Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Miss Tickle

Ramon Tapia was born and raised in Holland, with a Dutch mother and Chilean father – his upbringing had an eclectic mix of cultures which in turn developed and influenced his decision to become a musician.

In 2023 Ramon entered into the Raw Techno techno Top 10 charts with a bang, like his collaboration with Gaston Zani ‘Friction’ on Planet Rhtyhm and ‘Circular’ on Christian Smith’s  Tronic Music in 2024 .

Working in his teen years in Antwerp’s famous record store ‘USA import’ he sculpted a broad taste in music and his production skills along the way gradually learning how to produce tracks solo, with a solid foundation in pounding techno and hardcore scene.

He found his resurgence in the 00’s, forging a new school techno sound with his release ‘Land Of Drum’ on Pocket the sublabel of Music Man, a release on Gayle San’s label Equator and more house styled tracks on New York’s legendary Strictly Rhythm label. That's where his name catapulted into the limelight, becoming the biggest turning point for his career, resulting in a residency at Sankey’s Ibiza for three years, multiple bookings around the globe, rapidly growing loyal fan base and global recognition.

With an impressive collection of releases on some of the biggest labels, Ramon started his very own imprint - Say What? Records in 2012. The label delivers a proper dancefloor-ready Techno from respected names and new kids pulling the wagon for the new generation under Ramon’s supervision.


Ramon Tapia

Maksim Dark

Oniris

Raul Mezcolanza

Giacomo Stallone

K.E.N.Y.U.

Wyrus is from Zagreb, Croatia. He entered the world of electronic music nine years ago, when he was talked into going to his first party. As Wyrus was interested in all kinds of music, he developed interest in this one too.
After lots of materials listened, he decided to start DJing, and so he began to learn the basics. Not long after his first touch of turntables Wyrus started to play in one of Croatian night clubs where he started his first residency.

The Wyrus style could be described as tribal/driving groovy techno with some electro influences.

He has been playing in all over his home country Croatia in clubs and open air parties such as:

Boogaloo, The Best, Aquarius, Boxer, The Cube, Oxygene, Jamaica, Londoner Club, Luka Club, UFO Festival, Mini Teatar, 402 Street Race, Invazia, Techno Corner (Croatia), Boat Party, The Zoo Club (Belgium) and Club Brod (Serbia).

So far he has shared decks with DJ's like:

Dave Clarke, D.A.V.E. The Drummer, Matt M Maddox, Axel Karakasis, Peppelino, Dj Cristiao, Reaky, Bebetto, BooDale, Mirzinho, Miche, D-Fence, Dj Peers, Carbo, Petar Dundov, Goldfox, Digital Clones, David Gneo, Fer BR, Julien Lejeune, Kees, Riot, Toxica, Havoc, Styks and others.

Besides playing music, Wyrus has also entered the world of producing music.

He gets his first studio a couple of years ago and after experimenting with different styles he has found himself in techno sound. Although his production varies from ambiental sound, through house and techno all the way to underground d’n’b, most of his tracks come out sounding like groovy techno with powerful basslines. Recently he has started a cooperation with Dastin in production and their debut release was on SubCult Records 009, with track Curso de la vida. It was a bomb, featured by artists like Pedro Delgardo, Christian Varela and others, and then become a great breakthrough for both of them into electronic music production scene. Nowdays Wyrus is producing with Prude Polly, and Matija Marinic, and their tracks hit all the top lists around the world.

By now Wyrus has signed several vinyl releases and over 50 digital releases on labels like:

Adult, Relatives, Patterns, Backspin, Sexy Grooves, BeatForm, P-Series, C-Series, Koitus, Undershape, SubCult, Emphatic, Techment, Prozak, Keep on techno, Guilhotina, Valvula and many others.

Wyrus has built himself us as a recognized name among young and talented producers with his originals and remixes. At the beginning of 2008. Wyrus started his own label Keep On Techno Records in cooperation with Dastin and Fer BR which is now one of top selling labels in the world!

Wyrus

Homma Honganji

As DJ Awards’ 2016 Electronic Live Performer, Matador is a revolutionary live artist with a shining reputation for versatility, whilst never compromising on quality. Accolades have been showered on the Dublin-born producer, from proud ambassador of the NEVE 5088 Console, and Richie Hawtin’s PLAYDifferently MODEL1 mixer, his tenure as an ENTER resident at their worldwide events, to his consistent spot in RA’s Live Artist poll, bringing him rapid worldwide acclaim and a devoted worldwide fan base of clubbers and peers alike. Still thirsty for new worlds to conquer, Matador, aka Gavin Lynch, recently took on a new role as label boss for his RUKUS imprint. Matador’s breath-taking explosive live shows result in packed crowds and an equally packed touring schedule including key bookings at top clubs and festivals such as Awakenings, Tomorrowland, Sonus Croatia, Ultra, and Output, DC-10, Space Ibiza, Stereo Montreal. Playing to ecstatic thousands at sold out shows worldwide is a far cry from his early years. Raised on Motown, Matador then grew up with Guns N Roses, Pink Floyd, Orbital, Kasabian… As a teenager inspired by electronic giants Richie Hawtin, Adam Beyer and Jeff Mills, he listened faithfully to the Essential Mix, collecting records and learning to DJ on any pieces of equipment he could afford. His drive to learn more led him to a sound engineering course at Dublin’s Sound Training Centre, with an emphasis on electronic music production, and an obsession was born. ‘Whilst electronic production is my first love, it has been incredibly important to have knowledge of instruments in their purest form both in a studio and in a live environment.’ Along with early interest from Cocoon and Perc Trax, an encounter with Richie Hawtin boosted him from aspiring DJ on the Dublin underground club circuit to a key component of Hawtin’s Minus imprint. His success was assured by his string of successful releases there such as ‘Kingswing’ and his ‘Spooks’ EP, and by his innovative, ever-evolving live shows. His relationship with Hawtin continues to be a fruitful one, having been enlisted as an ambassador for his PLAYDifferently Model 1 analog DJ mixer in 2016. Last year also saw Matador founding his RUKUS label. ‘I’ve always loved the idea of taking my tracks from conception in the studio all the way through to release,’ he says. Initially creating an outlet for his own music, this year he invites exciting new and established talent to the imprint, as he extends his range as label boss. In 2016 he unveiled his newest live show at Loveland (ADE 2016), and he promises to add more new elements into an already complex and acclaimed performance in 2017. Unusually multi-talented outside music, Matador’s many interests and skills have fed back into his DJ career. His early twenties were spent training as a chef to the point of a promising career in Dublin’s Michelin starred restaurants. Following his Dad’s advice of ‘find something you love doing and you’ll never work a day in your life’, he split his time between the kitchen and the decks, before cooking became a much loved hobby and music his life’s work.

Matador

As one of the most heavily supported and best-sold techno producers of the moment, notorious for his powerful live performances at renowned festivals and clubs, Reinier Zonneveld is currently taking over the contemporary scene with his unique view on techno. In spite of his young age, Zonneveld already managed to score several charting hits, including Beatport overall no.1 “Things We Might Have Said”, which was included on his well-received artist album “Megacity Servant” and later on landed in a Hollywood production.
Born in the Netherlands on the 30 January 1991, Zonneveld’s introduction to music was through classical piano lessons from the tender age of three. In his youth, Reinier started to compose classical music pieces and performed piano concerts by himself. But it was only when he started his university studies in econometrics and finance and after attending his first illegal raves, that Reinier Zonneveld began exploring music production by way of electronic means. Spending all of his student’s allowance on his first synthesizers during his university time, Zonneveld managed to teach himself his outstanding production skills in his student dorm.
At the end of 2015, after he completed his two master’s degrees, Zonneveld decided to dedicate all of his time and effort to his ever-growing passion: producing and performing techno music. Soon after, his tracks got picked up by some of the biggest names in the scene, followed by releases on Oliver Koletzki’s Stil vor Talent, Carl Cox’s Intec, Richie Hawtin’s Minus and two official remixes for Moby.
With his productions and live-sets influenced by both, Zonneveld’s classical background and his own rave experiences, it’s no surprise that his sound contains an incredible breadth, ranging from deep melodic tracks to pounding warehouse acid techno.
Zonneveld’s musical talent truly shines through in his live performances as he manages to craft hits, both old and new, live on stage. This extraordinary talent enables Reinier to perform a unique all-night live-set on the spot, while creating explosive moments on the dance floor.
Only just starting his career, Zonneveld has already performed on all continents, from main stages to underground clubs, leaving a thrilled crowd on each dance-floor. If not on the road, Zonneveld tries to find time in his fully-booked tour schedule to create tracks and further hone his skills in the studio, with the experiences and influences gained from his performances and travels as a constant source of inspiration.

Next to performing and producing music, Reinier runs his own well-received label Filth on Acid, which was founded in early 2017. Filth on Acid will fully enable Zonneveld’s creativity and serves as a platform for his wide view on techno music. All being said, it’s apparent that Reinier Zonneveld will further influence today’s global techno scene with his unique productions and dance floor-shaking live-sets for years to come. It’s just the beginning...

Miss Tickle

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