Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

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Dave Antony

Bladerunner

The pair first met in 1987, both living on Blackbird Leys estate in Oxford, England and brought together through a mutual love of hip-hop. Distracted by the arrival of hardcore in the early nineties, record collecting was quickly followed by DJing and eventually production.

Greenhalgh was the first into the studio, with "Freestyle Fanatic (EP)" as Q Project launching his career in 1991. However it was the establishment of the Legend imprint and specifically Greenhalgh's track "Champion Sound" from the "Return Of Q. Project", which really took their profile above and beyond the slew of anonymous white labels that were dominating the music at the time.

In 1994, the pair started recording together, with "Got To Believe" the first in a series of records which pushed the label away from the fizzling darkside movement and more towards the epic string sections and rolling beats which started to appear on labels like Lucky Spin Recordings, Basement Records and Good Looking Records.

After six years of recording singles for others, the pair established the C.I.A. label in the closing months of 1997 with the help of Brillo from Timeless Recordings. The release of "Silent Reign" for Goldie's label Metalheadz, breathed a new lease of life into the project, and the pair achieved a further boost with a well-timed Bad Company remix of "Champion Sound" which conjured further interest in what they were doing at their own label.

Their debut album "Advance" exposed a further field of interest, with downtempo experiments logged as a series of 'breaks' on the majority of their early EP's extended to some superb deep house, this breadth taken a step further with their Skindeep imprint which has forged broken beat to considerable acclaim.

Their pioneering of a revival in old-school sounds and arrangements, together with labels Digital UK and Reinforced Records, dominated drum & bass throughout 2001 and beyond

Total Science

Shimon

Goldie

Bailey

Heist, real name Jim Muir, is a renowned UK drum'n'bass producer known for his signature blend of intricate sounds and cutting-edge production techniques. A mainstay in the scene for years, Heist has crafted a distinctive style that merges lush, atmospheric melodies with powerful basslines and punchy drums, creating tracks that resonate both on the dancefloor and in the studio. He first gained attention in the mid-2000s, releasing records for the Rufige Kru project and going on to log releases for leading labels such as Metalheadz, Playaz, and Co-Lab Recordings, establishing himself as a versatile and forward-thinking producer with a knack for combining elements of liquid funk, techy beats, and deep, soulful vibes. Among his highlights are the tracks "Rum Goblin," "The Verdict," and "Digital Funk" and his work has earned him recognition and respect within the drum and bass community, collaborating with some of the genre's biggest names while also carving out his own solo path. 2023 saw the release of new album Heist Sound driven by standout track "Moose Knuckle", which cracked the UK's Top 100 Singles Sales Official Chart.

Heist

Flat T

Navigator

n' Bass from his friend Kjell Anderson(who is half of their production duo Style Control) back in 1994. This quickly led Miles into DJing the following year, and into Drum n' Bass produciton in 1998. He would then sign 10 tracks with Thermal Recordings in 2001. He also joined the production team NUCO and held a residency for three years called Information Technology. In that same period of time he was resident at Europa, in downtown Richmond. In 2004 he released a single on his own imprint Miles A. Head. He then remixed a track called Second Protector by Kjell, that debuted on DJ Bailey's show on the BBC Radio 1XTRA in the summer of 2005. DJ Fabio debuted his music on Radio 1 the following year, and released a single on his imprint Creative Source. He has releases on many labels including, Pushin' Wax, Sonorous, Influenza, Innerground, Nemesis, Deep Soul Music, Horizons, Influenza LTD., Point Audio, Westbay Music and Haunted Audio under the alias Dubyah.Miles keeps a steady DJing schedule. Having played all over the U.S. and across the Atlantic, he has hoaned his craft and can move any crowd. He will return to his home state of Virginia to DJ alongside friend and Style Control DJ iLL Omen near the end of this month. Also look out for an upcoming release on Mix n' Blend.

Dave Antony

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