straight and broken beat techno, breakbeat, electro, mutated bass, IDM and post-trance and more, Dawn Razor is one to watch.

Max Cipriani

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