Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Sleazy D

Bursting onto the underground house scene in 2011, Max Chapman was just 23 years old when he released his first record. Since then the Essex based DJ and producer has taken on a journey of energy, creativity and unconditional passion and even bagged himself an overall number one on Beatport. It’s this passion that has been the drive and motivation behind Max’s flawless production, extensive versatility and limitless capabilities.

Just 8 months into his DJing career Max started up his own label, Resonance Records. To this day he still maintains his imprint, placing himself at the helm of showcasing exciting new talent from every corner of the globe. Utilising his resources, the label has since blossomed into a monumental platform for the finest underground tech-house music, and as a result, some of the artists involved are playing at the biggest parties in the world, week in, week out.

Storming through Continents such as North and South America, Australasia and Europe is now the norm. On a weekly basis he’s ploughing through set after set and pleasing all his fans. Space, Sankeys and Privilege are just some of the venues amongst the plethora of places Max has performed at and with lots planned for this year the sky is the limit.

Max's track 'Body Jack' climbed the Beatport Tech House chart pretty quickly and once into the top 100 it was unstoppable, reaching the top spot after 10 days of being released. It then went n to claim the overall number 1 across all genres a a few days later.

Releasing tracks and EPs on WOW!, Hot Creations, Snatch, Elrow, Lost, Madtech, Resonance and VIVa is now becoming a regular occurrence; earlier in 2016, Max was the only producer to have two tracks featured on VIVa’s compilation album, with ‘Freaks Come Out’ charting the highest out of the whole record. Not content with that, his debut album ‘Catch Me If You Can’ was given a 9/10 from Mixmag and DJ Mag, as well as hitting number 10 in the Beatport chart. Not only has he taken his sound to the airwaves with a residency on Pioneer Radio, he ticked a huge industry box with a set at Lost Beach club in Ecuador, as part of the Boiler Room network, which was the first ever Boiler Room in Ecuador and was streamed worldwide to thousands of people.

It’s easy to see why Adam Beyer, Riva Starr, Steve Lawler, Jamie Jones, Richy Ahmed, Hot Since 82, Loco Dice, Matthias Tanzmann, Pete Tong, Nic Fanculli and many more of the biggest names in the business are giving these tunes a spin on a weekly basis

Max Chapman

Iglesias audacious rhythmic sensibilities and percussive sound have garnered his

reputation as a highly skilled purveyor of drum grooves. With a track record that includes

millions of Spotify streams, multiple Beatport #1 hits and a consistent presence in the

Beatport Top 100, his work has attracted a devoted following that includes many of his

own musical influences.

He has an ambitious approach, charting a unique course, consistently releasing material

Iglesias

Menary

Born in Fucecchio in September 1974, Valentino Montanelli is a young DJ near Florence. He discovers music thanks to his friends and visits to specialized shops, at the age of 16, he begins to study djng and buys his first 2 1210 technics which will then lead him to reach very compelling personal goals, moreover he also takes piano lessons. Fascinated by the nightlife at 17 he began to do the Promoter for several clubs such as: concorde and Kama Kama. He begins to be a DJ very cautiously, giving his availability to private parties. At the age of 18 he began working as a DJ in many clubs both in Italy and abroad. Including: Kama Kama, iisomnia, imperial, ministry of sound London etc. it was the period of the first after hours in which some of the most famous such as exogrove, taverna yesterday, neon the west etc. At the age of 20, the KKK took part in the start-up of a club in the province of Lucca, where he spent 2 unforgettable years However, he continues to be a DJ in many clubs in Italy. Founder of the group that organizes events, called “Pig and Pearls” together with Christian Farias. After two years he created a public relations group called "Animals" with which he organized private parties and pool parties. In the meantime, he begins to cultivate the passion for music production he has carried on until now, with the support of his family and friends.

Markyno

Mark Jenkyns

JB Martinz

ART NO LOGIA

But Sidney Charles in his age of twenty-something already looks into many happy faces, when he enters the decks. Everybody, who understands this love-binding kind of music, has to live the urban movement behind it, the culture that brings people of all kinds together. Exactly these motions are fascinating the young man, born as Sidney Charles Hurricane Vieljans in Hamburg, Germany.

With the age of 15 Sidney Charles discovered the magic of the two black discs spinning on the 1210s. At the beginning Hip Hop, Soul, Funk, Breakbeat and Turntablism was Sidney´s medium to express his emotions. Highly delighted and inspirited by the time of late 80s and early 90s, when the movement, accompanied by young culture, began, Sidney Charles was finding the higher BPM-numbers of House & Techno were leading to more inspiration and happiness.

He is not a musician, nor a percussionist. He is a collector. A collector of culture and experiences. The energy and feeling around the music is what makes the difference and letting Sidney Charles not be one of manys.

Sleazy D

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