Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – Nieuwe generatie elektronische muziekwinkel voor professionele dj’s. Download de nieuwste Electronic-, Dance- & House-releases in MP3, WAV, AIFF & FLAC.

About us — Volumo

{artists:, :2} - {albumTitle} by {recordlabelTitle} · Price: {price} · Catalog #{catalogNumber} · MP3, WAV, AIFF & FLAC · Unlimited Re-download

{albumTitle} from {recordlabelTitle} on Volumo

{artists:, :2} - {albumTitle} by {recordlabelTitle} at Volumo

Top {contributorTitle} Tracks, Releases & Albums. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

{contributorTitle} music download at Volumo

Best {currentYear} {genres: :1} Artists Tracks & Releases {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Best {currentYear} {genres: :1} Artists Tracks, Releases & Albums at Volumo - {paginationText}

{chartName} by {author} - Volumo · MP3, WAV, AIFF & FLAC · Unlimited Re-download

{chartName} by {author}

{chartName} by {author} - Volumo

{genreTitle} Music {genreDescription} {currentYear} Songs, Releases & Albums. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

{genreTitle} {currentYear} music download at Volumo

Top {genreTitle} {currentYear}. Best Featured Releases & Albums {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Top {genreTitle} {currentYear}: Best Releases & Albums at Volumo {paginationText}

Exclusive {genreTitle} Music Songs, Releases & Albums {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Exclusive {genreTitle} music download at Volumo {paginationText}

Music by {contributorTitle} · Download MP3, WAV, AIFF & FLAC · Volumo - New generation electronic music store for pro DJs

Best {currentYear} {genres: :1} Labels Songs, Releases & Albums {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Best {currentYear} {genres: :1} Labels music download at Volumo {paginationText}

Newest Electronic, Dance & House {currentYear} music download {paginationText}. Volumo - New generation electronic music store for pro DJs. Download MP3, WAV, AIFF & FLAC.

Newest Electronic, Dance & House {currentYear} music download at Volumo {paginationText}

{artists:, :1} - {trackTitle} by {recordlabelTitle} · Price: {price} · Unlimited Re-download · {catalogNumber} ·  {genres:, :3} · {bpm} · {keysign} · Released {releaseDate} · MP3, WAV, AIFF & FLAC

{artists:, :1} - {trackTitle} by {recordlabelTitle} at Volumo

Torre & Lords

Roland Clark

Wally Lopez

DJ Gomi

Jame Starck

South East UK based Dj, vocalist, and Producer, Jess Kidd, has been making a serious name for herself on and off the decks over the last year...

With several of her own productions and vocal collaborations signed to the likes of Origin Records (Josh Butler) Stealth Records (Roger Sanchez), Glasgow Underground, Animal Language, HellBent Records, RollerBlaster, Vivifier Records, Force of Habit, and Data Transmission, there doesnt seem to he much sign of slowing down!

From Tribal and percussive influences  to acoustic folk songwriting, Jess has a multitude of musical talent which explores an eclectic avenue of genres snd styles within the industry.

JK regularly has some fantastic support from the likes of BBC Introducing and Radio 1, among local radio play and peers throughout the scene and you can keep up your date with all music and general content on her socials!

As well as signing and performing her own music, Jess also runs a label with 3 best friends and holds the role of Music Director at LIMINAL Music!

Between signing and releasing undiscovered artists, hosting events and festivals, travelling to perfrom, and co-writing original collabs with the rest of the Liminal family, the hard work doesn’t stop - But The future is bright for this one…

Jess Kidd

From the underground clubs of the UK to global festival stages, Grace Bones is a dominant force in the UK House / Garage scene. The current moniker of renowned UK-born, LA-based music producer, DJ, remixer, and hit-maker James Hancock, Grace Bones is the culmination of years of sonic evolution and dance floor domination.

With over 250 + releases, two gold records, and a genre-spanning legacy that includes Rave, Drum & Bass, Garage, and House, Grace Bones brings a deep musical heritage with a razor-sharp edge. He has notched up 26 Top 100 Dance records and 12 Top 10s.

His music has landed on the most respected labels in the business: Sony, EMI, Nervous Records, Snatch Records, Dopewax, Stealth, Moxy Muzik, King Street and many more—proving his sound is not only in demand but shaping the very future of House & Garage music.

Grace Bones

Harry had the privilege of being raised in a musical family. His mother soaked the air with the Latin rhythms of merengue and cumbia, while his father, a former opera tenor, practiced his scales and listened to Beethoven. These early influences drive Harry to constantly look to expand musically... and he has.Run-DMC, along with the Latin-freestyle movement in the 80s, inspired Choo-Choo (the train conductor's cap he's worn since childhood may have something to do with the nickname). Choo-Choo jump-started his career as a DJ with a high-voltage performance at a New Jersey dance club. From there, he was taken under the wing of Millennium Music, a management company and production team. Harry worked with their label, Gossip Records (distributed by Strictly Rhythm), creating demos and gathering some useful industry-related knowledge.His first record, Soulfuric "Urban Turban" was clearly ahead of its time, weaving Arabic scatting with house grooves. Strictly Rhythm grabbed the record for release in 1995, and asked him to release a follow-up Soulfuric record, called "Sea Of Passion" which captured more Latin elements. Both records were licensed extensively, catapulting Harry's name and music out into the world.A number of releases followed for labels like Emotive, Sex Mania, Power Music, and Gossip Records. One of Harry's major breaks resulted from C&C Music Factory's Robert Clivilles' interest in one of Harry's creations named "Il Futuro", a house track with an Italian vocal from "World" EP.Robert asked Harry to write, produce, and arrange a song, "Saturday Night" for his 1996 LP "Robi-Rob's Club World". As expected, lots of work followed for Harry.Collaborations with his labelmates and others have been extremely important for Harry as he continues to develop his name and his body of work. Constipated Monkeys, Harry's acclaimed partnership with Jose Nunez, has produced several percussive, funky tracks including "Cro-Magnon" and "Erectus" (Subliminal Records). The success of these tracks has launched the team into another wave of production - their 12" "Sunshine" was released this summer. In addition, Constipated Monkeys' worldwide reputation as producers and DJs has earned them residencies at both The Ministry of Sound in London and Pacha in Ibiza, Spain.To top off Harry's stream of new solo releases, a much- anticipated follow-up track with the stunning vocalist Inaya Day will succeed last year's tremendous Subliminal release "Just Can't Get Enough". Harry describes this record as "chalk-full of 80s rock n' roll and Latin roots."He is an impressive young man with an honest and zealous dedication to improving and honing his talents. He recognizes Dave Darlington, an engineer he has worked closely with, for inspiring him to sharpen his technical skills, and he credits the many great musicians and vocalists he's worked with for reminding him that it's all about the music.

Harry Romero

Prok & Fitch

More than any other producer, Todd Terry defined New York house during the ’80s, a varied sampladelic smorgasbord blending the sounds of classic disco, the more introspective Chicago sound pioneered earlier in the decade, plus plenty of hip-hop attitude and sampling piracy. And with two of the most respected crossover remixes of the house era («I’ll House You» by the Jungle Brothers and «Missing» by Everything but the Girl), Terry more than earned his title «Todd the God» (or occasionally, simply «God»). Though he’s often been accused of recycling his own beats and effects (in his production work as well as the DJ booth) a bit too often for his own good, Terry’s immortality as a dance icon is assured.

Born in Brooklyn, Terry began DJing in the early ’80s while still a teenager, spinning hip-hop at school events and on the street with a team called the Scooby Doo Crew. He increasingly listened to Italian disco as well, and when the house sound of Chicago dropped in the mid-’80s, Terry the DJ made an official switch to house music. In league with fellow New York DJ/producer/remixers Little Louie Vega and Kenny «Dope» Gonzalez, Terry borrowed the Masters at Work guise — which Vega and Gonzalez would later popularize — for one of his first big productions, the 1987 single «Alright Alright»; the single became a milestone on New York’s early house scene. The Jungle Brothers, another crew of hip-hop heads who were beginning to stray into house, hooked up with Terry and the collaboration resulted in «I’ll House You,» one of the earliest and most high-profile fusions of hip-hop and house (popularized several years later by C+C Music Factory and Snap!).

The added prestige transferred back to his own name for two wildly popular 1988 singles, «Weekend» and «Bango (To the Batmobile),» both released as the Todd Terry Project. Perhaps preferring the adoration of the faithful, Terry later resorted to dozens of aliases for dozens of club hits — Black Riot’s «A Day in the Life,» Gypsymen’s «Hear the Music,» Royal House’s «Can You Party,» Todd Terry & the Countdown’s «Flipside,» Torcha’s «Feel It,» D.O.S.’s «House of Gypsies,» Sound Design’s «You Can Feel It,» Tech Nine’s «Slam Jam,» and Static’s «Dream It.» Despite his wealth of released material, Terry remixed dozens of artists as well, including Sting, Björk, Janet Jackson, Tina Turner, Malcolm McLaren, Annie Lennox, Robert Plant, and Technotronic, among others. The British house boom of the early ’90s provided Terry with many an overseas gig, including a high-profile residency at the London superclub Ministry of Sound. His proficiency on the decks became a minor sensation, causing several British journalists to describe him as «God.»

Terry moved into label entrepreneurship in 1992 when he formed Freeze Records with William Socolov. (Several of Terry’s early singles had appeared on Socolov’s Fresh/Sleeping Bag label, also the home of rap acts like EPMD, Mantronix, and Nice & Smooth). Freeze became the obvious home for many of Terry’s productions, including several volumes of his EP series Unreleased Projects beginning in 1992 and running through 1995.

That same year, Terry’s remix of the erstwhile pop act Everything but the Girl became a worldwide smash, selling over three million copies and almost single-handedly reviving the duo’s flagging career for a sleek new dancefloor incarnation. The British label Hard Times released the DJ gig A Night in the Life of Todd Terry: Live at Hard Times in 1995, while the flip side of the coin, A Day in the Life of Todd Terry (including his best single and remix productions) appeared the following year. His next project, Ready for a New Day, provided more song-oriented fare, though still implicitly dance, with guest vocalists including Martha Wash, Jocelyn Brown, and Bernard Fowler. Terry made another artistic change-up, to LP-oriented drum’n’bass, with his 1999 album Resolutions, recorded for indie/electronica stalwart Astralwerks.

Todd Terry

DJ and Electronic Music Producer and remixer, born and raised in Madrid, Spain. Creator of the pioneering Iberican Sound, founder of Stereo Productions and Redolent Music. His Music style is a delicious blend of Organic House, warm and intense with a vital and deep Tribal essence that fuses naturally with melodic and evolving sounds, percussion rhythms, and drums. A long-haul career based on his self-taught character and his constant defence of musical quality has turned him into one of the industry's most respected DJs. He is hailed worldwide for his excellent production works, including official remixes for world-renowned artists. 
His evolution throughout the past years has led him to the pinnacle of the global music scene. All these years of hard work, absolute dedication, undisputed professionalism, and a constant evolution in sounds have led him to the summit of success. Chus's strength resides in his charisma and the unique and pure way he chooses to engage with people. 
Chus represents an invaluable legacy of sound, where his blend of styles is his dogma and the quality of his message. 
Redolent Music is his most recent project, a new independent record label, event producer, management agency, and lifestyle concept whose purpose is to cater to the evolving music industry and develop emerging talent.

Torre & Lords

Overview

Top tracks

Latest releases

We Need Love

Gotta Look Good (Remixes)

Yemaya (Remixes) EP

Genres

Related artists