Afro House is a sub-genre of house music that originated in South Africa and incorporates African elements and rhythms into the electronic dance music framework. Sub-genres: Afro Tech, Afro Deep, Afro Soulful, Afro Tribal, Afro Funk, Afro Latin, Kwaito, Gqom, Amapiano.

Afro House

Amapiano

Bass House is a sub-genre of house music that emphasizes heavy basslines and hard-hitting beats. Here's a list of some of these styles: UK Bass House, Future House, Wobble House, Garage House, Breaks-infused Bass House, Dark Bass House.111

Bass House / Future House

Rhythmic, beat-driven electronic music with syncopated patterns.	Sub-genres: Big Beat, Nu Skool Breaks, Progressive Breaks, Florida Breaks, Atmospheric Breaks.

Breaks / Breakbeat

Dance / Pop

A soulful, melodic variant of house music with smooth chords. Sub-Genres: Tribal Deep House, Afro Deep House, Deep Tech House.

Deep House

Tracks or elements designed for DJs to use in live performances. Acapellas, Loops, Samples, DJ Intros/Outros.

DJ Tools

Fast-paced electronic music with breakbeats and heavy basslines. Liquid, Neurofunk, Jump Up, Jungle, Techstep, Darkstep, Drumfunk, Atmospheric DnB, Dancefloor DnB.

Drum and Bass

Electronic music with heavy basslines, and syncopated rhythms. Sub-genres: Brostep, Riddim, Chillstep, Melodic Dubstep, Wonky, Deathstep, Glitchstep, Deep Dubstep.

Dubstep / Bass / Grime

An early form of electronic dance music with futuristic themes. Detroit Techno, Electro Funk, Electro Breaks, Electroclash.

Electro (Classic / Detroit)

Energetic, hard-hitting dance music with heavy basslines. Sub-Genres: Progressive Electro House, Complextro, Dutch House, Fidget House, Dirty Dutch, Melbourne Bounce.

Electro House / Big Room

Diverse, experimental electronic music with various influences: IDM, Ambient, Downtempo, Glitch, Trip Hop, Breakcore, Experimental, Soundscapes.

Electronica

Upbeat house music with disco, funk, and soul elements. Sub-Genres: Disco House, French House, Filter House, Glitch House, Chicago House.

Funky / Jackin' House

High-energy electronic music with aggressive beats and tempo. Happy Hardcore, Gabber, Hardstyle, UK Hardcore, J-core, Powerstomp, Speedcore, Terrorcore, Breakcore.

Hardcore / Hard Dance

Intense techno variant with faster tempos and heavier beats. Sub-Genres: Schranz, Industrial Techno, Dark Techno, Power Noise.

Hard Techno

Electronic dance music with 4/4 beats and repetitive rhythms. Classic House, Acid House, Vocal House, Chicago House, New York House, Swing House.

House

Electronic music with indie, alternative, and disco influences. Sub-Genres: Synthwave, Italo Disco, Coldwave, Dark Wave, New Wave, EBM.

Indie Dance / Dark Disco

Experimental, unconventional electronic music. Sub-Genres: Leftfield Bass, Leftfield House & Techno, Avant-garde, Musique Concrète, Drone Music.

Leftfield

Relaxing, downtempo electronic music for casual listening. Ambient House, Trip Hop, Downtempo, Balearic, Lo-fi, Nu Jazz.

Lounge / Chill Out

A blend of house and techno with strong melodies and harmonies.	Sub-Genres: Progressive Melodic House, Deep Melodic Techno, Uplifting Melodic Techno.

Melodic House / Techno

Minimalist house music with intricate, glitchy sounds. Minimal Techno, RoMinimal, Clicks & Cuts, Glitch House, Intelligent Dance Music (IDM)

Microhouse

Sparse, stripped-down electronic music with repetitive patterns. Sub-Genres: Minimal House, Microhouse, RoMinimal, Glitch, Ambient Techno

Minimal / Deep Tech

Modern disco and funk-inspired electronic music. Disco House, Funky House, Re-edits, Modern Funk, Boogie, Future Funk, Electro Funk.

Nu-Disco / Soul / Funk

House music with natural, organic sounds and world music elements. Downtempo, Ethnic House, World Electronica, Afro House, Tribal House

Organic House / Downtempo

Evolving, melodic house music with long builds and breakdowns. Sub-Genres: Dream Progressive House, Dark Progressive House, Progressive Trance, Progressive Breaks.

Progressive House

Psy-Trance

House music with a strong soul, gospel, and jazz influences. Sub-Genres: Gospel House, Vocal Soulful House, Jazzy House, Latin House.

Soulful House

Electronic-infused soul, R&B, and hip-hop tracks. Neo-Soul, Future R&B, Instrumental Hip-Hop, Alternative R&B, Trap, Trip Hop, and Grime.

Soul / R&B / Hip-Hop

A fusion of house and techno with an emphasis on percussion. Sub-Genres: Tribal Tech House, Deep Tech House, Minimal Tech House, Acid Tech House, Dub Tech House.

Tech House

Energetic techno with driving beats and strong rhythmic elements. Hard Techno, Detroit Techno, Minimal Techno, Acid Techno, Rave Techno.

Techno (Peak Time)

More stripped-down, atmospheric, and dub-influenced techno. Sub-Genres: Dub Techno, Hypnotic Techno, Ambient Techno, Deep Techno, Experimental Techno.

Techno (Raw, Deep, Dub)

Melodic, uplifting electronic dance music with a fast tempo. Progressive Trance, Uplifting Trance, Psytrance, Vocal Trance, Hard Trance, Tech Trance, Goa Trance.

Trance

A fusion of house, R&B, and jungle, characterized by syncopated beats. Sub-Genres: 2-Step, Speed Garage, Grime, UK Funky, Future Garage, Bassline, Breakstep.

UK Garage / 2-Step

About Volumo – A new generation of electronic music store for professional DJs. Download the latest electronic, dance, and house releases in MP3, WAV, AIFF, and FLAC.

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Michael A electronic music artist, Genesis Music label owner. He has releases on prestigious world-famous labels such as: SUDBEAT, Proton Music, Replug, Perspectives Digital, Armada..

Michael A

Rick Pier O'Neil is a French Dj, music producer and sound engineer.

Working with big labels as Sony Music, Universal music, Motown, Polygramm. As remixer for Kool and the gang, Stevie Wonder.

Collaborations with Stan Kolev, Matan Caspi, D-Formation, dj san, Quivver, Gmj and more.

The first released ranked 5th in the famous Billboard Chart.

Remixed by Donna Summer (which became number one on bilboard charts), Lenny Kravitz, Ultra Nate, Cee Peniston, Stevie Wonder.

The title "I don't want nobody " created for Cheri Amore (Vocalist of Armin Van Buuren). RPO makes rankings on the US Billboard and is acknowledged by the biggest Djs.

Child of soul music, progressive house, tech house, and techno, he now produces his own sonorities. Lots of Dj support the RPO Sound. He has produced , created and remixed over 1500 titles up to now under various artist names and surrounds himself with the best vocalists and musicians.

Rick Pier O'Neil

Roberto De Haro

DJ Since 1992, based in Berlin & Buenos Aires 
Founder & Head of Sprout Music 
One Part of D-Nox & Beckers

D-Nox

Christian Burkhardt

There is a fine line between genius and insanity that Basti Grub has been balancing on for over 10 years. A time of intrepid experimentation with different musical influences and stylistic outbursts. A multi-faceted coming of age process that has made him what he is today - a creative madman whose mental orchestra never stops.

Whether its different instruments, modular systems or synths Basti Grub who was born in Frankfurt loves the unpredictable and never limits himself by thinking in conventional terms.

From a very early age onward it became clear that Basti´s fascination with music would take center stage in his life. The roots: reggae music, a Roland MC 303, turntables and life-changing trips to Omen and Robert Jonson which would lay the foundation to Grub´s concept of club-orientated sound.

About two years ago Basti Grub made a musical leap forward that took him to where he was already aiming for in his beginnings – a sophisticated minimalist yet groovy sound with high standards. This development did not go unnoticed and led to Basti Grub becoming the producer one of the Techno institution Timo Maas.

Basti Grub is currently working on his fourth studio album and participating in a variety of new and interesting projects that are yet to come out

Basti Grub

In the first three years since inception Third Son has swiftly become a globally recognised artist, revered for his laser-precision DJ sets and his broad musical range, coupling deep and hypnotic melodies with four to the floor techno and the occasional breakbeat.

His father, himself a professor of music, made sure Joseph was trained classically in the art from a young age. His youth interests took him from jazz to rock and further but it was Radiohead’s ‘Kid A’ that was the real rite of passage, with its blurring of electronica and rock shaping something of a revelation for him.

With a hefty number of releases under his belt and support from some of the industry’s key players, he has broken more ground than most in such a short time. Now he looks to develop his skills further, with a live set of his own material and a series of ambient works, he is piquing ever more interest from his fans and garnering him new ones alike. Whether it is in the studio or on stage, Third Son’s goal is simple: to make the best music he can.

Third Son

Nico Stojan

It all started with The Prodigy, they were his first music influence, later on Antoine Clamaran and Carl Cox, today Dubfire, Carola, Luciano. He found the world of DJing fascinating with all the different genres, from techno then house and dark progressive and finally minimal-tech-house which he now plays and produces. Had gigs in many clubs across Serbia and at the Exit fest, Foam Fest and Love Fest. His tracks were played by Dubfire, Hawtin, Carola, Umek, Varela, Spartaque, Oxia... but the biggest support comes
from Deeperfect owner Stefano Noferini.

Milos Pesovic

The dance scene in Romania has a growing reputation as a thriving source of talented DJs and producers who are creating their own interpretations of the electronic music blueprint. One of the most talked about names to emerge recently is Luca M who has an impressive series of productions to his name already as well as increasing demand for his DJ skills. 2013 looks set to be the year when Luca steps into the spotlight in a major way. Luca Madalin-Alexandru, to use his full name, has had a passion for electronic music from an early age. By the time he was 15, this passion had transformed itself into his first attempts at making music, a skill he quickly mastered. At this stage he had no thoughts about becoming a DJ, but as support for his productions grew, it was the logical next step. It quickly turned into something Luca loved just as much as making music. Luca acquired his production skills through patience and determination starting with the most basic of equipment. At times it was a steep learning curve, but as his confidence and technique grew, he began to forge his own distinctive style. Beginning in 2008 with releases on local Romanian labels such as Sintope Digital, and Italian labels like Italo Business and 303Lovers, it wasn’t long before more established imprints began requesting tracks. Significant releases include ‘Grumpli’ on Starlight Unlimited, ‘Pufarine’ on Area Remote, ‘Habarnam’ on Cr2, ‘Alinare’ on Steve Lawler’s VIVa MUSiC, ‘Peak Week’ in collaboration with JUST2 on Kittball, and the ‘Principle’ EP on Carlo Lio’s Rawthentic Music. ‘Melilla’ was included on ‘Defected in the House: Miami ‘11’ mixed by DJ Chus and David Penn. In fact, Luca’s output has been nothing short of prolific with tracks and remixes across a wide selection of labels. He has also found time to launch his own label, Pamflet Music, which became the home of his debut artist album, ‘Pamflet’, released in 2010. The title is a play on the word pamphlet reflecting his time as a student; by day he would be studying, and at night laying down beats and basslines. Impressive work from an artist still in his early 20s. So what exactly gives a Luca M track its special quality? It ’s a dynamic combination of energy and groove underpinned by a funk-fuelled bassline. This is tech house in the true sense, and the secret behind his popularity with other DJs and clubbers from dedicated house heads through to techno connoisseurs.A good time is guaranteed when Luca is on the decks. “As a DJ and producer,” he explains, “when you see people enjoying your music, you can say mission accomplished! The mission is to make people happy. It’s the most beautiful feeling, and makes me stronger and more committed to finding a way to make my music even better.”

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